Calendar

Dec
22
Tue
Theater Resources Unlimited Art and Activism: How Theater Can Open (and Change) Minds @ Online
Dec 22 all-day
Theater Resources Unlimited Art and Activism: How Theater Can Open (and Change) Minds @ Online

Theater Resources Unlimited Art and Activism: How Theater Can Open (and Change) Minds

Theater Resources Unlimited (TRU) announces their monthly panel Art and Activism: How Theater Can Open (and Change) Minds on Tuesday, December 22, 2020 at 6pm via Zoom. The Zoom session will open at 6pm for roundtable introductions of attendees, and the program will start at 6:30pm – come prepared with your best 20-second summary of who you are, and what you need. Reserve a spot on the event page at https://truonline.org/events/art-and-activism/ or by emailing [email protected]  – you will be put on a list to receive the Zoom link.

Guest speakers include Jane Dubin, chair of the board of directors of Houses on the Moon Theatre Company; Adam Hyndman, associate at Octopus Theatricals, board of Broadway For Racial Justice, co-founder of The Industry Standard Group; Ludovica Villar-Hauser, founder/artistic director of Parity Productions; actor and activist Dominique Sharpton; and Gayle Waxenberg, co-founder and executive director of NewYorkRep.

From its very roots in ancient classics that often shaped current as well as historic events into life lessons, to Shakespeare’s portraits of royal villains and heroes, to the cool-eyed issue plays of Brecht and the agitprop of Odets, theater has always been a political medium. Even when it is not overtly political, theater can be subversively persuasive as it invites us to empathize with characters and dares us to understand human behavior in its full spectrum of moral shades. In a world now in urgent need of greater inclusion, will theater fulfill its potential by bringing a wider range of stories to the stage that show audiences the many faces of “the other” and explore the state of our world in thought-provoking ways?

We offer these events free to TRU members in normal times, and currently include a pay-what-you-can tax-deductible donation option for non-members, to help make up for our current financial losses.

About the Guest Speakers

Jane Dubin is a TONY Award-winning producer and the President of Double Play Connections, a theatrical production and management company committed to supporting emerging artists and playwrights in the creation and development of new works. Jane is a graduate of the Commercial Theatre Institute’s 14-week (NYC) and O’Neill Center Intensive (CT) Producing Workshops and past Director of Theater Resources Unlimited’s Producer Development Program, and current Director of the program’s Master Class. Broadway/OB: The Prom (Best Musical – Drama Desk Award), Farinelli and the King (5 Tony nominations), starring Mark Rylance,  Bandstand, An American in Paris on Broadway (4 TONY Awards), National Tour and in London, Absolute Brightness of Leonard Pelkey (Off Broadway and on Tour),  Peter and the Starcatcher (Broadway, Off-Broadway, National Tour), winner of 5 TONY Awards; Ann, starring Holland Taylor (Lincoln Center); The Umbrellas of Cherbourg (London); The 39 Steps (OB, Tour); The Norman Conquests (TONY Award, Best Play Revival), Groundswell (the New Group), Beebo Brinker Chronicles (2008 GLAAD Media Award for Theatre). Other: OPA! at TBG Theatre (Best Commercial Production, MITF 2008), Take Me America (Best Musical, MITF 2007), Count Down, (Bank Street Theatre) and the one-woman show that started it all, MentalPause by Margaret Liston. Ms. Dubin is a full voting member of the Broadway League. She is Chair of the Board of Directors of Houses on the Moon Theater Company and a prior Board member of the League of Professional Theatre Women. For two years she was co-curator of the Hudson Valley Writers’ Center New Play Reading Series. She co-produced Hudson River Rising, presenting events for One Billion Ris-ing (V-Day) 2013 and 2014 and was a member of the Grand Jury for New York Musical Festival’s 2015 – 2019 seasons.

