Calendar

Dec
22
Tue
Theater Resources Unlimited Art and Activism: How Theater Can Open (and Change) Minds @ Online
Dec 22 all-day
Theater Resources Unlimited Art and Activism: How Theater Can Open (and Change) Minds @ Online

Theater Resources Unlimited Art and Activism: How Theater Can Open (and Change) Minds

Theater Resources Unlimited (TRU) announces their monthly panel Art and Activism: How Theater Can Open (and Change) Minds on Tuesday, December 22, 2020 at 6pm via Zoom. The Zoom session will open at 6pm for roundtable introductions of attendees, and the program will start at 6:30pm – come prepared with your best 20-second summary of who you are, and what you need. Reserve a spot on the event page at https://truonline.org/events/art-and-activism/ or by emailing [email protected]  – you will be put on a list to receive the Zoom link.

Guest speakers include Jane Dubin, chair of the board of directors of Houses on the Moon Theatre Company; Adam Hyndman, associate at Octopus Theatricals, board of Broadway For Racial Justice, co-founder of The Industry Standard Group; Ludovica Villar-Hauser, founder/artistic director of Parity Productions; actor and activist Dominique Sharpton; and Gayle Waxenberg, co-founder and executive director of NewYorkRep.

From its very roots in ancient classics that often shaped current as well as historic events into life lessons, to Shakespeare’s portraits of royal villains and heroes, to the cool-eyed issue plays of Brecht and the agitprop of Odets, theater has always been a political medium. Even when it is not overtly political, theater can be subversively persuasive as it invites us to empathize with characters and dares us to understand human behavior in its full spectrum of moral shades. In a world now in urgent need of greater inclusion, will theater fulfill its potential by bringing a wider range of stories to the stage that show audiences the many faces of “the other” and explore the state of our world in thought-provoking ways?

We offer these events free to TRU members in normal times, and currently include a pay-what-you-can tax-deductible donation option for non-members, to help make up for our current financial losses.

About the Guest Speakers

Jane Dubin is a TONY Award-winning producer and the President of Double Play Connections, a theatrical production and management company committed to supporting emerging artists and playwrights in the creation and development of new works. Jane is a graduate of the Commercial Theatre Institute’s 14-week (NYC) and O’Neill Center Intensive (CT) Producing Workshops and past Director of Theater Resources Unlimited’s Producer Development Program, and current Director of the program’s Master Class. Broadway/OB: The Prom (Best Musical – Drama Desk Award), Farinelli and the King (5 Tony nominations), starring Mark Rylance,  Bandstand, An American in Paris on Broadway (4 TONY Awards), National Tour and in London, Absolute Brightness of Leonard Pelkey (Off Broadway and on Tour),  Peter and the Starcatcher (Broadway, Off-Broadway, National Tour), winner of 5 TONY Awards; Ann, starring Holland Taylor (Lincoln Center); The Umbrellas of Cherbourg (London); The 39 Steps (OB, Tour); The Norman Conquests (TONY Award, Best Play Revival), Groundswell (the New Group), Beebo Brinker Chronicles (2008 GLAAD Media Award for Theatre). Other: OPA! at TBG Theatre (Best Commercial Production, MITF 2008), Take Me America (Best Musical, MITF 2007), Count Down, (Bank Street Theatre) and the one-woman show that started it all, MentalPause by Margaret Liston. Ms. Dubin is a full voting member of the Broadway League. She is Chair of the Board of Directors of Houses on the Moon Theater Company and a prior Board member of the League of Professional Theatre Women. For two years she was co-curator of the Hudson Valley Writers’ Center New Play Reading Series. She co-produced Hudson River Rising, presenting events for One Billion Ris-ing (V-Day) 2013 and 2014 and was a member of the Grand Jury for New York Musical Festival’s 2015 – 2019 seasons.

Adam Hyndman is a performing artist, producer, and activist. He graduated from Princeton University with a degree in Cultural Anthropology and minors in theater and dance. He has worked extensively in the arts, performing on stage and screen with roles on Broadway and television. Some notable credits include: NBC’s The Sing Off, Children of Eden at the Kennedy Center, Aladdin on Broadway, Once On This Island on Broadway and Hadestown on Broadway. Adam was a co-producer for The Inheritance on Broadway. He is currently incubating several projects as an independent producer as well as within the Tony Award winning team at Octopus Theatricals. Adam uses his experiences working with narratives to challenge his vision for the world, and it leads him to opportunities in and out of the arts. He is passionate about creating possibilities for people to connect and activate their purpose. Adam is honored to serve on the board of directors for Broadway For Racial Justice where he is specifically charged with curating community through mentorship and volunteer programs. His purpose in this work is for disruption, radical accessibility, and reconciliation, and he continues this as a founder of The Industry Standard Group (a community fund for BIPOC folks to invest and produce in commercial theater, the first of its kind). As an individual committed to excellence and progressive achievement through collaboration, he works toward the manifestation of a diverse and inclusive world.

