DFA Film Lab: Isolation to Creation Docuseries Conversation with Nic Petry and Julie Rooney, Dancing Camera, and Duke Dang
Join Dance Films Association for a conversation with filmmaker Nic Petry and editor Julie Rooney of Dancing Camera, and Duke Dang, General Manager of Works & Process, the performing arts series at the Guggenheim. RSVP for this free pre-premiere talk at https://gibneydance.secure.force.com/ticket/#/instances/a0F2S00001azfwnUAA. The talk is presented by Dance Films Association in partnership with the Guggenheim’s Works & Process at the Guggenheim and Gibney.
This Dance Film Lab, led by DFA curator Liz Wolff, will explore this filmmaking endeavor capturing the Works & Process production of six pioneering bubble residencies that took place in summer and fall of 2020 in the Hudson Valley. The residencies culminated in live, in-process outdoor performances at Kaatsbaan Summer Festival and Lincoln Center for the Performing Arts. This incredible journey will premiere as a four-part docudrama, ISOLATION TO CREATION streaming nationwide on January 27, and February 3, 10, and 17, at 8pm ET, for free on the ALL ARTS app, allarts.org , and also air in the New York metro area on the ALL ARTS TV channel (channel lineups available at: https://allarts.org/everywhere/).
“Works & Process has always championed artists and their creative process. Even though the pandemic put us on pause, we were adamant that we had to continue to fulfill our mission and creatively and financially support artists,” said Caroline Cronson, Producer of Works & Process. “With the pandemic rendering artists so vulnerable, we knew we had to forge a new path forward and share these truly unique and compelling journeys to a wider public, we are proud to partner with ALL ARTS to share these stories of hope and resiliency,” said Duke Dang, General Manager of Works & Process.
“We’re incredibly proud of the role we play as an amplifier and platform for the arts. So many arts institutions have either had to close their doors or find new innovative ways to present to their audiences this year,” said Co-Executive in Charge of ALL ARTS Diane Masciale. “We’re honored to be partnering with the Guggenheim’s Works & Process to bring Isolation to Creation to viewers across the country for free. It’s a perfect example of the beautiful collaboration and creativity that exists in the arts community, especially during hard times,” added Senior Director of ALL ARTS Joe Harrell.
Under a medical protocol developed with medical counsel Dr. Wendy S. Ziecheck, and ethical oversight provided by Dr. Robert Klitzman, artists isolated by the coronavirus (COVID-19) pandemic gathered in quarantine to work together in Hudson Valley. In partnership with Kaatsbaan Cultural Park, Mount Tremper Arts, and Petronio Residency Center through jointly subsidized residencies, eight creative bubbles were created to incubate Works & Process commissions featuring diverse dance cultures, including Afrik, ballet, ballroom, break, flex, Krump, modern, tap, and vogue dance styles, and beatbox. Select projects were performed at the Kaatsbaan Festival to live audiences and were sequenced into filmed performances at Lincoln Center for the Performing Arts. Audiences were invited to witness some of the collaborative work and receive real-time updates on Works & Process social media at Facebook, Instagram, and YouTube (@worksandprocess).
Episode 1: January 27
Isolation to Creation: A Way Forward
After self-isolation and serial Covid testing, quarantine bubbles are formed for artists to gather, create, and perform safely again. Ephrat Asherie, Les Ballet Afrik, Joshua Bergasse, Sara Mearns, Missing Element, Music from the Sole, and Jamar Roberts.
Episode 2: February 3
Isolation to Creation: Beatbox, Modern, Street, Tap Dance and Afro-Brazilian Rhythm
Artists from Missing Element melding beatbox and breaking, flexn, and Krumping; Music from the Sole fusing tap and Afro-Brazilian rhythms; and Alvin Ailey American Dance Theater resident choreographer Jamar Roberts and dancers go back into the studio for the first time.
Episode 3: February 10
Isolation to Creation: Afrik, Ballet, Ballroom, Broadway, Club, House, and Vogue
Ephrat Asherie Dance with club legends, Les Ballet Afrik and ballroom legend Omari Wiles, and Seven Deadly Sins artists Joshua Bergasse, Marc Happel and Sara Mearns go back into the studio for the first time.