Adam Hyndman is a performing artist, producer, and activist. He graduated from Princeton University with a degree in Cultural Anthropology and minors in theater and dance. He has worked extensively in the arts, performing on stage and screen with roles on Broadway and television. Some notable credits include: NBC’s The Sing Off, Children of Eden at the Kennedy Center, Aladdin on Broadway, Once On This Island on Broadway and Hadestown on Broadway. Adam was a co-producer for The Inheritance on Broadway. He is currently incubating several projects as an independent producer as well as within the Tony Award winning team at Octopus Theatricals. Adam uses his experiences working with narratives to challenge his vision for the world, and it leads him to opportunities in and out of the arts. He is passionate about creating possibilities for people to connect and activate their purpose. Adam is honored to serve on the board of directors for Broadway For Racial Justice where he is specifically charged with curating community through mentorship and volunteer programs. His purpose in this work is for disruption, radical accessibility, and reconciliation, and he continues this as a founder of The Industry Standard Group (a community fund for BIPOC folks to invest and produce in commercial theater, the first of its kind). As an individual committed to excellence and progressive achievement through collaboration, he works toward the manifestation of a diverse and inclusive world.

Dominique Sharpton has been an influential force in the National Action Network since she formally joined in 2008, as the membership director. She led the organization in terms of expansion, and has promoted activism with the rising youth, motivating real action. Dominique attended Temple University, studying theater, music, and communications, then went on to attend The American Musical and Dramatic Academy (AMDA), in New York City where she graduated in 2007. Aside from her love for theater and children, she has also explored the realms of producing. For a year she co-produced her father’s syndicated radio show “Keeping it Real” with Al Sharpton, co-produced a Broadway event at Birdland Jazz Club with Amy Birnbaum, celebrating Afro-American music on Broadway and is currently producing her father’s live radio broadcast rally every Saturday morning from 9-11 a.m. on WLIB-1190 a.m. She has been diligently working on the forefront with her father, helping to organize marches and rallies around the country in pursuit of justice. She devotes a lot of time mentoring young people around the city, having recently co-founded a youth based organization with her sister Ashley called “Harlem INC” which has transformed into an entertainment Company called “Sharpton entertainment LLC”. They work to provide positive outlets for youth and showcase their many talents, as well as raising issues and hardships that young adults are facing and dealing with today. Dominique Sharpton is also the board president for Education for a Better America (EBA), which seeks to promote, fund, organize and conduct activities that will build an educational support system that serves the needs of students in urban communities. The mission of the corporation is to build bridges between policymakers and the classrooms by supporting innovations in the delivery of education; creating a dialogue between policymakers, community leaders, educators, parents, and students; and disseminating information that will positively impact our schools.

Ludovica Villar-Hauser’s directorial accomplishments include the New York premiere of Otho Eskin’s Duet, the world premiere of Teresa Lotz’s She Calls Me Firefly, the Off-Broadway world premiere and West End premiere of Gregory Murphy’s The Countess (634 Off-Broadway performances), Philip Ridley’s Leaves of Glass, and Laura Pedersen’s For Heaven’s Sake!, among many other critically-acclaimed productions. Ludovica was the youngest woman ever to simultaneously produce and direct in London’s West End. In the New York theatre industry, she was also one of the few women to own and operate her own theatre for 17 years – The Greenwich Street Theatre. She served on the Board of the League of Professional Theatre Women from 2009-2018 and is currently the Producer of its Oral History Project at NYPL for the Performing Arts at Lincoln Center. Previous to her many credits in New York, at twenty-three, Ludovica was the youngest woman ever to simultaneously produce and direct in London’s West End. Her production of O’Neill’s  Long Day’s Journey into Night transferred after its initial run to a larger West End venue. In the New York theatre industry, Ludovica is one of the few women to have owned and operated her own theatre – The Greenwich Street Theatre – which she ran for seventeen years, during which time she developed more than thirty new plays and presented the work of hundreds of theatre artists.  Alongside her directorial career, Ludovica is Founder and Artistic Director of Parity Productions, a recipient of NYWA’s Galaxy Award, and has served on the Board of the League of Professional Theatre Women since 2009.

