Calendar

Jan
12
Tue
Drink + Draw — Flux Factory @ Online
Jan 12 @ 7:00 pm – 9:30 pm

It’s time for another DRINK + DRAW!!!!

Hope to see you there! ⁣⁣

Tuesday, January 12,
7:00 – 9:30pm

REGISTER ON LINK: https://withfriends.co/event/6031807/flux_digital_drink_and_draw ✅✅
Sliding scale $0 – $20⁣⁣
⁣⁣
It’s always such a joyful evening! Some ‘FAQs’ are below, and if you have any more questions or access needs, please reach out to @lexymakesthings! 💜⁣⁣
⁣⁣
FEATURING AMAZING ARTIST MODELS:⁣⁣
Nayana Fielkov (she/her, @nonnyp)⁣⁣
Flux’s own Maya Suess (she/her, @mayasuess)⁣⁣
Dew Deloris Igworia-Onwuka (she/they, @dewigwoonwuka)⁣⁣
Mimi Ho-Tai (@mimihotai, she/her)⁣⁣
⁣⁣
Hosted by @lexymakesthings (she/her) via @flux_factory⁣⁣
⁣⁣
Q: Where does it take place?⁣⁣
A: Good ole’ Zoom! Links will be sent upon registration.
⁣⁣
Q: Is it okay if I come late for the Drink + Draw?⁣⁣
A: Yes! The event is ‘drop-in’ style, so come through any time between 7-9:30pm. Stay for as long as you can!⁣⁣
⁣⁣
Q: Do we have to share our drawings?⁣⁣
A: Not at all! In between sets, we spent about 5 minutes sharing our drawings (i.e. holding them up to the screen and being spotlit). It’s a very supportive environment, as folks often say encouraging words about the drawings. However, this is totally optional – if you’d prefer not to share, that is absolutely okay!⁣⁣
⁣⁣
Q: Is it free?⁣⁣
A: Yes! If you’re in the position to support, we do have a $5-20 suggested donation, which goes towards tipping the models. All the models are volunteering their time, so this is very appreciated. However, no one is turned away due to lack of funds, and you can show gratitude to the models in other ways: sharing your drawings, following their creative practices, etc.⁣⁣
⁣⁣
If you have any more questions, an interest in Access Needs, please reach out!⁣⁣

Jan
13
Wed
Ballet Hispánico’s B Unidos Winter Watch Party Schedule Unveiled @ Online
Jan 13 all-day

Ballet Hispánico’s B Unidos Winter Watch Party Schedule Unveiled

Multiple Dates

New York, NY – Ballet Hispánico, the nation’s renowned Latinx dance organization recognized this year as one of America’s Cultural Treasures, kicks off 2021 with a glimpse into the company’s past. The 50th Anniversary Celebration continues with a series of entertaining archival repertory pieces, inviting audiences to look back at vibrant performances from the 80s and 90s with the Ballet Hispánico Watch Party Series on Wednesdays, January 13, 27 and February 10, available at ballethispanico.org, and on YouTube and Facebook. Enjoy a Company performance from the comfort of your own home, followed by live Q&A sessions with Artistic Director and CEO of Ballet Hispánico Eduardo Vilaro, choreographers and Company and alumni dancers. Each of the pieces feature Mr. Vilaro himself, during his years as a dancer with the Company. https://www.ballethispanico.org/

January 13 at 6:30pm
Arabesque by Vincente Nebrada, with post-event appearances by former Company dancers Justine DiCostanzo and Sean Kim.

January 27 at 6:30pm
¡Si Señor! ¡Es Mi Son! by Alberto Alonso, followed by a conversation with former Company member Donald Roman Lopez and other special guests.

February 10 at 7pm
Café America by George Faison, including post-event conversation with the choreographer himself.

Arabesque (1984)
Vicente Nebrada’s Arabesque is an elegant suite of dances set to the music of Spanish composer, Enrique Granados. Traces of Flamenco influence are hinted at in the upper body as the dancers move through a series of lush balletic contemporary phrase work. Choreography by Vicente Nebrada; Music by Enrique Granados; Costume Design by Randy Barcelo; Lighting Design by Donald Holder; Dancers: Mari MacKenzi, Justine DiCostanzo, Nadine Mose, Kathryn Ross, Teresina Goheen, Jose Costas, Verne Hunt, Cholsu Kim, Pedro Ruiz, Eduardo Vilaro

¡Si Señor! ¡Es Mi Son! (1994)
Choreographer Alberto Alonso brings the spirit of Cuba to life. Elaborately costumed dancers make their way across the stage in a carnival style procession eventually breaking off in pairs, their movement intertwined with the Afro-Cuban rhythms of Gloria Estefan’s music from her album, Mi Tierra. Choreography by Alberto Alonso; Assisted by Sonia Calero; Music by Gloria Estefan (from the album Mi Tierra); Costume Design by Randy Barcelo; Lighting Design by Donald Holder; Dancers: Pedro Ruiz, Amir Levy, Natalia Zisa, Eduardo Vilaro, Lynne Morrissey, Alessandra Corona, Rebecca Jefferson, Veronica Ruiz, Donald Roman Lopez, Yael Levitin, Marc Calamia, Linda Caceres, Rita Blandino, Christina Figueroa, Eric Rivera

Café America (1990)
Café America is a bittersweet envisioning of the “American Dream.” Three immigrants make their way to a new life dawned in brilliant-colored suits with a sense of determination evoked by Faison’s expansive, jazzy choreography. Choreography by George Faison; Music by Ruben Blades and Julio Iglesias; Set Design by Pepon Osorio; Costume Design by Bernard Johnson; Lighting Design by Tim Hunter; Dancers: Marc Calamia, Eduardo Vilaro, and Amir Levy

#BUnidos
#BUnidos began as a daily video series to combat the loss of performances and community programming due to COVID-19. As social distancing continues, we continue to provide content through our social media platforms as a way to instill a sense of community within our BH familia and offer ways to explore dance and Latino cultures online. #BUnidos! Social distancing does not mean emotional distancing.

“As a community of dancers, artists, and human beings, we are all in this together. We will persevere through this challenging time, and we hope that this programming provides a coping outlet, for you, for our followers and the community overall,” said Eduardo Vilaro, Artistic Director & CEO of Ballet Hispánico. “Now more than ever, it is important to band together in support of the arts. The personal and professional challenges that we have already endured and will continue to face over the next few weeks or months are significant. What we can take from this time of cancellations, uncertainty and social distancing is a chance to use our creativity to connect with the community on a new level. Social distancing does not mean emotional distancing. Ballet Hispánico was founded upon and has always believed in the importance of reaching and servicing our community through dance and culture. As this pandemic occurs during our 50th Anniversary, it provides us with an opportunity to reflect on how far we have come, get back to our roots by reaching out to community near and far, and look forward to what is ahead.”