Episode 4: February 17
Isolation to Creation: Showtime
After two weeks inside Works & Process bubble residencies, projects culminate in live performances at Kaatsbaan Festival and filmed video at Lincoln Center, previewing future premiere performances at the Guggenheim, once it is safe for all to gather.
Lead support for Works & Process Bubble Residencies and Isolation to Creation provided by Works & Process Board of Directors and Anh-Tuyet Nguyen and Robert Pollock, with additional support from Jonna Mackin. The filming of Isolation to Creation was supported in part by the Jerome Robbins Dance Division at the New York Public Library for the Performing Arts.
Featured Bubble Residency Artists include:
Ephrat Asherie Dance and Club Legends
Les Ballet Afrik with Omari Wiles
The Missing Element with Chris Celiz and Anthony Rodriguez “Invertebrate”
Music from the Sole with Gregory Richardson and Leonardo Sandoval
Seven Deadly Sins with Joshua Bergasse, Justin Vivian Bond, Jeffrey Guimond, Marc Happel, and Sara Mearns
Notes from the Bubble, a series for trailers for Isolation to Creation can be viewed at:
Find more information at www.worksandprocess.org.
Once conditions are deemed safe for audiences and artists to gather, the live premieres and showings of projects featured in Isolation to Creation will be presented at the Guggenheim Museum as part of the Works & Process 2021 season.
Works & Process at the Guggenheim
Described by The New York Times as “an exceptional opportunity to understand something of the creative process,” for 35 years, New Yorkers have been able to see, hear, and meet the most acclaimed artists in the world, in an intimate setting unlike any other. Works & Process, the performing arts series at the Guggenheim, has championed new works and offered audiences unprecedented access to generations of leading creators and performers. Most performances take place in the Guggenheim’s intimate Frank Lloyd Wright-designed 273-seat Peter B. Lewis Theater. In 2017, Works & Process established a new residency and commissioning program, inviting artists to create new works, made in and for the iconic Guggenheim rotunda. In 2020, Works & Process Artists (WPA) Virtual Commissions was created to financially support artists and nurture their creative process during the pandemic. To forge a path for artists to safely gather, create, and perform during the pandemic, in summer 2020, Works & Process pioneered and produced a series of bubble residencies that will continue into 2021. worksandprocess.org. Lead funding for Works & Process is provided by the Ford Foundation, the Christian Humann Foundation, Leon Levy Foundation, Mertz Gilmore Foundation, NYC COVID-19 Response and Impact Fund, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts. Works & Process has received support from the U.S. Small Business Administration Paycheck Protection Program and NYC Employee Retention Grant Program.
About Dance Films Association
Dance Films Association is the catalyst for the production, presentation, and preservation of dance on camera. We are dedicated to furthering the art of dance film by connecting artists and organizations, fostering new works for new audiences, and sharing essential resources. A non profit membership organization, Dance Films Association builds upon founder Susan Braun’s vision by encouraging choreographers to enter the world of filmmaking, for filmmakers to discover the rich history of dance, and for audiences to engage with the broad spectrum of these films. Today, DFA serves the global dance film community by providing membership opportunities, connecting artists and organizations, fostering new works for new audiences, and sharing essential resources. Its constituency includes dance and film artists, academics and critics, as well as students and established professionals. Based on the principle of movement, dance, like cinema, began as an art form centered on the human body, physical performance, and communication through action and image. Today, technology allows for more artistic experimentation than ever and the language of moving images enriches viewers’ experience. Forging a truly unique vision, dance filmmakers continue to question creative boundaries, producing films that speak through the universal language of movement, unifying cultures and generating wider audiences. DFA champions the fundamental art forms of dance and film by encouraging the affinities between the two, providing infrastructure for the dance film genre, and serving as an international hub for dance on camera. DFA strives to promote films of value which engage viewers to question the world around them.
Gibney has used movement to transform and inspire for nearly 30 years. Gibney’s story began in 1991, when choreographer Gina Gibney founded her socially active dance company with a single dance studio to call home. The organization has rapidly evolved into a performing arts and social justice powerhouse. Gibney is now home to thousands of artists and community members across two New York City locations, totaling 23 studios, 5 performance spaces, and 52,000 square feet of space. Gibney’s mission is to tap into the vast potential of movement, creativity, and performance to effect social change and personal transformation. Gibney’s vision is to deploy resources and bring together disparate communities to ignite a cultural renaissance that has ripple effects for society far beyond the studio and stage. Gibney’s mission and vision come to life through a stunning resident repertory company, impactful community action initiatives, and thriving performing arts centers.