Gayle Waxenberg’s career began on Wall Street where she managed the marketing and corporate communications for a premiere investment bank. During her 11 years there, she won a multitude of awards for the creative and strategic campaigns she directed. She later started her own marketing consulting firm, Waxenberg & Associates, working with advertising, public relations and direct marketing firms servicing the financial industry. A born advocate, she left the for-profit sector and committed herself to raising awareness for those less for-tunate. Combining her extensive business experience and philanthropic work, she began giving “voice” to the different communities she served, and continues to serve; domestic abuse victims, hospice patients, substance abuse victims, immigrants, at-risk children and mental health patients. Gayle has been repeatedly honored for her service by the organizations she serves. Recognizing the power of the stories she captured, she launched the Telling Company in 2012 as a forum for telling real-life stories influencing social change through art.  She has now brought The Telling Company to NewYorkRep becoming a founding member with Markus Potter. Her first play, A Bitter Pill, premiered in 2016 at the Hudson Guild Theater, as part of the Venus/Adonis Theater Festival. Gayle also produced the mulit-award winning film Influence, and the London production of Stalking the Bogeyman, which received an Off-West End (Offie nomination) for best production and direction. Produced readings included Ben Elton’s Olivier award winning play, Popcorn, starring Sharon Stone and Stacey Keach. She is proud to have launched and produced a community-based program of readings, Thought Bubbles, to bring new theatrical work free to people who may not otherwise have access. Gayle is also a Founder/Past President and currently a Board Member of The Graham School Education Foundation, a Board Member of Danza Espanza, The American Spanish Dance Theater, and was an elected official.   She is also a member of the Dramatists Guild of America, the Off Broadway Alliance, Theater Resources Unlimited and a member of the League of Professional Theater Women.

Theater Resources Unlimited (TRU) is the leading network for developing theater professionals, a twenty-seven-year-old 501(c)(3) nonprofit organization created to help producers produce, emerging theater companies to emerge healthily and all theater professionals to understand and navigate the business of the arts. Membership includes self-producing artists as well as career producers and theater companies. TRU publishes an email community newsletter of services, goods and productions; offers a Producer Development & Mentorship Program taught by prominent producers and general managers in New York theater, and also presents Producer Boot Camp workshops to help aspirants develop business skills. Currently, TRU offers a Weekly Community Gathering on Fridays at 4:30pm to help maintain community spirit during this time of isolation. TRU serves writers through the TRU Voices Play Reading Series, Writer-Producer Speed Dates, a Practical Playwriting Workshop, How to Write a Musical That Works and a Writer-Director Communications Lab. Programs of Theater Resources Unlimited are supported in part by the Montage Foundation and the Leibowitz Greenway Foundation. For more information about TRU membership and programs, visit www.truonline.org.

Jan
13
Wed
Ballet Hispánico’s B Unidos Winter Watch Party Schedule Unveiled @ Online
Jan 13 all-day

Ballet Hispánico’s B Unidos Winter Watch Party Schedule Unveiled

Multiple Dates

New York, NY – Ballet Hispánico, the nation’s renowned Latinx dance organization recognized this year as one of America’s Cultural Treasures, kicks off 2021 with a glimpse into the company’s past. The 50th Anniversary Celebration continues with a series of entertaining archival repertory pieces, inviting audiences to look back at vibrant performances from the 80s and 90s with the Ballet Hispánico Watch Party Series on Wednesdays, January 13, 27 and February 10, available at ballethispanico.org, and on YouTube and Facebook. Enjoy a Company performance from the comfort of your own home, followed by live Q&A sessions with Artistic Director and CEO of Ballet Hispánico Eduardo Vilaro, choreographers and Company and alumni dancers. Each of the pieces feature Mr. Vilaro himself, during his years as a dancer with the Company. https://www.ballethispanico.org/

January 13 at 6:30pm
Arabesque by Vincente Nebrada, with post-event appearances by former Company dancers Justine DiCostanzo and Sean Kim.

January 27 at 6:30pm
¡Si Señor! ¡Es Mi Son! by Alberto Alonso, followed by a conversation with former Company member Donald Roman Lopez and other special guests.

February 10 at 7pm
Café America by George Faison, including post-event conversation with the choreographer himself.

Arabesque (1984)
Vicente Nebrada’s Arabesque is an elegant suite of dances set to the music of Spanish composer, Enrique Granados. Traces of Flamenco influence are hinted at in the upper body as the dancers move through a series of lush balletic contemporary phrase work. Choreography by Vicente Nebrada; Music by Enrique Granados; Costume Design by Randy Barcelo; Lighting Design by Donald Holder; Dancers: Mari MacKenzi, Justine DiCostanzo, Nadine Mose, Kathryn Ross, Teresina Goheen, Jose Costas, Verne Hunt, Cholsu Kim, Pedro Ruiz, Eduardo Vilaro