About Ballet Hispánico
Ballet Hispánico is the nation’s renowned Latino dance organization and one of America’s Cultural Treasures. Ballet Hispánico brings communities together to celebrate and explore Latino cultures through innovative dance performances, transformative dance training, and enduring community engagement experiences. Founded in 1970 by National Medal of Arts recipient, Tina Ramírez, the organization emerged during the post-civil rights movement on New York’s Upper West Side, providing a safe haven for primarily Black and Brown Latinx youth seeking artistic sanctuary during New York City’s plight in the 1970s. The need for place, both culturally and artistically, led families to find Ballet Hispánico. The focus on dance as a means to develop working artists, combined with the training, authenticity of voice, and power of representation, fueled the organization’s roots and trajectory. With its strong emphasis on dance, achievement, and public presence, the organization has flourished in its three main programs: its Company, School of Dance, and Community Arts Partnerships. The organization serves as a platform for historically omitted and overlooked artists providing them with increased capacity, voice, and affirmation. Over the past five decades, by leading with Latinx culture at the forefront of performance, education, and advocacy, Ballet Hispánico’s mission is a catalyst of change and possibility for communities throughout our nation.

Jan
14
Thu
Write in Brooklyn Presents: Jacqueline Woodson, National Book Award Winner @ Online
Jan 14 @ 6:00 pm – 7:30 pm
Write in Brooklyn Presents: Jacqueline Woodson, National Book Award Winner @ Online

Write in Brooklyn Presents: Jacqueline Woodson, National Book Award winner

January 14, 2021

St. Francis College presents a Write in Brooklyn virtual event with National Book Award winner and MacArthur fellow Jacqueline Woodson.

About this Event

Join our Write in Brooklyn event with Jacqueline Woodson, moderated by Isaac Fitzgerald and hosted by the SFC MFA Program! On January 14th, from 6-7:30pm, Jacqueline and Isaac will discuss writing, literature, and the creative process. The acclaimed author is the National Book Award winner for her New York Times bestseller, Brown Girl Dreaming, and the 2020 recipient of the MacArthur Fellowship, the 2020 recipient of the Hans Christian Andersen Award, the 2018 Astrid Lindgren Memorial Award, among many others.

Please note, the Zoom link will be sent out one hour prior to the event’s start time.

About Jacqueline Woodson

Jacqueline Woodson is the recipient of a 2020 MacArthur Fellowship, the 2020 Hans Christian Andersen Award, the 2018 Astrid Lindgren Memorial Award, and the 2018 Children’s Literature Legacy Award, and she was the 2018–2019 National Ambassador for Young People’s Literature. Her New York Times bestselling memoir, Brown Girl Dreaming, won the National Book Award, as well as the Coretta Scott King Award, a Newbery Honor, and the NAACP Image Award. She also wrote the adult books Red at the Bone, a New York Times bestseller, and Another Brooklyn, a 2016 National Book Award finalist. Her dozens of books for young readers include Before the Ever After, New York Times bestsellers The Day You Begin and Harbor Me, Newbery Honor winners Feathers, Show Way, and After Tupac and D Foster, and the picture book Each Kindness, which won the Jane Addams Children’s Book Award.

Jan
20
Wed
Ballet Hispánico’s B Unidos Winter Watch Party Schedule Unveiled @ Online
Jan 20 all-day

Ballet Hispánico’s B Unidos Winter Watch Party Schedule Unveiled

Multiple Dates

New York, NY – Ballet Hispánico, the nation’s renowned Latinx dance organization recognized this year as one of America’s Cultural Treasures, kicks off 2021 with a glimpse into the company’s past. The 50th Anniversary Celebration continues with a series of entertaining archival repertory pieces, inviting audiences to look back at vibrant performances from the 80s and 90s with the Ballet Hispánico Watch Party Series on Wednesdays, January 13, 27 and February 10, available at ballethispanico.org, and on YouTube and Facebook. Enjoy a Company performance from the comfort of your own home, followed by live Q&A sessions with Artistic Director and CEO of Ballet Hispánico Eduardo Vilaro, choreographers and Company and alumni dancers. Each of the pieces feature Mr. Vilaro himself, during his years as a dancer with the Company. https://www.ballethispanico.org/

January 13 at 6:30pm
Arabesque by Vincente Nebrada, with post-event appearances by former Company dancers Justine DiCostanzo and Sean Kim.

January 27 at 6:30pm
¡Si Señor! ¡Es Mi Son! by Alberto Alonso, followed by a conversation with former Company member Donald Roman Lopez and other special guests.

February 10 at 7pm
Café America by George Faison, including post-event conversation with the choreographer himself.

Arabesque (1984)
Vicente Nebrada’s Arabesque is an elegant suite of dances set to the music of Spanish composer, Enrique Granados. Traces of Flamenco influence are hinted at in the upper body as the dancers move through a series of lush balletic contemporary phrase work. Choreography by Vicente Nebrada; Music by Enrique Granados; Costume Design by Randy Barcelo; Lighting Design by Donald Holder; Dancers: Mari MacKenzi, Justine DiCostanzo, Nadine Mose, Kathryn Ross, Teresina Goheen, Jose Costas, Verne Hunt, Cholsu Kim, Pedro Ruiz, Eduardo Vilaro

¡Si Señor! ¡Es Mi Son! (1994)
Choreographer Alberto Alonso brings the spirit of Cuba to life. Elaborately costumed dancers make their way across the stage in a carnival style procession eventually breaking off in pairs, their movement intertwined with the Afro-Cuban rhythms of Gloria Estefan’s music from her album, Mi Tierra. Choreography by Alberto Alonso; Assisted by Sonia Calero; Music by Gloria Estefan (from the album Mi Tierra); Costume Design by Randy Barcelo; Lighting Design by Donald Holder; Dancers: Pedro Ruiz, Amir Levy, Natalia Zisa, Eduardo Vilaro, Lynne Morrissey, Alessandra Corona, Rebecca Jefferson, Veronica Ruiz, Donald Roman Lopez, Yael Levitin, Marc Calamia, Linda Caceres, Rita Blandino, Christina Figueroa, Eric Rivera

Café America (1990)
Café America is a bittersweet envisioning of the “American Dream.” Three immigrants make their way to a new life dawned in brilliant-colored suits with a sense of determination evoked by Faison’s expansive, jazzy choreography. Choreography by George Faison; Music by Ruben Blades and Julio Iglesias; Set Design by Pepon Osorio; Costume Design by Bernard Johnson; Lighting Design by Tim Hunter; Dancers: Marc Calamia, Eduardo Vilaro, and Amir Levy

#BUnidos
#BUnidos began as a daily video series to combat the loss of performances and community programming due to COVID-19. As social distancing continues, we continue to provide content through our social media platforms as a way to instill a sense of community within our BH familia and offer ways to explore dance and Latino cultures online. #BUnidos! Social distancing does not mean emotional distancing.