Dominique Sharpton has been an influential force in the National Action Network since she formally joined in 2008, as the membership director. She led the organization in terms of expansion, and has promoted activism with the rising youth, motivating real action. Dominique attended Temple University, studying theater, music, and communications, then went on to attend The American Musical and Dramatic Academy (AMDA), in New York City where she graduated in 2007. Aside from her love for theater and children, she has also explored the realms of producing. For a year she co-produced her father’s syndicated radio show “Keeping it Real” with Al Sharpton, co-produced a Broadway event at Birdland Jazz Club with Amy Birnbaum, celebrating Afro-American music on Broadway and is currently producing her father’s live radio broadcast rally every Saturday morning from 9-11 a.m. on WLIB-1190 a.m. She has been diligently working on the forefront with her father, helping to organize marches and rallies around the country in pursuit of justice. She devotes a lot of time mentoring young people around the city, having recently co-founded a youth based organization with her sister Ashley called “Harlem INC” which has transformed into an entertainment Company called “Sharpton entertainment LLC”. They work to provide positive outlets for youth and showcase their many talents, as well as raising issues and hardships that young adults are facing and dealing with today. Dominique Sharpton is also the board president for Education for a Better America (EBA), which seeks to promote, fund, organize and conduct activities that will build an educational support system that serves the needs of students in urban communities. The mission of the corporation is to build bridges between policymakers and the classrooms by supporting innovations in the delivery of education; creating a dialogue between policymakers, community leaders, educators, parents, and students; and disseminating information that will positively impact our schools.

Ludovica Villar-Hauser’s directorial accomplishments include the New York premiere of Otho Eskin’s Duet, the world premiere of Teresa Lotz’s She Calls Me Firefly, the Off-Broadway world premiere and West End premiere of Gregory Murphy’s The Countess (634 Off-Broadway performances), Philip Ridley’s Leaves of Glass, and Laura Pedersen’s For Heaven’s Sake!, among many other critically-acclaimed productions. Ludovica was the youngest woman ever to simultaneously produce and direct in London’s West End. In the New York theatre industry, she was also one of the few women to own and operate her own theatre for 17 years – The Greenwich Street Theatre. She served on the Board of the League of Professional Theatre Women from 2009-2018 and is currently the Producer of its Oral History Project at NYPL for the Performing Arts at Lincoln Center. Previous to her many credits in New York, at twenty-three, Ludovica was the youngest woman ever to simultaneously produce and direct in London’s West End. Her production of O’Neill’s  Long Day’s Journey into Night transferred after its initial run to a larger West End venue. In the New York theatre industry, Ludovica is one of the few women to have owned and operated her own theatre – The Greenwich Street Theatre – which she ran for seventeen years, during which time she developed more than thirty new plays and presented the work of hundreds of theatre artists.  Alongside her directorial career, Ludovica is Founder and Artistic Director of Parity Productions, a recipient of NYWA’s Galaxy Award, and has served on the Board of the League of Professional Theatre Women since 2009.

Gayle Waxenberg’s career began on Wall Street where she managed the marketing and corporate communications for a premiere investment bank. During her 11 years there, she won a multitude of awards for the creative and strategic campaigns she directed. She later started her own marketing consulting firm, Waxenberg & Associates, working with advertising, public relations and direct marketing firms servicing the financial industry. A born advocate, she left the for-profit sector and committed herself to raising awareness for those less for-tunate. Combining her extensive business experience and philanthropic work, she began giving “voice” to the different communities she served, and continues to serve; domestic abuse victims, hospice patients, substance abuse victims, immigrants, at-risk children and mental health patients. Gayle has been repeatedly honored for her service by the organizations she serves. Recognizing the power of the stories she captured, she launched the Telling Company in 2012 as a forum for telling real-life stories influencing social change through art.  She has now brought The Telling Company to NewYorkRep becoming a founding member with Markus Potter. Her first play, A Bitter Pill, premiered in 2016 at the Hudson Guild Theater, as part of the Venus/Adonis Theater Festival. Gayle also produced the mulit-award winning film Influence, and the London production of Stalking the Bogeyman, which received an Off-West End (Offie nomination) for best production and direction. Produced readings included Ben Elton’s Olivier award winning play, Popcorn, starring Sharon Stone and Stacey Keach. She is proud to have launched and produced a community-based program of readings, Thought Bubbles, to bring new theatrical work free to people who may not otherwise have access. Gayle is also a Founder/Past President and currently a Board Member of The Graham School Education Foundation, a Board Member of Danza Espanza, The American Spanish Dance Theater, and was an elected official.   She is also a member of the Dramatists Guild of America, the Off Broadway Alliance, Theater Resources Unlimited and a member of the League of Professional Theater Women.