¡Si Señor! ¡Es Mi Son! (1994)
Choreographer Alberto Alonso brings the spirit of Cuba to life. Elaborately costumed dancers make their way across the stage in a carnival style procession eventually breaking off in pairs, their movement intertwined with the Afro-Cuban rhythms of Gloria Estefan’s music from her album, Mi Tierra. Choreography by Alberto Alonso; Assisted by Sonia Calero; Music by Gloria Estefan (from the album Mi Tierra); Costume Design by Randy Barcelo; Lighting Design by Donald Holder; Dancers: Pedro Ruiz, Amir Levy, Natalia Zisa, Eduardo Vilaro, Lynne Morrissey, Alessandra Corona, Rebecca Jefferson, Veronica Ruiz, Donald Roman Lopez, Yael Levitin, Marc Calamia, Linda Caceres, Rita Blandino, Christina Figueroa, Eric Rivera

Café America (1990)
Café America is a bittersweet envisioning of the “American Dream.” Three immigrants make their way to a new life dawned in brilliant-colored suits with a sense of determination evoked by Faison’s expansive, jazzy choreography. Choreography by George Faison; Music by Ruben Blades and Julio Iglesias; Set Design by Pepon Osorio; Costume Design by Bernard Johnson; Lighting Design by Tim Hunter; Dancers: Marc Calamia, Eduardo Vilaro, and Amir Levy

#BUnidos
#BUnidos began as a daily video series to combat the loss of performances and community programming due to COVID-19. As social distancing continues, we continue to provide content through our social media platforms as a way to instill a sense of community within our BH familia and offer ways to explore dance and Latino cultures online. #BUnidos! Social distancing does not mean emotional distancing.

“As a community of dancers, artists, and human beings, we are all in this together. We will persevere through this challenging time, and we hope that this programming provides a coping outlet, for you, for our followers and the community overall,” said Eduardo Vilaro, Artistic Director & CEO of Ballet Hispánico. “Now more than ever, it is important to band together in support of the arts. The personal and professional challenges that we have already endured and will continue to face over the next few weeks or months are significant. What we can take from this time of cancellations, uncertainty and social distancing is a chance to use our creativity to connect with the community on a new level. Social distancing does not mean emotional distancing. Ballet Hispánico was founded upon and has always believed in the importance of reaching and servicing our community through dance and culture. As this pandemic occurs during our 50th Anniversary, it provides us with an opportunity to reflect on how far we have come, get back to our roots by reaching out to community near and far, and look forward to what is ahead.”

About Ballet Hispánico
Ballet Hispánico is the nation’s renowned Latino dance organization and one of America’s Cultural Treasures. Ballet Hispánico brings communities together to celebrate and explore Latino cultures through innovative dance performances, transformative dance training, and enduring community engagement experiences. Founded in 1970 by National Medal of Arts recipient, Tina Ramírez, the organization emerged during the post-civil rights movement on New York’s Upper West Side, providing a safe haven for primarily Black and Brown Latinx youth seeking artistic sanctuary during New York City’s plight in the 1970s. The need for place, both culturally and artistically, led families to find Ballet Hispánico. The focus on dance as a means to develop working artists, combined with the training, authenticity of voice, and power of representation, fueled the organization’s roots and trajectory. With its strong emphasis on dance, achievement, and public presence, the organization has flourished in its three main programs: its Company, School of Dance, and Community Arts Partnerships. The organization serves as a platform for historically omitted and overlooked artists providing them with increased capacity, voice, and affirmation. Over the past five decades, by leading with Latinx culture at the forefront of performance, education, and advocacy, Ballet Hispánico’s mission is a catalyst of change and possibility for communities throughout our nation.

Jan
20
Wed
Ballet Hispánico’s B Unidos Winter Watch Party Schedule Unveiled @ Online
Jan 20 all-day

Ballet Hispánico’s B Unidos Winter Watch Party Schedule Unveiled

Multiple Dates

New York, NY – Ballet Hispánico, the nation’s renowned Latinx dance organization recognized this year as one of America’s Cultural Treasures, kicks off 2021 with a glimpse into the company’s past. The 50th Anniversary Celebration continues with a series of entertaining archival repertory pieces, inviting audiences to look back at vibrant performances from the 80s and 90s with the Ballet Hispánico Watch Party Series on Wednesdays, January 13, 27 and February 10, available at ballethispanico.org, and on YouTube and Facebook. Enjoy a Company performance from the comfort of your own home, followed by live Q&A sessions with Artistic Director and CEO of Ballet Hispánico Eduardo Vilaro, choreographers and Company and alumni dancers. Each of the pieces feature Mr. Vilaro himself, during his years as a dancer with the Company. https://www.ballethispanico.org/

January 13 at 6:30pm
Arabesque by Vincente Nebrada, with post-event appearances by former Company dancers Justine DiCostanzo and Sean Kim.