“As a community of dancers, artists, and human beings, we are all in this together. We will persevere through this challenging time, and we hope that this programming provides a coping outlet, for you, for our followers and the community overall,” said Eduardo Vilaro, Artistic Director & CEO of Ballet Hispánico. “Now more than ever, it is important to band together in support of the arts. The personal and professional challenges that we have already endured and will continue to face over the next few weeks or months are significant. What we can take from this time of cancellations, uncertainty and social distancing is a chance to use our creativity to connect with the community on a new level. Social distancing does not mean emotional distancing. Ballet Hispánico was founded upon and has always believed in the importance of reaching and servicing our community through dance and culture. As this pandemic occurs during our 50th Anniversary, it provides us with an opportunity to reflect on how far we have come, get back to our roots by reaching out to community near and far, and look forward to what is ahead.”

About Ballet Hispánico
Ballet Hispánico is the nation’s renowned Latino dance organization and one of America’s Cultural Treasures. Ballet Hispánico brings communities together to celebrate and explore Latino cultures through innovative dance performances, transformative dance training, and enduring community engagement experiences. Founded in 1970 by National Medal of Arts recipient, Tina Ramírez, the organization emerged during the post-civil rights movement on New York’s Upper West Side, providing a safe haven for primarily Black and Brown Latinx youth seeking artistic sanctuary during New York City’s plight in the 1970s. The need for place, both culturally and artistically, led families to find Ballet Hispánico. The focus on dance as a means to develop working artists, combined with the training, authenticity of voice, and power of representation, fueled the organization’s roots and trajectory. With its strong emphasis on dance, achievement, and public presence, the organization has flourished in its three main programs: its Company, School of Dance, and Community Arts Partnerships. The organization serves as a platform for historically omitted and overlooked artists providing them with increased capacity, voice, and affirmation. Over the past five decades, by leading with Latinx culture at the forefront of performance, education, and advocacy, Ballet Hispánico’s mission is a catalyst of change and possibility for communities throughout our nation.

Jan
24
Sun
Tea in Early America: A Virtual Workshop at the Mount Vernon Hotel Museum and Garden @ Mount Vernon Hotel Museum & Garden
Jan 24 all-day

Tea in Early America: A Virtual Workshop

January 24, 2021

At the Mount Vernon Hotel Museum & Garden

Pour yourself a cup of tea and join us as we explore the history and traditions of tea in America, including the types of tea available, tea superstitions, and the proper food to serve at an early 19th-century afternoon tea.

Jan
26
Tue
Dance Films Association Film Lab: Isolation to Creation Docuseries Conversation @ Online
Jan 26 all-day

DFA Film Lab: Isolation to Creation Docuseries Conversation with Nic Petry and Julie Rooney, Dancing Camera, and Duke Dang

Join Dance Films Association for a conversation with filmmaker Nic Petry and editor Julie Rooney of Dancing Camera, and Duke Dang, General Manager of Works & Process, the performing arts series at the Guggenheim. RSVP for this free pre-premiere talk at https://gibneydance.secure.force.com/ticket/#/instances/a0F2S00001azfwnUAA. The talk is presented by Dance Films Association in partnership with the Guggenheim’s Works & Process at the Guggenheim and Gibney.

This Dance Film Lab, led by DFA curator Liz Wolff, will explore this filmmaking endeavor capturing the Works & Process production of six pioneering bubble residencies that took place in summer and fall of 2020 in the Hudson Valley. The residencies culminated in live, in-process outdoor performances at Kaatsbaan Summer Festival and Lincoln Center for the Performing Arts. This incredible journey will premiere as a four-part docudrama, ISOLATION TO CREATION streaming nationwide on January 27, and February 3, 10, and 17, at 8pm ET, for free on the ALL ARTS app, allarts.org , and also air in the New York metro area on the ALL ARTS TV channel (channel lineups available at: https://allarts.org/everywhere/).

“Works & Process has always championed artists and their creative process. Even though the pandemic put us on pause, we were adamant that we had to continue to fulfill our mission and creatively and financially support artists,” said Caroline Cronson, Producer of Works & Process. “With the pandemic rendering artists so vulnerable, we knew we had to forge a new path forward and share these truly unique and compelling journeys to a wider public, we are proud to partner with ALL ARTS to share these stories of hope and resiliency,” said Duke Dang, General Manager of Works & Process.

“We’re incredibly proud of the role we play as an amplifier and platform for the arts. So many arts institutions have either had to close their doors or find new innovative ways to present to their audiences this year,” said Co-Executive in Charge of ALL ARTS Diane Masciale. “We’re honored to be partnering with the Guggenheim’s Works & Process to bring Isolation to Creation to viewers across the country for free. It’s a perfect example of the beautiful collaboration and creativity that exists in the arts community, especially during hard times,” added Senior Director of ALL ARTS Joe Harrell.

Under a medical protocol developed with medical counsel Dr. Wendy S. Ziecheck, and ethical oversight provided by Dr. Robert Klitzman, artists isolated by the coronavirus (COVID-19) pandemic gathered in quarantine to work together in Hudson Valley. In partnership with Kaatsbaan Cultural Park, Mount Tremper Arts, and Petronio Residency Center through jointly subsidized residencies, eight creative bubbles were created to incubate Works & Process commissions featuring diverse dance cultures, including Afrik, ballet, ballroom, break, flex, Krump, modern, tap, and vogue dance styles, and beatbox. Select projects were performed at the Kaatsbaan Festival to live audiences and were sequenced into filmed performances at Lincoln Center for the Performing Arts. Audiences were invited to witness some of the collaborative work and receive real-time updates on Works & Process social media at Facebook, Instagram, and YouTube (@worksandprocess).

Episode 1: January 27
Isolation to Creation: A Way Forward
After self-isolation and serial Covid testing, quarantine bubbles are formed for artists to gather, create, and perform safely again. Ephrat Asherie, Les Ballet Afrik, Joshua Bergasse, Sara Mearns, Missing Element, Music from the Sole, and Jamar Roberts.

Episode 2: February 3
Isolation to Creation: Beatbox, Modern, Street, Tap Dance and Afro-Brazilian Rhythm
Artists from Missing Element melding beatbox and breaking, flexn, and Krumping; Music from the Sole fusing tap and Afro-Brazilian rhythms; and Alvin Ailey American Dance Theater resident choreographer Jamar Roberts and dancers go back into the studio for the first time.

Episode 3: February 10
Isolation to Creation: Afrik, Ballet, Ballroom, Broadway, Club, House, and Vogue
Ephrat Asherie Dance with club legends, Les Ballet Afrik and ballroom legend Omari Wiles, and Seven Deadly Sins artists Joshua Bergasse, Marc Happel and Sara Mearns go back into the studio for the first time.