Theater Resources Unlimited (TRU) is the leading network for developing theater professionals, a twenty-seven-year-old 501(c)(3) nonprofit organization created to help producers produce, emerging theater companies to emerge healthily and all theater professionals to understand and navigate the business of the arts. Membership includes self-producing artists as well as career producers and theater companies. TRU publishes an email community newsletter of services, goods and productions; offers a Producer Development & Mentorship Program taught by prominent producers and general managers in New York theater, and also presents Producer Boot Camp workshops to help aspirants develop business skills. Currently, TRU offers a Weekly Community Gathering on Fridays at 4:30pm to help maintain community spirit during this time of isolation. TRU serves writers through the TRU Voices Play Reading Series, Writer-Producer Speed Dates, a Practical Playwriting Workshop, How to Write a Musical That Works and a Writer-Director Communications Lab. Programs of Theater Resources Unlimited are supported in part by the Montage Foundation and the Leibowitz Greenway Foundation. For more information about TRU membership and programs, visit www.truonline.org.

Feb
10
Wed
Ballet Hispánico Café America Watch Party and Conversation with Choreographer George Faison @ Online
Feb 10 @ 7:30 pm
Ballet Hispánico Café America Watch Party and Conversation with Choreographer George Faison @ Online

Ballet Hispánico Café America Watch Party and Conversation with Tony Award-winning choreographer George Faison

February 10, 2021

Ballet Hispánico, the nation’s renowned Latinx dance organization, recognized this year as one of America’s Cultural Treasures, kicks off 2021 with a glimpse into the company’s past. The 50th Anniversary Celebration continues its series of entertaining archival repertory pieces, inviting audiences to look back at vibrant performances from the 80s and 90s with Café America on Wednesday, February 10, 2021, available at ballethispanico.org, YouTube, Facebook. Enjoy a Company performance from the comfort of your own home, followed by live Q&A sessions with Artistic Director and CEO of Ballet Hispánico Eduardo Vilaro, Tony Award-Winning choreographer George Faison, and company and alumni dancers. The piece features Mr. Vilaro himself, during his years as a dancer with the Company.

Café America by George Faison (Tony Award winner forThe Wiz), followed by a conversation with the choreographer himself and the trio of three dancers, Jose Costas, Pedro Ruiz, and Eduardo Vilaro. Café America is a bittersweet envisioning of the “American Dream.” Three immigrants make their way to a new life dawned in brilliant-colored suits with a sense of determination evoked by Faison’s expansive, jazzy choreography. Choreography by George Faison; Music by Ruben Blades and Julio Iglesias; Set Design by Pepon Osorio; Costume Design by Bernard Johnson; Lighting Design by Tim Hunter; Dancers: Jose Costas, Pedro Ruiz, Eduardo Vilaro, and Amir Levy

“An evening of good old-fashioned entertainment.” – The New York Times

“Best of all were the performances of Jose Costas as the new immigrant and Pedro Ruiz and Eduardo Vilaro as his friends. Mr. Faison’s tight-sprung, lyrical dance flowed authoritatively through their bodies. And each man established a personality — Mr. Costas a wiry, quick learner; Mr. Ruiz so full of delight in his surroundings that his face was transfigured with radiance, and Mr. Vilaro a wryly savvy survivor with a sense of humor and the look of being the most adaptable of the three,” said Jennifer Dunning, The New York Times.

#BUnidos

#BUnidos began as a daily video series to combat the loss of performances and community programming due to COVID-19. As social distancing continues, we continue to provide content through our social media platforms as a way to instill a sense of community within our BH familia and offer ways to explore dance and Latino cultures online. #BUnidos! Social distancing does not mean emotional distancing.

“As a community of dancers, artists, and human beings, we are all in this together. We will persevere through this challenging time, and we hope that this programming provides a coping outlet, for you, for our followers and the community overall,” said Eduardo Vilaro, Artistic Director & CEO of Ballet Hispánico. “Now more than ever, it is important to band together in support of the arts. The personal and professional challenges that we have already endured and will continue to face over the next few weeks or months are significant. What we can take from this time of cancellations, uncertainty and social distancing is a chance to use our creativity to connect with the community on a new level. Social distancing does not mean emotional distancing. Ballet Hispánico was founded upon and has always believed in the importance of reaching and servicing our community through dance and culture. As this pandemic occurs during our 50th Anniversary, it provides us with an opportunity to reflect on how far we have come, get back to our roots by reaching out to community near and far, and look forward to what is ahead.”