January 27 at 6:30pm
¡Si Señor! ¡Es Mi Son! by Alberto Alonso, followed by a conversation with former Company member Donald Roman Lopez and other special guests.

February 10 at 7pm
Café America by George Faison, including post-event conversation with the choreographer himself.

Arabesque (1984)
Vicente Nebrada’s Arabesque is an elegant suite of dances set to the music of Spanish composer, Enrique Granados. Traces of Flamenco influence are hinted at in the upper body as the dancers move through a series of lush balletic contemporary phrase work. Choreography by Vicente Nebrada; Music by Enrique Granados; Costume Design by Randy Barcelo; Lighting Design by Donald Holder; Dancers: Mari MacKenzi, Justine DiCostanzo, Nadine Mose, Kathryn Ross, Teresina Goheen, Jose Costas, Verne Hunt, Cholsu Kim, Pedro Ruiz, Eduardo Vilaro

¡Si Señor! ¡Es Mi Son! (1994)
Choreographer Alberto Alonso brings the spirit of Cuba to life. Elaborately costumed dancers make their way across the stage in a carnival style procession eventually breaking off in pairs, their movement intertwined with the Afro-Cuban rhythms of Gloria Estefan’s music from her album, Mi Tierra. Choreography by Alberto Alonso; Assisted by Sonia Calero; Music by Gloria Estefan (from the album Mi Tierra); Costume Design by Randy Barcelo; Lighting Design by Donald Holder; Dancers: Pedro Ruiz, Amir Levy, Natalia Zisa, Eduardo Vilaro, Lynne Morrissey, Alessandra Corona, Rebecca Jefferson, Veronica Ruiz, Donald Roman Lopez, Yael Levitin, Marc Calamia, Linda Caceres, Rita Blandino, Christina Figueroa, Eric Rivera

Café America (1990)
Café America is a bittersweet envisioning of the “American Dream.” Three immigrants make their way to a new life dawned in brilliant-colored suits with a sense of determination evoked by Faison’s expansive, jazzy choreography. Choreography by George Faison; Music by Ruben Blades and Julio Iglesias; Set Design by Pepon Osorio; Costume Design by Bernard Johnson; Lighting Design by Tim Hunter; Dancers: Marc Calamia, Eduardo Vilaro, and Amir Levy

#BUnidos
#BUnidos began as a daily video series to combat the loss of performances and community programming due to COVID-19. As social distancing continues, we continue to provide content through our social media platforms as a way to instill a sense of community within our BH familia and offer ways to explore dance and Latino cultures online. #BUnidos! Social distancing does not mean emotional distancing.

“As a community of dancers, artists, and human beings, we are all in this together. We will persevere through this challenging time, and we hope that this programming provides a coping outlet, for you, for our followers and the community overall,” said Eduardo Vilaro, Artistic Director & CEO of Ballet Hispánico. “Now more than ever, it is important to band together in support of the arts. The personal and professional challenges that we have already endured and will continue to face over the next few weeks or months are significant. What we can take from this time of cancellations, uncertainty and social distancing is a chance to use our creativity to connect with the community on a new level. Social distancing does not mean emotional distancing. Ballet Hispánico was founded upon and has always believed in the importance of reaching and servicing our community through dance and culture. As this pandemic occurs during our 50th Anniversary, it provides us with an opportunity to reflect on how far we have come, get back to our roots by reaching out to community near and far, and look forward to what is ahead.”