Episode 4: February 17
Isolation to Creation: Showtime
After two weeks inside Works & Process bubble residencies, projects culminate in live performances at Kaatsbaan Festival and filmed video at Lincoln Center, previewing future premiere performances at the Guggenheim, once it is safe for all to gather.

Lead support for Works & Process Bubble Residencies and Isolation to Creation provided by Works & Process Board of Directors and Anh-Tuyet Nguyen and Robert Pollock, with additional support from Jonna Mackin. The filming of Isolation to Creation was supported in part by the Jerome Robbins Dance Division at the New York Public Library for the Performing Arts.

Featured Bubble Residency Artists include:
Ephrat Asherie Dance and Club Legends
Les Ballet Afrik with Omari Wiles
The Missing Element with Chris Celiz and Anthony Rodriguez “Invertebrate”
Music from the Sole with Gregory Richardson and Leonardo Sandoval
Jamar Roberts
Seven Deadly Sins with Joshua Bergasse, Justin Vivian Bond, Jeffrey Guimond, Marc Happel, and Sara Mearns

Notes from the Bubble, a series for trailers for Isolation to Creation can be viewed at:
https://www.youtube.com/playlistlist=PLJ08rQmWB63QrAk67XU8C3k2DiPmUVRyM.

Find more information at www.worksandprocess.org.

Once conditions are deemed safe for audiences and artists to gather, the live premieres and showings of projects featured in Isolation to Creation will be presented at the Guggenheim Museum as part of the Works & Process 2021 season.

Works & Process at the Guggenheim
Described by The New York Times as “an exceptional opportunity to understand something of the creative process,” for 35 years, New Yorkers have been able to see, hear, and meet the most acclaimed artists in the world, in an intimate setting unlike any other. Works & Process, the performing arts series at the Guggenheim, has championed new works and offered audiences unprecedented access to generations of leading creators and performers. Most performances take place in the Guggenheim’s intimate Frank Lloyd Wright-designed 273-seat Peter B. Lewis Theater. In 2017, Works & Process established a new residency and commissioning program, inviting artists to create new works, made in and for the iconic Guggenheim rotunda. In 2020, Works & Process Artists (WPA) Virtual Commissions was created to financially support artists and nurture their creative process during the pandemic. To forge a path for artists to safely gather, create, and perform during the pandemic, in summer 2020, Works & Process pioneered and produced a series of bubble residencies that will continue into 2021. worksandprocess.org. Lead funding for Works & Process is provided by the Ford Foundation, the Christian Humann Foundation, Leon Levy Foundation, Mertz Gilmore Foundation, NYC COVID-19 Response and Impact Fund, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts. Works & Process has received support from the U.S. Small Business Administration Paycheck Protection Program and NYC Employee Retention Grant Program.

About Dance Films Association
Dance Films Association is the catalyst for the production, presentation, and preservation of dance on camera. We are dedicated to furthering the art of dance film by connecting artists and organizations, fostering new works for new audiences, and sharing essential resources. A non profit membership organization, Dance Films Association builds upon founder Susan Braun’s vision by encouraging choreographers to enter the world of filmmaking, for filmmakers to discover the rich history of dance, and for audiences to engage with the broad spectrum of these films. Today, DFA serves the global dance film community by providing membership opportunities, connecting artists and organizations, fostering new works for new audiences, and sharing essential resources. Its constituency includes dance and film artists, academics and critics, as well as students and established professionals. Based on the principle of movement, dance, like cinema, began as an art form centered on the human body, physical performance, and communication through action and image. Today, technology allows for more artistic experimentation than ever and the language of moving images enriches viewers’ experience. Forging a truly unique vision, dance filmmakers continue to question creative boundaries, producing films that speak through the universal language of movement, unifying cultures and generating wider audiences. DFA champions the fundamental art forms of dance and film by encouraging the affinities between the two, providing infrastructure for the dance film genre, and serving as an international hub for dance on camera. DFA strives to promote films of value which engage viewers to question the world around them.

About Gibney
Gibney has used movement to transform and inspire for nearly 30 years. Gibney’s story began in 1991, when choreographer Gina Gibney founded her socially active dance company with a single dance studio to call home. The organization has rapidly evolved into a performing arts and social justice powerhouse. Gibney is now home to thousands of artists and community members across two New York City locations, totaling 23 studios, 5 performance spaces, and 52,000 square feet of space. Gibney’s mission is to tap into the vast potential of movement, creativity, and performance to effect social change and personal transformation. Gibney’s vision is to deploy resources and bring together disparate communities to ignite a cultural renaissance that has ripple effects for society far beyond the studio and stage. Gibney’s mission and vision come to life through a stunning resident repertory company, impactful community action initiatives, and thriving performing arts centers.

About ALL ARTS
ALL ARTS is breaking new ground as the premier destination for inspiration, creativity and art of all forms. This New York Emmy-winning arts and culture hub is created by WNET, the parent company of New York’s PBS stations. With the aim of being accessible to viewers everywhere, ALL ARTS’ Webby-nominated programming – from digital shorts to feature films – is available online nationwide through allarts.org, the free ALL ARTS app on all major streaming platforms and @AllArtsTV on YouTube, Facebook, Instagram, and Twitter. New York area TV viewers can also watch the 24/7 broadcast channel. For all the ways to watch, visit allarts.org/everywhere. Leadership support for ALL ARTS is generously provided by Jody and John Arnhold, Sue and Edgar Wachenheim III, the Kate W. Cassidy Foundation, The Jerome L. Greene Foundation, The Andrew W. Mellon Foundation and Anderson Family Fund.

Jan
27
Wed
Ballet Hispánico’s B Unidos Winter Watch Party Schedule Unveiled @ Online
Jan 27 all-day

Ballet Hispánico’s B Unidos Winter Watch Party Schedule Unveiled

Multiple Dates

New York, NY – Ballet Hispánico, the nation’s renowned Latinx dance organization recognized this year as one of America’s Cultural Treasures, kicks off 2021 with a glimpse into the company’s past. The 50th Anniversary Celebration continues with a series of entertaining archival repertory pieces, inviting audiences to look back at vibrant performances from the 80s and 90s with the Ballet Hispánico Watch Party Series on Wednesdays, January 13, 27 and February 10, available at ballethispanico.org, and on YouTube and Facebook. Enjoy a Company performance from the comfort of your own home, followed by live Q&A sessions with Artistic Director and CEO of Ballet Hispánico Eduardo Vilaro, choreographers and Company and alumni dancers. Each of the pieces feature Mr. Vilaro himself, during his years as a dancer with the Company. https://www.ballethispanico.org/

January 13 at 6:30pm
Arabesque by Vincente Nebrada, with post-event appearances by former Company dancers Justine DiCostanzo and Sean Kim.

January 27 at 6:30pm
¡Si Señor! ¡Es Mi Son! by Alberto Alonso, followed by a conversation with former Company member Donald Roman Lopez and other special guests.