About Ballet Hispánico

Ballet Hispánico is the nation’s renowned Latino dance organization and one of America’s Cultural Treasures. Ballet Hispánico brings communities together to celebrate and explore Latino cultures through innovative dance performances, transformative dance training, and enduring community engagement experiences. Founded in 1970 by National Medal of Arts recipient, Tina Ramírez, the organization emerged during the post-civil rights movement on New York’s Upper West Side, providing a safe haven for primarily Black and Brown Latinx youth seeking artistic sanctuary during New York City’s plight in the 1970s. The need for place, both culturally and artistically, led families to find Ballet Hispánico. The focus on dance as a means to develop working artists, combined with the training, authenticity of voice, and power of representation, fueled the organization’s roots and trajectory. With its strong emphasis on dance, achievement, and public presence, the organization has flourished in its three main programs: its Company, School of Dance, and Community Arts Partnerships. The organization serves as a platform for historically omitted and overlooked artists providing them with increased capacity, voice, and affirmation. Over the past five decades, by leading with Latinx culture at the forefront of performance, education, and advocacy, Ballet Hispánico’s mission is a catalyst of change and possibility for communities throughout our nation.

Feb
21
Sun
Theater Resources Unlimited Announces TRUSpeak … Hear Our Voices! Virtual Fundraiser @ Online
Feb 21 all-day

Theater Resources Unlimited Announces TRUSpeak … Hear Our Voices! Virtual Fundraiser

February 21, 2021

Theater Resources Unlimited (TRU) announces TRUSpeak … Hear Our Voices! Virtual Fundraiser on Sunday, February 21, 2021 at 5pm (eastern time) via Zoom, presented with the generous sponsorship of R.K. Greene and The Storyline Project, Patrick Blake and Rhymes Over Beats, Neal Rubinstein and Dangerous the Musical, Merrie L. Davis and Cheryl Wiesenfeld. Join TRU for an evening of awareness at an annual fundraising gala reinvented for these virtual – and challenging – times. Tickets start at $55. For more information and tickets, visit https://truonline.org/events/tru-speak-hear-our-voices/.

TRUSpeak is a curated selection of short plays and musicals by TRU writers, produced by TRU producers and directed by TRU directors, all touching upon current social issues. “The shutdown has forced us all to rethink our business, our art, our assumptions about life itself,” says Bob Ost, executive director of TRU and producer of TRUSpeak. “Social awareness has been thrust into the spotlight, and virtual presentation has become our strongest means of expression. We are excited to offer a platform for the voices of seven talented writers, guided by directors and tech advisors collaborating to use this new medium in interesting ways.”

Each of the TRUSpeak shows will be introduced by former TRU honorees including
James Morgan, producing artistic director of the York Theatre; two-time Tony winning director/choreographer Jerry Mitchell; performer/choreographer and A Chorus Line legend Baayork Lee; four-time Tony winning producer Ron Simons; and four-time Tony winning producer Cheryl Wiesenfeld. Taking full advantage of the medium, each TRUSpeak piece will also include an interactive talkback session; and VIP ticket holders are invited to a post-show meet-and-greet with the cast and TRU board and other VIP’s.

Program
Virtual Happy Hour, an online musical by Richard Castle & Matthew Levine
Directed by Jesica Garrou, Music Directed by Ben Doyle McCormick, Produced by James Rocco; starring Brendan Bradley, Nick Cearly, Lauren Molina, Tatiana Wechsler

Game Boy by Melissa Bell
Directed by Bryanda Minix, Technical Editor Carley Santori, Produced by Stephanie Pope; starring Cady Huffman, Will Mader, Jianzi Colon-Soto

Change of Plans by Michele Ann Miller
Directed by Cate Cammarata, Technical Editor Andrea Lynn Green, Produced by Jonathan Hogue; starring Crystal Kellogg

Out of Order, a memory play by T. Cat Ford
Directed by Glynn Borders, Produced by Claudia Zahn; starring Maggie Baird, Andrea Lynn Green, Crystal Tigney

A Woman’s Perspective by Melvina Douse Manuel
Directed by Van Dirk Fisher, Technical Eidotr Iben Cenholt, Produced by Stephanie Pope; starring Regina Taylor, Robert Baptiste, Gha’il Rhodes Benjamin, Adante Carter, Shariff Sinclair, Tyrone Hall

Zoom, a monologue by Joe Nelms
Directed by Dennis Corsi, Technical editor Henry Garrou, Produced by Jonathan Hogue with Jim Brochu, Brenda Braxton, Bob Cuccioli, Dickie Hearts, Ann Harada, Jana Robbins

There will also be special appearances by Broadway stars Jill Paice and Tonya Pinkins, as well as actress-activist Dominique Sharpton. For more information, visit https://truonline.org/tru-speak-hear-our-voices/