About Ballet Hispánico
Ballet Hispánico is the nation’s renowned Latino dance organization and one of America’s Cultural Treasures. Ballet Hispánico brings communities together to celebrate and explore Latino cultures through innovative dance performances, transformative dance training, and enduring community engagement experiences. Founded in 1970 by National Medal of Arts recipient, Tina Ramírez, the organization emerged during the post-civil rights movement on New York’s Upper West Side, providing a safe haven for primarily Black and Brown Latinx youth seeking artistic sanctuary during New York City’s plight in the 1970s. The need for place, both culturally and artistically, led families to find Ballet Hispánico. The focus on dance as a means to develop working artists, combined with the training, authenticity of voice, and power of representation, fueled the organization’s roots and trajectory. With its strong emphasis on dance, achievement, and public presence, the organization has flourished in its three main programs: its Company, School of Dance, and Community Arts Partnerships. The organization serves as a platform for historically omitted and overlooked artists providing them with increased capacity, voice, and affirmation. Over the past five decades, by leading with Latinx culture at the forefront of performance, education, and advocacy, Ballet Hispánico’s mission is a catalyst of change and possibility for communities throughout our nation.

Jan
27
Wed
Ballet Hispánico’s B Unidos Winter Watch Party Schedule Unveiled @ Online
Jan 27 all-day

Ballet Hispánico’s B Unidos Winter Watch Party Schedule Unveiled

Multiple Dates

New York, NY – Ballet Hispánico, the nation’s renowned Latinx dance organization recognized this year as one of America’s Cultural Treasures, kicks off 2021 with a glimpse into the company’s past. The 50th Anniversary Celebration continues with a series of entertaining archival repertory pieces, inviting audiences to look back at vibrant performances from the 80s and 90s with the Ballet Hispánico Watch Party Series on Wednesdays, January 13, 27 and February 10, available at ballethispanico.org, and on YouTube and Facebook. Enjoy a Company performance from the comfort of your own home, followed by live Q&A sessions with Artistic Director and CEO of Ballet Hispánico Eduardo Vilaro, choreographers and Company and alumni dancers. Each of the pieces feature Mr. Vilaro himself, during his years as a dancer with the Company. https://www.ballethispanico.org/

January 13 at 6:30pm
Arabesque by Vincente Nebrada, with post-event appearances by former Company dancers Justine DiCostanzo and Sean Kim.

January 27 at 6:30pm
¡Si Señor! ¡Es Mi Son! by Alberto Alonso, followed by a conversation with former Company member Donald Roman Lopez and other special guests.

February 10 at 7pm
Café America by George Faison, including post-event conversation with the choreographer himself.

Arabesque (1984)
Vicente Nebrada’s Arabesque is an elegant suite of dances set to the music of Spanish composer, Enrique Granados. Traces of Flamenco influence are hinted at in the upper body as the dancers move through a series of lush balletic contemporary phrase work. Choreography by Vicente Nebrada; Music by Enrique Granados; Costume Design by Randy Barcelo; Lighting Design by Donald Holder; Dancers: Mari MacKenzi, Justine DiCostanzo, Nadine Mose, Kathryn Ross, Teresina Goheen, Jose Costas, Verne Hunt, Cholsu Kim, Pedro Ruiz, Eduardo Vilaro

¡Si Señor! ¡Es Mi Son! (1994)
Choreographer Alberto Alonso brings the spirit of Cuba to life. Elaborately costumed dancers make their way across the stage in a carnival style procession eventually breaking off in pairs, their movement intertwined with the Afro-Cuban rhythms of Gloria Estefan’s music from her album, Mi Tierra. Choreography by Alberto Alonso; Assisted by Sonia Calero; Music by Gloria Estefan (from the album Mi Tierra); Costume Design by Randy Barcelo; Lighting Design by Donald Holder; Dancers: Pedro Ruiz, Amir Levy, Natalia Zisa, Eduardo Vilaro, Lynne Morrissey, Alessandra Corona, Rebecca Jefferson, Veronica Ruiz, Donald Roman Lopez, Yael Levitin, Marc Calamia, Linda Caceres, Rita Blandino, Christina Figueroa, Eric Rivera

Café America (1990)
Café America is a bittersweet envisioning of the “American Dream.” Three immigrants make their way to a new life dawned in brilliant-colored suits with a sense of determination evoked by Faison’s expansive, jazzy choreography. Choreography by George Faison; Music by Ruben Blades and Julio Iglesias; Set Design by Pepon Osorio; Costume Design by Bernard Johnson; Lighting Design by Tim Hunter; Dancers: Marc Calamia, Eduardo Vilaro, and Amir Levy

#BUnidos
#BUnidos began as a daily video series to combat the loss of performances and community programming due to COVID-19. As social distancing continues, we continue to provide content through our social media platforms as a way to instill a sense of community within our BH familia and offer ways to explore dance and Latino cultures online. #BUnidos! Social distancing does not mean emotional distancing.