February 10 at 7pm
Café America by George Faison, including post-event conversation with the choreographer himself.

Arabesque (1984)
Vicente Nebrada’s Arabesque is an elegant suite of dances set to the music of Spanish composer, Enrique Granados. Traces of Flamenco influence are hinted at in the upper body as the dancers move through a series of lush balletic contemporary phrase work. Choreography by Vicente Nebrada; Music by Enrique Granados; Costume Design by Randy Barcelo; Lighting Design by Donald Holder; Dancers: Mari MacKenzi, Justine DiCostanzo, Nadine Mose, Kathryn Ross, Teresina Goheen, Jose Costas, Verne Hunt, Cholsu Kim, Pedro Ruiz, Eduardo Vilaro

¡Si Señor! ¡Es Mi Son! (1994)
Choreographer Alberto Alonso brings the spirit of Cuba to life. Elaborately costumed dancers make their way across the stage in a carnival style procession eventually breaking off in pairs, their movement intertwined with the Afro-Cuban rhythms of Gloria Estefan’s music from her album, Mi Tierra. Choreography by Alberto Alonso; Assisted by Sonia Calero; Music by Gloria Estefan (from the album Mi Tierra); Costume Design by Randy Barcelo; Lighting Design by Donald Holder; Dancers: Pedro Ruiz, Amir Levy, Natalia Zisa, Eduardo Vilaro, Lynne Morrissey, Alessandra Corona, Rebecca Jefferson, Veronica Ruiz, Donald Roman Lopez, Yael Levitin, Marc Calamia, Linda Caceres, Rita Blandino, Christina Figueroa, Eric Rivera

Café America (1990)
Café America is a bittersweet envisioning of the “American Dream.” Three immigrants make their way to a new life dawned in brilliant-colored suits with a sense of determination evoked by Faison’s expansive, jazzy choreography. Choreography by George Faison; Music by Ruben Blades and Julio Iglesias; Set Design by Pepon Osorio; Costume Design by Bernard Johnson; Lighting Design by Tim Hunter; Dancers: Marc Calamia, Eduardo Vilaro, and Amir Levy

#BUnidos
#BUnidos began as a daily video series to combat the loss of performances and community programming due to COVID-19. As social distancing continues, we continue to provide content through our social media platforms as a way to instill a sense of community within our BH familia and offer ways to explore dance and Latino cultures online. #BUnidos! Social distancing does not mean emotional distancing.

“As a community of dancers, artists, and human beings, we are all in this together. We will persevere through this challenging time, and we hope that this programming provides a coping outlet, for you, for our followers and the community overall,” said Eduardo Vilaro, Artistic Director & CEO of Ballet Hispánico. “Now more than ever, it is important to band together in support of the arts. The personal and professional challenges that we have already endured and will continue to face over the next few weeks or months are significant. What we can take from this time of cancellations, uncertainty and social distancing is a chance to use our creativity to connect with the community on a new level. Social distancing does not mean emotional distancing. Ballet Hispánico was founded upon and has always believed in the importance of reaching and servicing our community through dance and culture. As this pandemic occurs during our 50th Anniversary, it provides us with an opportunity to reflect on how far we have come, get back to our roots by reaching out to community near and far, and look forward to what is ahead.”

About Ballet Hispánico
Ballet Hispánico is the nation’s renowned Latino dance organization and one of America’s Cultural Treasures. Ballet Hispánico brings communities together to celebrate and explore Latino cultures through innovative dance performances, transformative dance training, and enduring community engagement experiences. Founded in 1970 by National Medal of Arts recipient, Tina Ramírez, the organization emerged during the post-civil rights movement on New York’s Upper West Side, providing a safe haven for primarily Black and Brown Latinx youth seeking artistic sanctuary during New York City’s plight in the 1970s. The need for place, both culturally and artistically, led families to find Ballet Hispánico. The focus on dance as a means to develop working artists, combined with the training, authenticity of voice, and power of representation, fueled the organization’s roots and trajectory. With its strong emphasis on dance, achievement, and public presence, the organization has flourished in its three main programs: its Company, School of Dance, and Community Arts Partnerships. The organization serves as a platform for historically omitted and overlooked artists providing them with increased capacity, voice, and affirmation. Over the past five decades, by leading with Latinx culture at the forefront of performance, education, and advocacy, Ballet Hispánico’s mission is a catalyst of change and possibility for communities throughout our nation.

Jan
30
Sat
Gift in the Wound⁣ – Artist Talk and Virtual Exhibition @ Flux Factory
Jan 30 @ 1:00 pm – Feb 7 @ 6:00 pm

Gift in the Wound⁣

January 29 – February 7⁣

Curated by Noah Phillips⁣

Gallery Hours: 1-6 PM EST on Saturday, January 30 & February 6⁣
Or by appointment, email [email protected]⁣!!

Artist Talk and virtual exhibition⁣
Friday, January 29 @ 7pm EST⁣
REGISTER AT: https://withfriends.co/event/8602348/gift_in_the_wound_opening_and_artist_talk

“Without the weight given by a wound consciously realized, [one] will lead a provisional life.” — Robert Bly⁣

The Gift In The Wound highlights the work of artists who have confronted their fears, traumas, and shadows, and emerged on the other side with unexpected insights, treasures, and talents to share with and enrich their communities. The wounds explored vary from the physical to the emotional to the spiritual, and the media from paint, fabric, glass, and beyond. Each work celebrates an enduring process of transformation reflected in nature, in myth, and in our bodies.⁣

The Gift in the Wound is Noah Phillips‘ curatorial debut. Before beginning his residency at Flux Factory, where his work has focused on the intersections of folk ritual and innovative understandings of psychological “plurality,” Noah was working as a Peer Specialist in the New York City’s public mental health system. He is also a Licensed Master of Social Work and an organizer with the Institute for the Development of Human Arts, a training institute for transformative models of mental health.⁣

*The exhibition will take place at Flux Factory’s Garage Bay Gallery. In response to COVID-19, all visitors are required to wear a face mask and follow social distancing guidelines. We are committed to maintaining a safe and healthy environment.⁣*

Feb
9
Tue
Book Event—Pictures on the Radio: Images by David Gilkey @ International Center of Photography (online)
Feb 9 @ 6:00 pm – Feb 10 @ 7:00 pm

Book Event—Pictures on the Radio: Images by David Gilkey

Join ICP for a special book program honoring the work of David Gilkey, a celebrated conflict photographer who helped NPR bring vivid life to big and small stories with global impact before he was killed on assignment in Helmand, Afghanistan in 2016.

In a new book from powerHouse, Pictures of the Radio, Gilkey’s work is highlighted, showing images taken on assignments in Afghanistan, Haiti, Gaza, and other locations around the globe while he captured conflict, natural disasters and other critical stories. The book includes recollections of Gilkey in essays by NPR correspondents who knew and worked with him, including Jason Beaubien, Ari Shapiro, David Greene, Julie McCarthy, and Eric Westervelt.