About ALL ARTS
ALL ARTS is breaking new ground as the premier destination for inspiration, creativity and art of all forms. This New York Emmy-winning arts and culture hub is created by WNET, the parent company of New York’s PBS stations. With the aim of being accessible to viewers everywhere, ALL ARTS’ Webby-nominated programming – from digital shorts to feature films – is available online nationwide through allarts.org, the free ALL ARTS app on all major streaming platforms and @AllArtsTV on YouTube, Facebook, Instagram, and Twitter. New York area TV viewers can also watch the 24/7 broadcast channel. For all the ways to watch, visit allarts.org/everywhere. Leadership support for ALL ARTS is generously provided by Jody and John Arnhold, Sue and Edgar Wachenheim III, the Kate W. Cassidy Foundation, The Jerome L. Greene Foundation, The Andrew W. Mellon Foundation and Anderson Family Fund.
Ballet Hispánico Café America Watch Party and Conversation with Tony Award-winning choreographer George Faison
February 10, 2021
Ballet Hispánico, the nation’s renowned Latinx dance organization, recognized this year as one of America’s Cultural Treasures, kicks off 2021 with a glimpse into the company’s past. The 50th Anniversary Celebration continues its series of entertaining archival repertory pieces, inviting audiences to look back at vibrant performances from the 80s and 90s with Café America on Wednesday, February 10, 2021, available at ballethispanico.org, YouTube, Facebook. Enjoy a Company performance from the comfort of your own home, followed by live Q&A sessions with Artistic Director and CEO of Ballet Hispánico Eduardo Vilaro, Tony Award-Winning choreographer George Faison, and company and alumni dancers. The piece features Mr. Vilaro himself, during his years as a dancer with the Company.
Café America by George Faison (Tony Award winner forThe Wiz), followed by a conversation with the choreographer himself and the trio of three dancers, Jose Costas, Pedro Ruiz, and Eduardo Vilaro. Café America is a bittersweet envisioning of the “American Dream.” Three immigrants make their way to a new life dawned in brilliant-colored suits with a sense of determination evoked by Faison’s expansive, jazzy choreography. Choreography by George Faison; Music by Ruben Blades and Julio Iglesias; Set Design by Pepon Osorio; Costume Design by Bernard Johnson; Lighting Design by Tim Hunter; Dancers: Jose Costas, Pedro Ruiz, Eduardo Vilaro, and Amir Levy
“An evening of good old-fashioned entertainment.” – The New York Times
“Best of all were the performances of Jose Costas as the new immigrant and Pedro Ruiz and Eduardo Vilaro as his friends. Mr. Faison’s tight-sprung, lyrical dance flowed authoritatively through their bodies. And each man established a personality — Mr. Costas a wiry, quick learner; Mr. Ruiz so full of delight in his surroundings that his face was transfigured with radiance, and Mr. Vilaro a wryly savvy survivor with a sense of humor and the look of being the most adaptable of the three,” said Jennifer Dunning, The New York Times.
#BUnidos began as a daily video series to combat the loss of performances and community programming due to COVID-19. As social distancing continues, we continue to provide content through our social media platforms as a way to instill a sense of community within our BH familia and offer ways to explore dance and Latino cultures online. #BUnidos! Social distancing does not mean emotional distancing.
“As a community of dancers, artists, and human beings, we are all in this together. We will persevere through this challenging time, and we hope that this programming provides a coping outlet, for you, for our followers and the community overall,” said Eduardo Vilaro, Artistic Director & CEO of Ballet Hispánico. “Now more than ever, it is important to band together in support of the arts. The personal and professional challenges that we have already endured and will continue to face over the next few weeks or months are significant. What we can take from this time of cancellations, uncertainty and social distancing is a chance to use our creativity to connect with the community on a new level. Social distancing does not mean emotional distancing. Ballet Hispánico was founded upon and has always believed in the importance of reaching and servicing our community through dance and culture. As this pandemic occurs during our 50th Anniversary, it provides us with an opportunity to reflect on how far we have come, get back to our roots by reaching out to community near and far, and look forward to what is ahead.”