“As a community of dancers, artists, and human beings, we are all in this together. We will persevere through this challenging time, and we hope that this programming provides a coping outlet, for you, for our followers and the community overall,” said Eduardo Vilaro, Artistic Director & CEO of Ballet Hispánico. “Now more than ever, it is important to band together in support of the arts. The personal and professional challenges that we have already endured and will continue to face over the next few weeks or months are significant. What we can take from this time of cancellations, uncertainty and social distancing is a chance to use our creativity to connect with the community on a new level. Social distancing does not mean emotional distancing. Ballet Hispánico was founded upon and has always believed in the importance of reaching and servicing our community through dance and culture. As this pandemic occurs during our 50th Anniversary, it provides us with an opportunity to reflect on how far we have come, get back to our roots by reaching out to community near and far, and look forward to what is ahead.”

About Ballet Hispánico
Ballet Hispánico is the nation’s renowned Latino dance organization and one of America’s Cultural Treasures. Ballet Hispánico brings communities together to celebrate and explore Latino cultures through innovative dance performances, transformative dance training, and enduring community engagement experiences. Founded in 1970 by National Medal of Arts recipient, Tina Ramírez, the organization emerged during the post-civil rights movement on New York’s Upper West Side, providing a safe haven for primarily Black and Brown Latinx youth seeking artistic sanctuary during New York City’s plight in the 1970s. The need for place, both culturally and artistically, led families to find Ballet Hispánico. The focus on dance as a means to develop working artists, combined with the training, authenticity of voice, and power of representation, fueled the organization’s roots and trajectory. With its strong emphasis on dance, achievement, and public presence, the organization has flourished in its three main programs: its Company, School of Dance, and Community Arts Partnerships. The organization serves as a platform for historically omitted and overlooked artists providing them with increased capacity, voice, and affirmation. Over the past five decades, by leading with Latinx culture at the forefront of performance, education, and advocacy, Ballet Hispánico’s mission is a catalyst of change and possibility for communities throughout our nation.

Jan
30
Sat
Gift in the Wound⁣ – Artist Talk and Virtual Exhibition @ Flux Factory
Jan 30 @ 1:00 pm – Feb 7 @ 6:00 pm

Gift in the Wound⁣

January 29 – February 7⁣

Curated by Noah Phillips⁣

Gallery Hours: 1-6 PM EST on Saturday, January 30 & February 6⁣
Or by appointment, email [email protected]⁣!!

Artist Talk and virtual exhibition⁣
Friday, January 29 @ 7pm EST⁣
REGISTER AT: https://withfriends.co/event/8602348/gift_in_the_wound_opening_and_artist_talk

“Without the weight given by a wound consciously realized, [one] will lead a provisional life.” — Robert Bly⁣

The Gift In The Wound highlights the work of artists who have confronted their fears, traumas, and shadows, and emerged on the other side with unexpected insights, treasures, and talents to share with and enrich their communities. The wounds explored vary from the physical to the emotional to the spiritual, and the media from paint, fabric, glass, and beyond. Each work celebrates an enduring process of transformation reflected in nature, in myth, and in our bodies.⁣

The Gift in the Wound is Noah Phillips‘ curatorial debut. Before beginning his residency at Flux Factory, where his work has focused on the intersections of folk ritual and innovative understandings of psychological “plurality,” Noah was working as a Peer Specialist in the New York City’s public mental health system. He is also a Licensed Master of Social Work and an organizer with the Institute for the Development of Human Arts, a training institute for transformative models of mental health.⁣

*The exhibition will take place at Flux Factory’s Garage Bay Gallery. In response to COVID-19, all visitors are required to wear a face mask and follow social distancing guidelines. We are committed to maintaining a safe and healthy environment.⁣*

Feb
21
Sun
Theater Resources Unlimited Announces TRUSpeak … Hear Our Voices! Virtual Fundraiser @ Online
Feb 21 all-day

Theater Resources Unlimited Announces TRUSpeak … Hear Our Voices! Virtual Fundraiser

February 21, 2021

Theater Resources Unlimited (TRU) announces TRUSpeak … Hear Our Voices! Virtual Fundraiser on Sunday, February 21, 2021 at 5pm (eastern time) via Zoom, presented with the generous sponsorship of R.K. Greene and The Storyline Project, Patrick Blake and Rhymes Over Beats, Neal Rubinstein and Dangerous the Musical, Merrie L. Davis and Cheryl Wiesenfeld. Join TRU for an evening of awareness at an annual fundraising gala reinvented for these virtual – and challenging – times. Tickets start at $55. For more information and tickets, visit https://truonline.org/events/tru-speak-hear-our-voices/.