During this special event moderated by ICP’s managing director of programs, David Campany, hear from the editors of the book—Quil Lawrence and Chip Somodevilla, and Ariel Zambelich, as well as Lynsey Addario and other colleagues and long-time friends of Gilkey, for an evening celebrating the work of this important photojournalist.

This event is free. Reserve your copy of Pictures on the Radio through ICP’s shop.

Feb
10
Wed
ICP Talks: Cheriss May on Documenting Democracy @ International Center of Photography
Feb 10 @ 5:30 pm – 6:30 pm

ICP Talks: Cheriss May on Documenting Democracy

February 10, 2021

Kicking off the ICP Talks winter/spring season is Washington DC–based photojournalist and professor Cheriss May. Covering politics and movements with portraiture at the soul of her work, May is lauded for her inclusive storytelling approach to both editorial assignments and personal projects.

Join us for an evening with May, as she discusses her work documenting democracy and social unrest during a turbulent year in the US, and learn more about inclusive storytelling through her photographs and projects in a conversation with ICP’s Managing Director of Programs David Campany.

Feb
17
Wed
ICP Lessons: Debi Cornwall on Necessary Fictions @ International Center of Photography
Feb 17 @ 1:00 pm – Feb 19 @ 2:00 pm

ICP Lessons: Debi Cornwall on Necessary Fictions

February 17, 2021

Conceptual documentarian, filmmaker, and former civil-rights lawyer, Debi Cornwall is no stranger to questioning the role of truth in images and the power of using fiction to illuminate truth through narrative storytelling. Through her projects, Welcome to Camp America: Inside Guantánamo Bay and Necessary Fictions, Cornwall often employs deep investigative tactics to present facts that are concealed or expressed within state-created fictions, culminating in deeply immersive projects that question more than just the reality of the viewer. Join us for the next session in ICP Lessons, hosted by David Campany, for a three-day lecture series highlighting Debi Cornwall’s approach to using fiction to address real world issues and introducing key concepts and methods for applying to your own photographic practice—whether documentary, fine-art, or multimedia—which will be the focus of her upcoming ICP course, Necessary Fictions.

Feb
21
Sun
Theater Resources Unlimited Announces TRUSpeak … Hear Our Voices! Virtual Fundraiser @ Online
Feb 21 all-day

Theater Resources Unlimited Announces TRUSpeak … Hear Our Voices! Virtual Fundraiser

February 21, 2021

Theater Resources Unlimited (TRU) announces TRUSpeak … Hear Our Voices! Virtual Fundraiser on Sunday, February 21, 2021 at 5pm (eastern time) via Zoom, presented with the generous sponsorship of R.K. Greene and The Storyline Project, Patrick Blake and Rhymes Over Beats, Neal Rubinstein and Dangerous the Musical, Merrie L. Davis and Cheryl Wiesenfeld. Join TRU for an evening of awareness at an annual fundraising gala reinvented for these virtual – and challenging – times. Tickets start at $55. For more information and tickets, visit https://truonline.org/events/tru-speak-hear-our-voices/.

TRUSpeak is a curated selection of short plays and musicals by TRU writers, produced by TRU producers and directed by TRU directors, all touching upon current social issues. “The shutdown has forced us all to rethink our business, our art, our assumptions about life itself,” says Bob Ost, executive director of TRU and producer of TRUSpeak. “Social awareness has been thrust into the spotlight, and virtual presentation has become our strongest means of expression. We are excited to offer a platform for the voices of seven talented writers, guided by directors and tech advisors collaborating to use this new medium in interesting ways.”

Each of the TRUSpeak shows will be introduced by former TRU honorees including
James Morgan, producing artistic director of the York Theatre; two-time Tony winning director/choreographer Jerry Mitchell; performer/choreographer and A Chorus Line legend Baayork Lee; four-time Tony winning producer Ron Simons; and four-time Tony winning producer Cheryl Wiesenfeld. Taking full advantage of the medium, each TRUSpeak piece will also include an interactive talkback session; and VIP ticket holders are invited to a post-show meet-and-greet with the cast and TRU board and other VIP’s.

Program
Virtual Happy Hour, an online musical by Richard Castle & Matthew Levine
Directed by Jesica Garrou, Music Directed by Ben Doyle McCormick, Produced by James Rocco; starring Brendan Bradley, Nick Cearly, Lauren Molina, Tatiana Wechsler

Game Boy by Melissa Bell
Directed by Bryanda Minix, Technical Editor Carley Santori, Produced by Stephanie Pope; starring Cady Huffman, Will Mader, Jianzi Colon-Soto

Change of Plans by Michele Ann Miller
Directed by Cate Cammarata, Technical Editor Andrea Lynn Green, Produced by Jonathan Hogue; starring Crystal Kellogg

Out of Order, a memory play by T. Cat Ford
Directed by Glynn Borders, Produced by Claudia Zahn; starring Maggie Baird, Andrea Lynn Green, Crystal Tigney

A Woman’s Perspective by Melvina Douse Manuel
Directed by Van Dirk Fisher, Technical Eidotr Iben Cenholt, Produced by Stephanie Pope; starring Regina Taylor, Robert Baptiste, Gha’il Rhodes Benjamin, Adante Carter, Shariff Sinclair, Tyrone Hall

Zoom, a monologue by Joe Nelms
Directed by Dennis Corsi, Technical editor Henry Garrou, Produced by Jonathan Hogue with Jim Brochu, Brenda Braxton, Bob Cuccioli, Dickie Hearts, Ann Harada, Jana Robbins

There will also be special appearances by Broadway stars Jill Paice and Tonya Pinkins, as well as actress-activist Dominique Sharpton. For more information, visit https://truonline.org/tru-speak-hear-our-voices/

Theater Resources Unlimited (TRU) is the leading network for developing theater professionals, a twenty-seven-year-old 501(c)(3) nonprofit organization created to help producers produce, emerging theater companies to emerge healthily and all theater professionals to understand and navigate the business of the arts. Membership includes self-producing artists as well as career producers and theater companies. TRU publishes an email community newsletter of services, goods and productions; presents monthly panels as well as the new weekly Community Gatherings; offers a Producer Development & Mentorship Program taught by prominent producers and general managers in New York theater, and also presents Producer Boot Camp workshops to help aspirants develop business skills. TRU serves writers through the TRU Voices Play Reading Series, Writer-Producer Speed Date, a Practical Playwriting Workshop, How to Write a Musical That Works and a Director-Writer Communications Lab. Programs of Theater Resources Unlimited are supported in part by the Montage Foundation, the Storyline Project and the Leibowitz Greenway Foundation. For more information about TRU membership and programs, visit www.truonline.org.