About Ballet Hispánico
Ballet Hispánico is the nation’s renowned Latino dance organization and one of America’s Cultural Treasures. Ballet Hispánico brings communities together to celebrate and explore Latino cultures through innovative dance performances, transformative dance training, and enduring community engagement experiences. Founded in 1970 by National Medal of Arts recipient, Tina Ramírez, the organization emerged during the post-civil rights movement on New York’s Upper West Side, providing a safe haven for primarily Black and Brown Latinx youth seeking artistic sanctuary during New York City’s plight in the 1970s. The need for place, both culturally and artistically, led families to find Ballet Hispánico. The focus on dance as a means to develop working artists, combined with the training, authenticity of voice, and power of representation, fueled the organization’s roots and trajectory. With its strong emphasis on dance, achievement, and public presence, the organization has flourished in its three main programs: its Company, School of Dance, and Community Arts Partnerships. The organization serves as a platform for historically omitted and overlooked artists providing them with increased capacity, voice, and affirmation. Over the past five decades, by leading with Latinx culture at the forefront of performance, education, and advocacy, Ballet Hispánico’s mission is a catalyst of change and possibility for communities throughout our nation.
Theater Resources Unlimited Announces TRUSpeak … Hear Our Voices! Virtual Fundraiser
February 21, 2021
Theater Resources Unlimited (TRU) announces TRUSpeak … Hear Our Voices! Virtual Fundraiser on Sunday, February 21, 2021 at 5pm (eastern time) via Zoom, presented with the generous sponsorship of R.K. Greene and The Storyline Project, Patrick Blake and Rhymes Over Beats, Neal Rubinstein and Dangerous the Musical, Merrie L. Davis and Cheryl Wiesenfeld. Join TRU for an evening of awareness at an annual fundraising gala reinvented for these virtual – and challenging – times. Tickets start at $55. For more information and tickets, visit https://truonline.org/events/tru-speak-hear-our-voices/.
TRUSpeak is a curated selection of short plays and musicals by TRU writers, produced by TRU producers and directed by TRU directors, all touching upon current social issues. “The shutdown has forced us all to rethink our business, our art, our assumptions about life itself,” says Bob Ost, executive director of TRU and producer of TRUSpeak. “Social awareness has been thrust into the spotlight, and virtual presentation has become our strongest means of expression. We are excited to offer a platform for the voices of seven talented writers, guided by directors and tech advisors collaborating to use this new medium in interesting ways.”
Each of the TRUSpeak shows will be introduced by former TRU honorees including
James Morgan, producing artistic director of the York Theatre; two-time Tony winning director/choreographer Jerry Mitchell; performer/choreographer and A Chorus Line legend Baayork Lee; four-time Tony winning producer Ron Simons; and four-time Tony winning producer Cheryl Wiesenfeld. Taking full advantage of the medium, each TRUSpeak piece will also include an interactive talkback session; and VIP ticket holders are invited to a post-show meet-and-greet with the cast and TRU board and other VIP’s.