TRUSpeak is a curated selection of short plays and musicals by TRU writers, produced by TRU producers and directed by TRU directors, all touching upon current social issues. “The shutdown has forced us all to rethink our business, our art, our assumptions about life itself,” says Bob Ost, executive director of TRU and producer of TRUSpeak. “Social awareness has been thrust into the spotlight, and virtual presentation has become our strongest means of expression. We are excited to offer a platform for the voices of seven talented writers, guided by directors and tech advisors collaborating to use this new medium in interesting ways.”

Each of the TRUSpeak shows will be introduced by former TRU honorees including
James Morgan, producing artistic director of the York Theatre; two-time Tony winning director/choreographer Jerry Mitchell; performer/choreographer and A Chorus Line legend Baayork Lee; four-time Tony winning producer Ron Simons; and four-time Tony winning producer Cheryl Wiesenfeld. Taking full advantage of the medium, each TRUSpeak piece will also include an interactive talkback session; and VIP ticket holders are invited to a post-show meet-and-greet with the cast and TRU board and other VIP’s.

Program
Virtual Happy Hour, an online musical by Richard Castle & Matthew Levine
Directed by Jesica Garrou, Music Directed by Ben Doyle McCormick, Produced by James Rocco; starring Brendan Bradley, Nick Cearly, Lauren Molina, Tatiana Wechsler

Game Boy by Melissa Bell
Directed by Bryanda Minix, Technical Editor Carley Santori, Produced by Stephanie Pope; starring Cady Huffman, Will Mader, Jianzi Colon-Soto

Change of Plans by Michele Ann Miller
Directed by Cate Cammarata, Technical Editor Andrea Lynn Green, Produced by Jonathan Hogue; starring Crystal Kellogg

Out of Order, a memory play by T. Cat Ford
Directed by Glynn Borders, Produced by Claudia Zahn; starring Maggie Baird, Andrea Lynn Green, Crystal Tigney

A Woman’s Perspective by Melvina Douse Manuel
Directed by Van Dirk Fisher, Technical Eidotr Iben Cenholt, Produced by Stephanie Pope; starring Regina Taylor, Robert Baptiste, Gha’il Rhodes Benjamin, Adante Carter, Shariff Sinclair, Tyrone Hall

Zoom, a monologue by Joe Nelms
Directed by Dennis Corsi, Technical editor Henry Garrou, Produced by Jonathan Hogue with Jim Brochu, Brenda Braxton, Bob Cuccioli, Dickie Hearts, Ann Harada, Jana Robbins

There will also be special appearances by Broadway stars Jill Paice and Tonya Pinkins, as well as actress-activist Dominique Sharpton. For more information, visit https://truonline.org/tru-speak-hear-our-voices/

Theater Resources Unlimited (TRU) is the leading network for developing theater professionals, a twenty-seven-year-old 501(c)(3) nonprofit organization created to help producers produce, emerging theater companies to emerge healthily and all theater professionals to understand and navigate the business of the arts. Membership includes self-producing artists as well as career producers and theater companies. TRU publishes an email community newsletter of services, goods and productions; presents monthly panels as well as the new weekly Community Gatherings; offers a Producer Development & Mentorship Program taught by prominent producers and general managers in New York theater, and also presents Producer Boot Camp workshops to help aspirants develop business skills. TRU serves writers through the TRU Voices Play Reading Series, Writer-Producer Speed Date, a Practical Playwriting Workshop, How to Write a Musical That Works and a Director-Writer Communications Lab. Programs of Theater Resources Unlimited are supported in part by the Montage Foundation, the Storyline Project and the Leibowitz Greenway Foundation. For more information about TRU membership and programs, visit www.truonline.org.