Theater Resources Unlimited (TRU) is the leading network for developing theater professionals, a twenty-seven-year-old 501(c)(3) nonprofit organization created to help producers produce, emerging theater companies to emerge healthily and all theater professionals to understand and navigate the business of the arts. Membership includes self-producing artists as well as career producers and theater companies. TRU publishes an email community newsletter of services, goods and productions; presents monthly panels as well as the new weekly Community Gatherings; offers a Producer Development & Mentorship Program taught by prominent producers and general managers in New York theater, and also presents Producer Boot Camp workshops to help aspirants develop business skills. TRU serves writers through the TRU Voices Play Reading Series, Writer-Producer Speed Date, a Practical Playwriting Workshop, How to Write a Musical That Works and a Director-Writer Communications Lab. Programs of Theater Resources Unlimited are supported in part by the Montage Foundation, the Storyline Project and the Leibowitz Greenway Foundation. For more information about TRU membership and programs, visit www.truonline.org.

Mar
20
Sat
Associated Chamber Music Players (ACMP) Virtual Worldwide Play-In Schedule of Events @ Online
Mar 20 all-day

Associated Chamber Music Players (ACMP) Virtual Worldwide Play-In Schedule of Events

March 20 – 21, 2021

Associated Chamber Music Players (ACMP)’s annual chamber music jamming weekend, the Worldwide Play-In Weekend, will be held virtually this year on March 20 and 21, 2021. Each March, this grassroots event unites people of all ages and abilities through their common love of chamber music in honoring J.S. Bach during the month of his birth. ACMP is seeking chamber musicians to participate in and host Play-Ins. Join musicians around the globe in making joyous music together and organize your own Play-In event on JamKazam, Jamulus, SonoBus, Zoom, or any other virtual music session software of your choice. With repertoire ranging from J.S. Bach to Terry Riley, thus far there are eleven open sessions: six on Jamulus, two on JamKazam, one on JackTrip and two on Zoom; and at least eleven private sessions sponsored by ACMP members and grantees. Register your Play-In and see up-to-date info about all Play-In events at docs.google.com/spreadsheets/d/107xYO-Iqkk-1KuTAStQxjCjbBNyN64p4MYl4CKQCJJM/edit?usp=sharing

ALL EVENTS ARE FREE OF CHARGE

Open Session: Opportunity to Watch:
Bach’s Musical Offering on JamKazam!
March 21, 2021 at 3pm EDT
J.S. Bach’s Birthday!

The Princeton Symphony Orchestra’s Assistant Conductor (and ACMP member) Nell Flanders is curating a Play-In of J.S. Bach’s “A Musical Offering” with amateur chamber music players from all over the world on JamKazam. The event will be live-streamed on YouTube here: https://www.youtube.com/watch?v=Cbks2J30FiM

Open Session: Opportunity to Listen:
Monday March 22, 2021 at 10am JAPAN STANDARD TIME (Sunday, March 21, 8pm EDT)
Platform: Jamulus
Session host: Triton Chamber Ensemble (Tokyo)
Finding the session: Go into Jamulus and look for a Japanese server with musicians on it at 8pm EDT on March
21

Big Open Sessions: Opportunities to Play Along:
ACMP Jamulus Jamboree!
March 20, 2021 at 2pm EDT
Platform: Jamulus
Session hosts: ACMP’s Executive Director Stephanie Griffin with Michael Tietz
All instruments, repertoire to be announced on Friday, March 19
RSVP by Wednesday, March 17: https://www.surveymonkey.com/r/TRVVP7L

ACMP Untitled Ensemble’s Toronto Server
March 20, 2021 at 5:30pm to 9:30pm EDT
Platform: JackTrip
Session host: Untitled Ensemble, Beth
Piece/Instrumentation: To view and download music visit dropbox.com/sh/6aaobkcg1yqf0cd/AABdN5vJh21tYHavT2x5EEQ2a?dl=0
Finding the session: Facebook event here: https://fb.me/e/h9uQyviH3.

Saturday Night “In C” on Zoom
March 20, 2021 at 8pm EDT
Join ACMP for the Zoom premiere (we think!) of Terry Riley’s “American Minimalist “and community music-making classic “In C’ (1964). RSVP on Eventbrite at: https://www.eventbrite.com/e/saturday-night-in-c-on-zoom-tickets-145727381521

Terry Riley’s “In C” on Zoom
March 21, 2021 at 11am EDT
Not many pieces of great ensemble music can work on Zoom, but Terry Riley’s “In C” is an American Minimalist classic from 1964 that is also the ultimate piece for community music-making: it can be played by people of all skill levels on any instruments or voice types. RSVP on Eventbrite at: eventbrite.com/e/playing-terry-rileys-in-c-on-zoom-tickets-144953392499