Virtual Happy Hour, an online musical by Richard Castle & Matthew Levine
Directed by Jesica Garrou, Music Directed by Ben Doyle McCormick, Produced by James Rocco; starring Brendan Bradley, Nick Cearly, Lauren Molina, Tatiana Wechsler
Game Boy by Melissa Bell
Directed by Bryanda Minix, Technical Editor Carley Santori, Produced by Stephanie Pope; starring Cady Huffman, Will Mader, Jianzi Colon-Soto
Change of Plans by Michele Ann Miller
Directed by Cate Cammarata, Technical Editor Andrea Lynn Green, Produced by Jonathan Hogue; starring Crystal Kellogg
Out of Order, a memory play by T. Cat Ford
Directed by Glynn Borders, Produced by Claudia Zahn; starring Maggie Baird, Andrea Lynn Green, Crystal Tigney
A Woman’s Perspective by Melvina Douse Manuel
Directed by Van Dirk Fisher, Technical Eidotr Iben Cenholt, Produced by Stephanie Pope; starring Regina Taylor, Robert Baptiste, Gha’il Rhodes Benjamin, Adante Carter, Shariff Sinclair, Tyrone Hall
Zoom, a monologue by Joe Nelms
Directed by Dennis Corsi, Technical editor Henry Garrou, Produced by Jonathan Hogue with Jim Brochu, Brenda Braxton, Bob Cuccioli, Dickie Hearts, Ann Harada, Jana Robbins
There will also be special appearances by Broadway stars Jill Paice and Tonya Pinkins, as well as actress-activist Dominique Sharpton. For more information, visit https://truonline.org/tru-speak-hear-our-voices/
Theater Resources Unlimited (TRU) is the leading network for developing theater professionals, a twenty-seven-year-old 501(c)(3) nonprofit organization created to help producers produce, emerging theater companies to emerge healthily and all theater professionals to understand and navigate the business of the arts. Membership includes self-producing artists as well as career producers and theater companies. TRU publishes an email community newsletter of services, goods and productions; presents monthly panels as well as the new weekly Community Gatherings; offers a Producer Development & Mentorship Program taught by prominent producers and general managers in New York theater, and also presents Producer Boot Camp workshops to help aspirants develop business skills. TRU serves writers through the TRU Voices Play Reading Series, Writer-Producer Speed Date, a Practical Playwriting Workshop, How to Write a Musical That Works and a Director-Writer Communications Lab. Programs of Theater Resources Unlimited are supported in part by the Montage Foundation, the Storyline Project and the Leibowitz Greenway Foundation. For more information about TRU membership and programs, visit www.truonline.org.
Dance Rising NYC: Video Tour (Still Dancing): 300 Videos Broadcast Throughout the Five Boroughs at More Than 20 Cultural Venues
March 13 – 21, 2021
Video displays: March 13-21, videos shown at 20+ cultural venues across NYC
Dance Rising NYC announces a five borough Video Tour (Still Dancing) from March 13-21 to mark the one-year anniversary of NYC’s cultural shutdown due to the COVID-19 pandemic. Screens across New York City will broadcast videos from Dance Rising’s fall 2020 dance-outs, bringing visibility to the dance industry while live performance remains on pause.
A grassroots collective formed last fall as an urgent response to the pandemic, Dance Rising NYC is a platform for embodied advocacy that affirms the importance of dance in all its forms. In October and December 2020, Dance Rising organized live, hyper-local dance outs: on several specific dates/times, 300+ NYC dancers across the boroughs simultaneously took to the parks, streets, and rooftops to dance, calling attention to an entire sector that has been shut down by the pandemic. Dance Rising collected video recordings from these dance-outs, representing individual artists and established companies like Limon, Ballet Hispánico, Flamenco Vivo, Trisha Brown, Heidi Latsky Dance, The Bang Group, New York Theatre Ballet, Kinesis Project dance theatre, jill sigman/thinkdance, Renegade Performance Group and Movement of the People.
Now these compilation videos are ready to share with the public. Dance Rising is teaming up with the Village Alliance to produce large-scale projections around Astor Place including at The Cooper Union for the Advancement of Science and Art (March 13-15) and partnering with 20+ cultural organizations in all five boroughs to display these videos in venue lobbies, windows, and online (March 13-21). New Yorkers can also see short clips on LINKNYC kiosks across the city (March 8-26). Collectively, these videos will saturate the city with what already exists but has been out of the public eye for the past year.
The dance sector of NYC is in crisis right now, from training the next generation to employing full-time professionals: dancers live in every neighborhood in the city, but the physical distancing requirements of the pandemic have kept them isolated in their homes, and studios and stages remain largely closed. Video Tour (Still Dancing) is a tribute to quarantine and the industry’s tenacity in finding ways to insist that dance is a vital performing art — one that shapes NYC’s identity as a cultural center.
Dance Rising founding member Melissa Riker, director of Kinesis Project dance theatre, says, “As a dance artist living through a mismanaged pandemic, struggling to support my own company, I am acutely aware of the damage to our field. Choreographers and dancers cannot train, teach, create, or perform in person – a year into the pandemic, they are still largely dancing in their living rooms on zoom. Dance Rising is an emergency call to action; a way to create a multi-faceted dialogue that threads advocacy and visibility for dance into the streets of New York City.”