Mar
10
Wed
ICP Lessons: Sara Hylton on Staying Engaged as a Photographer @ International Center of Photography
Mar 10 @ 1:00 pm – Mar 12 @ 2:00 pm
ICP Lessons: Sara Hylton on Staying Engaged as a Photographer @ International Center of Photography

ICP Lessons: Sara Hylton on Staying Engaged as a Photographer

March 10, 2021

Join us for the next ICP Lessons, a three-day lecture series hosted by David Campany, with visual storyteller Sara Hylton on staying engaged as a photographer. Hylton will share her experience creating intimate and personal work and staying motivated while pursuing new ideas.

Canadian photographer Sara Hylton, a 2014 graduate of ICP’s One-Year Certificate Program in Documentary Practice and Visual Journalism, travels the globe with her camera, using it to shine an intimate light on stories of resilience and to challenge oppressive and unjust systems within society. From documenting those living along the Keystone XL pipeline in Montana to her powerful environmental portraits depicting families of missing and murdered indigenous women (MMIW) in Saskatchewan Canada, Hylton continually seeks new ideas to explore and stories to tell. In the next session of ICP Lessons, we will learn more about Hylton’s approach to crafting an evolving vision and pursuing avenues for sharing her work.

Recalibrate Reality with Scott Rechler and the 92nd Street Y @ Online
Mar 10 @ 7:00 pm
Recalibrate Reality with Scott Rechler and the 92nd Street Y @ Online

Recalibrate Reality with Scott Rechler and the 92nd Street Y

March 10, 2021

Watch President and CEO of the 9/11 Memorial & Museum Alice Greenwald in the latest episode of Recalibrate Reality with Scott Rechler and the 92nd Street Y. She shares her views on January 6th, navigating COVID-19 and the economic downturn, and the future of NYC’s cultural institutions.

Tune in Wednesday 3.10.21 at 7pm EST at https://www.92y.org/event/recalibrate-reality-alice-greenwald

Mar
14
Sun
Stories Survive: Martin Karplus @ Museum of Jewish Heritage — A Living Memorial to the Holocaust
Mar 14 @ 2:00 pm

Stories Survive: Martin Karplus

March 14, 2021

Museum of Jewish Heritage

Nobel Laureate Martin Karplus was eight years old when his family fled Nazi-occupied Austria, shortly after the arrival of German forces in 1938. They escaped via Switzerland and France to the United States, where he became a theoretical chemist.

Karplus conducted groundbreaking work in the 1970s to develop multiscale models for complex chemical systems, for which he was awarded the Nobel Prize in Chemistry 2013. He is the Theodore William Richards Professor of Chemistry, Emeritus at Harvard University and the Director of the Biophysical Chemistry Laboratory in France. He credits his life as a refugee as a decisive influence on his worldview and approach to science.

Join Karplus for a Stories Survive program exploring his childhood and accomplished career in science.

Click here for Karplus’ book Spinach on the Ceiling: The Multifaceted Life of a Theoretical Chemist.

A $10 suggested donation enables us to present programs like this one. We thank you for your support.

Mar
15
Mon
Virtual Lunchtime Lecture: 19th Century Women @ Mount Vernon Hotel Museum & Garden
Mar 15 all-day

Virtual Lunchtime Lecture: 19th Century Women

March 15, 2021

Courtesy of the Mount Vernon Hotel Museum & Garden

Join us for our monthly discussion of an aspect of life in early 19th-century America. In honor of Women’s History Month we will discuss women activists in the 1800s, exploring the social issues they were supporting at that time.

Mar
16
Tue
Heroines Of The Holocaust at the Museum of Jewish Heritage @ Museum of Jewish Heritage — A Living Memorial to the Holocaust
Mar 16 @ 7:00 pm
Heroines Of The Holocaust at the Museum of Jewish Heritage @ Museum of Jewish Heritage — A Living Memorial to the Holocaust

Heroines Of The Holocaust at the Museum of Jewish Heritage

March 16, 2021

Virtual Event

During the Holocaust, more than 3,000 women fought back against the Nazis in ghettos, forced labor camps, concentration camps, and partisan units. Join Dr. Lori Weintrob, Director of the Wagner College Holocaust Center, for a program exploring the heroic lives and legacies of these female resistance fighters.

Weintrob will be in conversation with Rokhl Kafrissen, Yiddish culture writer and Tablet Magazine contributor, and Rachel Rachama Roth, a survivor of Auschwitz who will provide her eyewitness testimony to the Warsaw Ghetto Uprising.

A $10 suggested donation enables us to present programs like this one. We thank you for your support.

Mar
21
Sun
Stories Survive: Dr. Miriam Klein Kassenoff @ Museum of Jewish Heritage — A Living Memorial to the Holocaust
Mar 21 @ 2:00 pm
Stories Survive: Dr. Miriam Klein Kassenoff @ Museum of Jewish Heritage — A Living Memorial to the Holocaust

Stories Survive: Dr. Miriam Klein Kassenoff

March 21, 2021

Museum of Jewish Heritage

As a small child, Dr. Miriam Klein Kassenoff fled her Nazi-occupied hometown of Kosice, Slovakia (then Czechoslovakia) along with her parents and infant brother. They remained on the run and in open hiding for seven months—during which they had several narrow escapes, including an arrest in Spain—until they reached Lisbon, Portugal, where they joined tens of thousands of Jewish refugees awaiting ships to the United States. With the assistance of HIAS, Dr. Klein Kassenoff and her parents were rescued from Portugal in 1941, boarding one of the last ships to safety.

Dr. Klein Kassenoff became the founding director of the University of Miami Holocaust Teacher Institute. She is also the Education Chairperson at the Holocaust Memorial in Miami Beach, Florida, and the Education Specialist for Holocaust Studies for Miami-Dade County Public Schools.

Join Dr. Klein Kassenoff for a Stories Survive program exploring her family’s journey of perseverance and escape.

A $10 suggested donation enables us to present programs like this one. We thank you for your support.

Mar
25
Thu
Rethinking Marketing Strategies to Reach the Wider Virtual Audience @ Online
Mar 25 all-day
Rethinking Marketing Strategies to Reach the Wider Virtual Audience @ Online

Theater Resources Unlimited March Panel Via Zoom Rethinking Marketing Strategies to Reach the Wider Virtual Audience

March 25, 2021

Theater Resources Unlimited (TRU) presents the monthly Panel, Rethinking Marketing Strategies to Reach the Wider Virtual Audience on Thursday, March 25, 2021 via Zoom. The panel will be led by Roger Gonzalez of Alliance Media Theatricals & LocalTheatreUSA.com, Monica Hammond of Big Leap Brands (former director of marketing for Davenport Theatrical Enterprises) and Toni Isreal of Realemn Productions (former managing director of Walker International Communications). Reserve a spot on the TRU event page at https://truonline.org/events/virtual-marketing-strategies/, or by emailing [email protected] – you will be put on a list to receive the Zoom link.