West Coast Café
March 21, 2021 at 1pm PDT (4pm EDT)
Platform: Jamulus
Session host: Christina Wolf, Jamulus profile name: CWolf
Geographic location: Vancouver, B.C., Canada
Piece/Instrumentation: Mozart Symphony no. 40 (download the version with clarinets from IMSLP)
Finding the session: type in the private server name seattle-music.allyn into the search field at the bottom of the Connection Set-up Menu

More Intimate Open Sessions: Opportunities to Play Along (by RSVP):
ACMP-DCCM Mozart K414
March 20, 2021 at 1pm EDT
Platform: JamKazam
Session host: JamKazam user: Susan Alexander
Geographic location: Washington, DC
Piece/Instrumentation: Mozart Piano Concerto in A major K. 414 arranged for string quartet and bass; oboes and horns welcome
Finding the session: Search for ACMP-DCCM Mozart K414 in JamKazam “Open Sessions” and PLEASE RSVP.

Phyllis Kaiden
March 20, 2021 at 11am PDT (2pm EDT)
Platform: Jamulus
Session host: Phyllis Kaiden
Piece/Instrumentation: Mozart string quartet k464, Peter’s edition, on IMSLP
Finding the session: vivacenw.com, RSVP here

West Coast Café
March 20, 2021 at 3pm PDT (6pm EDT)
Platform: Jamulus
Session host: Christina Wolf, Jamulus profile name: CWolf
Geographic location: Vancouver, B.C., Canada
Piece/Instrumentation: Mendelssohn Op. 44 No. 1
Finding the session: type in the private server name seattle-music.allyn into the search field at the bottom of the Connection Set-up Menu, RSVP here

Phyllis Kaiden
March 21, 2021 at 10am PDT (1pm EDT)
Platform: Jamulus
Session host: Phyllis Kaiden
Piece/Instrumentation: Spohr Nonet op.31 for winds and strings, on IMSLP with measure numbers
Finding the session: vivacenw.com, RSVP here

To view a live document of sessions and to sign up, visit docs.google.com/spreadsheets/d/107xYO-Iqkk-1KuTAStQxjCjbBNyN64p4MYl4CKQCJJM/edit?usp=sharing.

Learn how to use Jamulus, JamKazam, and SonoBus with Phyllis Kaiden with this walkthrough video.

Connect with other chamber music players by
Joining the ACMP Members Group on Facebook to post real-time Play-In updates
Signing up on Jamulus and adding “ACMP” to your profile name
Signing up on JamKazam and including “ACMP” in the session title, listing the session on ACMP’s Events Page, and posting in the Forum

For more information, visit acmp.net/wpiw.

About ACMP – Associated Chamber Music Players
For the past 72 years, ACMP has provided support and services to people who are passionate about playing chamber music. ACMP believes that chamber music playing provides a unique opportunity for cultural participation and engagement. By creating opportunities and resources for people to play music together in small ensembles, skills are sharpened, communities are enriched, connections are made and lives are changed. Since the organization began, ACMP has helped chamber music players find one another to share and play music together through a variety of networking programs. More than 2,300 members come from every part of the world and share one interest: the love of making music with others. Most recent initiatives use technology to help players connect and provide access to online coaching. The ACMP Foundation was founded in the 1990s and has contributed more than $4 million to foster the playing of chamber music for people of all ages and skill levels. Grants support chamber music workshops and programs for adult amateurs and children and focus on coaching fees and/or initiatives that reduce the registration cost for participants.

Mar
25
Thu
Battery Dance presents Canadian Voices in Dance as part of its new format Battery Dance Festival + @ Online
Mar 25 @ 7:00 pm – Apr 25 @ 7:00 pm

Battery Dance presents Canadian Voices in Dance as part of its new format Battery Dance Festival +

Battery Dance announces the second installment of Battery Dance Festival +, an extension of its annual summer festival that went virtual for the first time in August, attracting nearly 30,000 viewers in its 39th year. Established in 1982, the Battery Dance Festival (BDF) is New York City’s longest-running free public dance festival and one of its most wide-ranging. Battery Dance Festival + showcases free virtual performances by prior Festival participants and welcomes new artists within geographic and cultural themes.

In partnership with the Canadian Consulate of New York, Battery Dance Festival + will present an hour of performances celebrating Canadian Voices in Dance on Thursday, March 25, 2021 at 7pm EST on YouTube.com. This program is part of the Battery Dance Festival + series that transports audiences around the world to experience worldwide cultures and dance forms.

The virtual performances will be available to watch for 30 days after the premiere, expiring April 24, 2021. Registration is free and open to the public at https://www.classy.org/event/battery-dance-festival-canadian-voices-in-dance/e327355. For more information, visit https://batterydance.org/battery-dance-festival/canadian-voices-in-dance/.

