ICP Talks: Cheriss May on Documenting Democracy
February 10, 2021
Kicking off the ICP Talks winter/spring season is Washington DC–based photojournalist and professor Cheriss May. Covering politics and movements with portraiture at the soul of her work, May is lauded for her inclusive storytelling approach to both editorial assignments and personal projects.
Join us for an evening with May, as she discusses her work documenting democracy and social unrest during a turbulent year in the US, and learn more about inclusive storytelling through her photographs and projects in a conversation with ICP’s Managing Director of Programs David Campany.
ICP Lessons: Debi Cornwall on Necessary Fictions
February 17, 2021
Conceptual documentarian, filmmaker, and former civil-rights lawyer, Debi Cornwall is no stranger to questioning the role of truth in images and the power of using fiction to illuminate truth through narrative storytelling. Through her projects, Welcome to Camp America: Inside Guantánamo Bay and Necessary Fictions, Cornwall often employs deep investigative tactics to present facts that are concealed or expressed within state-created fictions, culminating in deeply immersive projects that question more than just the reality of the viewer. Join us for the next session in ICP Lessons, hosted by David Campany, for a three-day lecture series highlighting Debi Cornwall’s approach to using fiction to address real world issues and introducing key concepts and methods for applying to your own photographic practice—whether documentary, fine-art, or multimedia—which will be the focus of her upcoming ICP course, Necessary Fictions.
ICP Lessons: Sara Hylton on Staying Engaged as a Photographer
March 10, 2021
Join us for the next ICP Lessons, a three-day lecture series hosted by David Campany, with visual storyteller Sara Hylton on staying engaged as a photographer. Hylton will share her experience creating intimate and personal work and staying motivated while pursuing new ideas.
Canadian photographer Sara Hylton, a 2014 graduate of ICP’s One-Year Certificate Program in Documentary Practice and Visual Journalism, travels the globe with her camera, using it to shine an intimate light on stories of resilience and to challenge oppressive and unjust systems within society. From documenting those living along the Keystone XL pipeline in Montana to her powerful environmental portraits depicting families of missing and murdered indigenous women (MMIW) in Saskatchewan Canada, Hylton continually seeks new ideas to explore and stories to tell. In the next session of ICP Lessons, we will learn more about Hylton’s approach to crafting an evolving vision and pursuing avenues for sharing her work.