Astor Place video projections: March 13-15, 45-minute loop starting at sunset and running for three hours each night (side of The Cooper Union’s Residence Hall at 29 3rd Avenue)
LINKNYC video kiosks: March 8-26, 15 second video clips running in rotation on kiosks
Video displays: March 13-21,videos shown at 20+ cultural venues across NYC (detailed list below)
Manhattan: Abrons Arts Center, Arts On Site, DANCENOW, Flamenco Vivo,
GIBNEY, HERE Arts Center, John Jay College/ Gerald W. Lynch Theater, The Joyce, Movement Research, Museum of the City of New York, New York Live Arts, The Schomburg Center for Research in Black Culture
Brooklyn: Actors Fund Theatre & Brooklyn Ballet, BAX, BRIC, LEIMAY,
Mark Morris Dance Group
Queens: CUNY Dance Initiative, Flushing Town Hall, Kupferberg Center for the Arts,
LaGuardia Performing Arts Center
Staten Island: Snug Harbor Cultural Center
Bronx: BAAD, Chashama
More information, including venue locations and details are all at www.dancerising.org
Dance Rising’s Video Tour (Still Dancing) is supported buy The Harkness Foundation for Dance, John and Jody Arnhold | The Arnhold Foundation, John C. Robinson, The Village Alliance and other generous individuals. The Astor Place projections are possible with thanks to 4Wall Entertainment, The Cooper Union for the Advancement of Science and Art, and St. John’s University. Dance Rising videos were edited by Carley Santori, with LINKNYC kiosk videos edited by Juan Zapata. Dance Rising’s technical team includes Lauren Parrish, TD of DanceNOW at Joe’s Pub; Peter Nigrini, lighting and projection designer for Broadway and the Park Avenue Armory; Simon Cleveland, J&M Special Effects; and Roderick Murray, Open Culture Works.
ABOUT THE ORGANIZERS
Dance Rising was formed in August 2020 as an urgent response to the pandemic by a collective of independent NYC dance artists and administrators. A platform for embodied advocacy that unites the dance industry and amplifies diverse voices and bodies, Dance Rising focuses public attention on the field and engages with stakeholders about partnership and possibility. It also provides audiences with opportunities to enjoy safe, site-specific performances and celebrates local artists–a potent reminder of the importance of arts and culture in NYC. Led by Melissa Riker, director of Kinesis Project dance theatre, Dance Rising is fiscally sponsored by The Field and advised by Lucy Sexton of New Yorkers for Culture & Arts.
THE DANCE RISING COLLECTIVE
Alyssa Alpine/CUNY Dance Initiative, Maura Nguyen Donohue, Remi Harris, DJ McDonald, Joya Powell/Movement of the People Dance Company, Melissa Riker/Kinesis Project, Leslie Roybal/Flamenco Vivo, JoAnna Mendl Shaw/Equus Dance, Jill Sigman/thinkdance, Amber Sloan, André Zachary/Renegade Performance Group
Virtual International Arts Festival for Social Change
March 16 – 18, 2021
Founded in October 2020, MDD’s seasonal Virtual International Arts (VIA) Festival creates a space for artists, scholars, and audiences to share, respond, and reflect beyond traditional, commercial performance spaces that often exclude people and limit access. Mark DeGarmo Dance broadcasts its Virtual International Arts Festival for Social Change on Tuesday, Wednesday, Thursday March 16-18, 2021. The VIA festival features 19 performing artists from 5 countries over the course of the three evening event.
Virtual International Arts (VIA) Festival for Social Change:
Tuesday, March 16th, 2021 7PM ET on Zoom
Wednesday, March 17th, 2021 7PM ET on Zoom
Thursday, March 18th, 2021 7PM ET on Zoom
Tickets by Donation: https://www.eventbrite.com/e/141165410543
About Mark DeGarmo Dance
Founded in 1987, Mark DeGarmo Dance is a nonprofit organization that educates New York City communities and children; creates, performs, and disseminates original artistic work; and builds intercultural community through dance arts. MDD commits its resources to serving social justice, equity, and equality issues across multiple fronts through dance arts in NYC, the U.S., and internationally.