“From cowboy boots to ankle bells, sneakers t​o snow boots, we celebrate the variegated styles of dance coming from our neighbors to the North with the newest edition of Battery Dance Festival +. I am thrilled to continue the celebration of dance this month with Canadian Voices in Dance. Join me as I interview inspiring Canadian dancemakers every Sunday leading up to the next edition of Battery Dance Festival + on March 25,” said Battery Dance founder and Artistic Director Jonathan Hollander.

between series by Kaeja d’Dance
Piece 1: between sun and sand
Concept: Karen Kaeja Dancers and Co-Direction – Karen Kaeja and Allen Kaeja
Cinematographer: Talia Tsarfati
Editor: Allen Kaeja
Composer: Edgardo Moreno
Location: Shot on the shores of Saugeen Nations, South Bruce Penninsula
between sun and sand was shot in the summer of 2020

Piece 2: between snow and sky
Concept: Karen Kaeja Dancers and Co-Direction – Karen Kaeja and Allen Kaeja
Cinematographer: Talia Tsarfati
Editor: Karen Kaeja
Original Score: Christina Litt Belch
Location: Shot on the shores of Saugeen Nations, South Bruce Penninsula
between snow and sky was shot in the winter of 2021

The Man in Black by Citadel + Compagnie
The Man in Black is a celebration of American working class-grit and of the man whose voice embodied it so well, Johnny Cash. James Kudelka takes six Cash songs and transforms them into outwardly simple yet choreographically sophisticated dances, creating an ode to the human spirit, proud and resilient.

Choreography: James Kudelka
Rehearsal Direction: Laurence Lemieux
Music: Six covers, sung by Johnny Cash
Dancers: Tyler Gledhill, Daniel McArthur, Connor Mitton, Erin Poole
Costume Design: Jim Searle and Chris Tyrell for Hoax Couture

Ever So Slightly by RUBBERBAND
Ever So Slightly explores the behavioural mechanisms and reflexes we develop against the ceaseless flow of irritants that bombard us in our daily lives. Most of us long for calm and resilience, but how do we get to a zone where noise and aggressivity no longer have a place? Simultaneously delivering delicacy, brutality, finesse, and high-voltage action, Victor Quijada conveys all the energy contained in urgency, revolt, chaos, and flight.

Choreography: Victor Quijada in collaboration with the dancers.
Dramaturgy: Mathieu Leroux.
Musical Director: Jasper Gahunia.
Original Music: Jasper Gahunia, William Lamoureux.
Lighting Design: Yan Lee Chan.
Costumes Design: Cloé Alain-Gendreau.
Technical Director: Simon Cloutier.
Production Manager: Florence Cardinal.
Dancers: Amara Barner, Jean Bui, Daniela Jezerinac, Sydney McManus, Dana Pajarillaga, Brontë Poiré-Prest, Jerimy Rivera, Zack Tang, Ryan Taylor, Paco Ziel.
Music (live performance): Jasper Gahunia – bass, drum machine, keyboard, turntable; William Lamoureux – violin, guitar, keyboard.

Ever So Slightly is a coproduction of RUBBERBAND, Danse Danse, Société de la Place des Arts de Montréal, Théâtre Hector-Charland and Global Arts Live. With the support of the Canada Council for the Arts, the Conseil des arts et des lettres du Québec, the Conseil des arts de Montréal and the Ontario Arts Council.

RUBBERBAND benefited from the support of Danse à la Carte and residencies at Place des Arts, Salle Pauline-Julien, CCOV – Centre de création O Vertigo, The Performing Arts Center at SUNY Purchase, and Théâtre Hector-Charland for the creation of Ever So Slightly.

Tarana by Tanveer Alam
The Tarana is a composition of Hindustani classical music in which syllables such as “tanadeem”, “yalali”, “tanaderena” based in Arabic and Persian phonemes are structured and held within a Taal (rhythmic cycle) and Raag (melody). The movements are abstract and strongly based in the technique of Kathak. The melody has no meaning but conveys a sense of vigour, indulgence, and celebration. This Tarana is set to the midnight Raag, Darbari Kanada. This work is a representation of how Kathak continues to evolve and grow within the bodies of its diasporic practitioners — with love, honestly, and authenticity.

Choreography and performance: Tanveer Alam
Music: Pt. Atul Desai
Rehearsal direction: Harikishan S. Nair

In Between by The National Ballet of Canada
Praised as a “polished, cohesive ballet” in The Globe and Mail, In Between debuted with The National Ballet of Canada in 2018 with original music by Canadian composer Adam Sakiyama. Choreographer Alysa Pires has now adapted the piece for film, focusing on a single dancer, Second Soloist Christopher Gerty, rather than the original cast of four, reimaging the choreography as a poignant solo. Inspired by the pull between two places, In Between conveys a sense of yearning and restlessness that feels especially prescient in the context of the coronavirus pandemic.