The shutdown of live theater threw many into a tailspin, but some rebounded and embraced the new medium of virtual performance to keep their projects moving ahead, and their passion alive. Bravo! Now how do you reach audiences? And are they even the same people who support live theater? While production possibilities may be limited, audience bases have actually widened now that we can easily tap into markets beyond our geographic location. With little money to spend on traditional ad campaigns during these tough times, the emphasis on reaching new audiences has also shifted. A digital world needs a digital marketing strategy, of course. And we will look at Facebook ad strategies, email marketing, adwords, partnerships with Goldstar/Groupon, etc. – all the tools we used before the shutdown. But how we use them now may be different.

Zoom session will open at 5:30pm eastern time for roundtable introductions of attendees; program will start at 6:00pm – come prepared with your best 20-second summary of who you are, and what you need. Free for TRU members, pay-what-you-can for non-members. Please use the bright red reservation box on our web page, or email or phone at least a day in advance (or much sooner): e-mail [email protected] or phone 833-506-5550.

“Due to the COVID-19 pandemic, we were forced to rethink all TRU programs for Zoom presentation. Turns out that what seemed at first to be a drastic inconvenience has paid off with surprising benefits,” said Bob Ost, executive director of TRU. “We now have extended our reach well beyond the New York area, throughout the US and as far away as England, Australia, Singapore and Malaysia. This panel will talk about the value of marketing to the ever-growing online audience that the pandemic has created.”

About the Panelists
Roger Gonzalez is owner of Alliance Media & Communications, a media and live entertainment, integrated marketing and PR firm that works with media companies, small to mid-sized businesses, and with the independent theatre industry to promote theatre and live entertainment. Alliance Media & Communications publishes LocalTheatreUSA.com, a live entertainment site dedicated to theatre/live entertainment in the New York Tri-state area and across the country. Launched as a blog in 2006 it has become a premier site for independent producers, local venues, performing arts centers and theatre production in the New York Tri-State area, covering and promoting all NY Theatre and live entertainment. As of 2016, they began also to work with playwrights and help realize new theatrical works, with the goal to bring them to the stage, typically helping them create everything from online presence (websites, social media, press), to realizing their fundraising potential, developing a budget, and finding the right venue.

Monica Hammond is a serial entrepreneur and the founder of Big Leap Brands LLC, working with clients to understand their business as well as we know our own, because small opportunities can be found in the most granular aspects of any business that will make a huge impact. We’ve found opportunities for our clients in their marketing, systems and processes, expenses, and more. As a marketing professional, Monica has worked on numerous Broadway shows, including the Tony Award-winning Broadway revival of Once On This Island, Deaf West’s Spring Awakening, It’s Only A Play, Gettin’ The Band Back Together, as well as the National Tour of A Night With Janis Joplin. Off Broadway: That Bachelorette Show, The Awesome 80s Prom, Daddy Long Legs, A Better Place. She is also the Founder and Chief Coloring Officer of Curious Custom Coloring Books, and Founder of Broadway Murder Mysteries.

Toni Isreal is admired for her expertise in multi-cultural marketing, strategic implementation, and her signature ability inspire, develop, and lead innovative creative thinking. In addition to being a proud member of New York Women in Film & Television, Isreal is the CEO and Founder of REALEMN Productions LLC, Broadway’s leading multicultural marketing and PR support team. Just a few REALEMN clients include 2019 Tony Award Winning HADESTOWN, Broadway Bound – MJ The Musical, and New York Theatre Workshop and the upcoming HADESTOWN Tour 2021. REALEMN is excited to work with NC Black Repertory Company (NC Black Rep) for their Black History Month Production of “Freedom Summer”. Isreal is also a consultant with New York’s World-Famous Apollo Theater, where she has secured over a million dollars in sales. And she was formally the Diversity Consultant at McCarter Theater in Princeton and now re-joining the McCarter Theatre Family with The Real Team – REALEMN Productions, Community Outreach and Press. Previously, Isreal was the Managing Director of Walker International Communications Group (WICG). In that role, she led a team providing all aspects of marketing consultation to arts organizations including audience development, media support, and socially & technology driven initiatives. As a sincere advocate for BIPOC, Isreal further enjoys promoting the arts and entertainment to multicultural communities and delivering engaging experiences that encourage audiences to secure their seats and tune in. Added to her arsenal, COVID-19 Theatre Think-Tank (CTT Member) https://www.covidtheatrethinktank.org/ NEW client, George Street Playhouse – New Brunswick. And Proud to be a Founding Member of The Industry Standard Group (TISG) https://www.theindustrystandardgroup.com/

Theater Resources Unlimited (TRU) is the leading network for developing theater professionals, a twenty-seven-year-old 501(c)(3) nonprofit organization created to help producers produce, emerging theater companies to emerge healthily and all theater professionals to understand and navigate the business of the arts. Membership includes self-producing artists as well as career producers and theater companies. TRU publishes an email community newsletter of services, goods and productions; presents monthly panels as well as the new weekly Community Gatherings; offers a Producer Development & Mentorship Program taught by prominent producers and general managers in New York theater, and also presents Producer Boot Camp workshops to help aspirants develop business skills. TRU serves writers through the TRU Voices Play Reading Series, Writer-Producer Speed Date, a Practical Playwriting Workshop, How to Write a Musical That Works and a Director-Writer Communications Lab.

Programs of Theater Resources Unlimited are supported in part by the Montage Foundation and the Leibowitz Greenway Foundation. For more information about TRU membership and programs, visit www.truonline.org.

“Plunder” Book Talk With Menachem Kaiser And Stephanie Butnick @ Museum of Jewish Heritage — A Living Memorial to the Holocaust
Mar 25 @ 7:00 pm
“Plunder” Book Talk With Menachem Kaiser And Stephanie Butnick @ Museum of Jewish Heritage — A Living Memorial to the Holocaust

“Plunder” Book Talk With Menachem Kaiser And Stephanie Butnick

March 25, 2021

Menachem Kaiser’s new book Plunder: A Memoir of Family Property and Nazi Treasure is the story of his quest to reclaim his family’s apartment building in Poland—and of the astonishing entanglement with Nazi treasure hunters that follows.

Kaiser’s story begins when he takes up his Holocaust survivor grandfather’s former battle to reclaim the family’s apartment building in Sosnowiec, Poland. Soon, Kaiser is on a circuitous path to encounters with the long-time residents of the building, with a Polish lawyer known as “The Killer,” and with a surprise discovery about his grandfather’s cousin that reshapes his quest.

Join Kaiser for a conversation with Stephanie Butnick, Tablet Magazine Deputy Editor and co-host of the leading Jewish podcast Unorthodox, about Plunder and the profound questions it raises about family inheritance.

A $10 suggested donation enables us to present programs like this one. We thank you for your support.