Choreography: Alysa Pires
Director: Ben Shirinian
Producer: Ben Shirinian & Jared Cook | Lookout
Music: “In Between,” written and performed by Adam Sakiyama
Featuring: Christopher Gerty

Thank You
BMO Financial Group presents the 2020/21 Season.

Expansive Dances is made possible by the generous support of The Delaney Family Foundation and Sans Limites.

The National Ballet of Canada presents Expansive Dances in partnership with Evergreen.

Filmed at Evergreen Brick Works
Supported by Bank of America as part of Evergreen’s 2020 Cultural Performing Arts Series

Christopher Gerty is sponsored through Dancers First by Ms. Nancy Viner & Dr. Raymond Stein.

Production Company: Lookout
Director: Ben Shirinian
Producer: Ben Shirinian & Jared Cook
Cinematography: Cameron Roden
Camera Assistant: Brandon Vieira
Drone: Matt Bujok
Title Design: Murilo Almeida

Editing Facility: School Editing
Editor: Jon Devries
Assistant Editor: Genevieve Latour
Executive Producer: Sarah Brooks
Executive Producer: Yumi Suyama

Colour Facility: Alter Ego
Colourist: Wade Odlum
Producer: Jane Garrah
Executive Producer: Greg Edgar

Online: Fort York
Flame Artist: Luke White
Producer: Armen Bunag
Executive Producer: Erica Bourgault

Audio Post Facility: Voodoo Highway Music
Mix: Rachael Johnstone & Brian Pickett

About Kaeja d’Dance
Established in 1990, Kaeja is driven by two distinct artistic forces, Karen and Allen Kaeja. Kaeja creates award-winning contemporary dance performances for stage, film & communities that have toured the world. The foundation of their stage and film creation began with fifteen years of Holocaust inspired dance works. Allen is the child of a refugee and Holocaust survivor. Kaeja presents local and international dance artists in Toronto through festival platforms, commissions and mentorships, creating with people of all identities, practices and ages. Passionate engagers of bridging professional and community dance art, Kaeja has received 40+ awards & nominations. www.kaeja.org

About Citadel + Compagnie
Citadel + Compagnie is a dance organization with its home, The Citadel: Ross Centre for Dance, embedded within the Regent Park community of downtown Toronto. Led by Artistic Director, Laurence Lemieux, the company commits to the creation and production of innovative and accessible original works of dance and the preservation of iconic Canadian repertoire, in addition to supporting its multiple presentation platforms and training program. www.citadelcie.com

About Tanveer Alam
Born and raised in Montreal, Tanveer Alam started his training in the Indian classical dance form of Kathak with Sudeshna Maulik and continues to study with guru Sandhya Desai. Alam also trains in Taal Vidya — the knowledge of Hindustani classical rhythms, with guru Pandit Divyang Vakil. He is a 2019 graduate of The School of Toronto Dance Theatre. Alam has performed in the works of Pandit Birju Maharaj, Janak Khendry, Rina Singha, Lata Pada, Brandy Leary, Noémie Lafrance, and Sanjukta Sinha. An emerging choreographer, he hopes to carry forward Kathak in relation this his own truths as a diasporic artist, as well as reflect on the different trainings his body holds. His work has been presented at Dance Ontario DanceWeekend, New Blue Emerging Dance Festival, London Dance Festival, MAI – Montréal, arts interculturels, SummerWorks Festival, and Tangente to name a few. Alam has been supported by The Canada Council for the Arts, Toronto Arts Council, and Ontario Arts Council. In 2020, he was the recipient of The Sadhana Residency supported by Anandam Dancetheatre.

About The National Ballet of Canada
One of the top international ballet companies, The National Ballet of Canada was founded in 1951 by Celia Franca. A company of 70 dancers with its own orchestra, the National Ballet has been led by Artistic Director Karen Kain, one of the greatest ballerinas of her generation, since 2005. Renowned for its diverse repertoire, the company performs traditional full-length classics, embraces contemporary work and encourages the creation of new ballets as well as the development of Canadian choreographers.

ABOUT BATTERY DANCE
Battery Dance created its outdoor festival in 1982 in lower Manhattan, the community where it was founded in 1976. As one of America’s leading cultural ambassadors, Battery Dance connects the world through dance. The Company pursues artistic excellence and social relevance by creating vibrant new works, performing on the world’s stages, presenting dance in public spaces, serving the field of dance and teaching people of all ages with special attention to the disadvantaged and areas of conflict. Battery Dance is committed to enhancing the cultural vibrancy of its home community in New York City, extending programming throughout the U.S., and building bridges worldwide through international cultural exchange with programs in 70 countries to date. Faced with the curtailment of all of its live programs in March, the Company went online and invented Battery Dance TV with hundreds of classes, performances and interviews broadcast across 199 countries, achieving over 1.2 million views within just six months. www.batterydance.org