About Mark DeGarmo
Mark DeGarmo, Ph.D., B.F.A. is a New York City-based dancer, choreographer, writer, and researcher. They are Founder, Executive & Artistic Director of Mark DeGarmo Dance, New York City; Dance Director of Crossing Bridges International Artist Residency, Michoacán, Mexico; and an Artist-Scholar with Creative Agency, Australia. Their 2020 publications explore autoethnography during COVID.
https://.markdegarmodance.org, Follow Mark DeGarmo Dance on Facebook, Instagram, and Twitter
Our programs are supported, in part, by private funds from Friends of Mark DeGarmo Dance and by public funds from the NYC Council Member for District 1, the Honorable Margaret Chin; the NYC Council Member for District 2, the Honorable Carlina Rivera; Mid Atlantic Arts Foundation CARES relief funding supported by National Endowment for the Arts; National Endowment for the Arts; the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.
Dance/NYC Announces 2021 Symposium Justice Track Speakers, Sessions, and Thematic Guide Curators
Dance/NYC announces that registration for the Dance/NYC 2021 Symposium is now open, available at here…
The Symposium will take place virtually from Wednesday, March 17 – Saturday, March 20, 2021. As the only gathering of its kind for the dance community in the metropolitan New York City area, the Symposium is an opportunity for the dance field to exchange ideas, expand networks, sharpen organizational practices, and deepen the inquiry around New York City’s legacy and trajectory of dance-making.
This year’s theme is Justice. Transformation. Education. and will invite participants to reimagine the dance ecology with emphasis on advancing justice, civic engagement, and the whole dance worker, in the context of the global health crisis and social justice uprisings of 2020. Held this year as a fully digital experience on the Whova digital platform, the Symposium will include panel discussions, interactive workshops, networking sessions, a virtual expo hall and sponsorship opportunities. Short daily ‘Dance Breaks’ will be programmed with facilitators including DHQ (Dancehall Queen) Brat and Krishna Washburn. Sessions will include ASL interpretation and closed captions.
2021 Digital Symposium Sessions:
Wednesday, March 17, 2021, 10:00 a.m. – 3:00 p.m.
Wednesday, March 17, 2021, 6:00 p.m. – 9:00 p.m.
Thursday, March 18, 2021, 10:00 a.m. – 7:30 p.m.
Friday, March 19, 2021, 10:00 a.m. – 7:30 p.m.
Saturday, March 20, 2021, 10:00 a.m. – 7:30 p.m.
Dance/NYC’s 2021 Symposium will offer content tracks in alignment with its theme Justice. Transformation. Education. Sessions and speakers will be announced on a rolling basis with the Justice Track aimed at rooting out oppressive practices and historic marginalization, the Transformation Track aimed at inspiring change at the individual, organizational and field-wide level, and the Education Track aimed at providing business of dance and dance education tools. Sessions in the Justice Track include:
Keynote: A Reckoning of Power, Accountability and Gender Equity, moderated by Lauren Wingenroth, Editor in Chief, Dance Teacher and Dance Business Weekly, Senior Consulting Editor, Dance Magazine with speakers Lady Krow, Dancer and Visual Artist, Germaul Barnes, Choreographer, Director of Viewsic Dance, Curator of Contemporary Improvisation for Black Men, and Linda LaBeija, Artistic Activist, Transgender Advocate, Performance Poet.
Streets, Dance Halls and Living Rooms: Social Dance in Form, Function and Practice moderated by Rodney Lopez, Principal, Rodney Eric Lopez Enterprises. Speakers include Michael Manswell, Choreographer and Teaching Artist, Something Positive, Inc., Nicole Macotsis, Dancer, Public Folklorist and Founder of Traditions in Motion, and Joti Singh, Artistic Director, Duniya Dance and Drum Company.
Negotiations of Power in Commercial Cultural Practice moderated by Nelida Tirado, Artistic Director & Teacher of Nelida Tirado Flamenco. Each track will be accompanied by a thematic guide to be included in the program book curated by leading dance practitioners. These guides will feature essays, resource lists with related media, and reflection prompts providing deeper pathways to explore the Symposium topics. 2021 Thematic Guide Curators include Maura Donohue (Education) and Jonathan Gonzalez (Justice).
Visit Dance.NYC/DanceSymp to get information about Registration, Sponsorship, Ads, Group Tickets, Sessions and Speakers. Promotional materials and toolkit can be found at bit.ly/2021SympPromo.
Dance/NYC’s mission to promote and encourage the knowledge, appreciation, practice, and performance of dance in the metropolitan New York City area. It embeds core values of justice, equity, and inclusion into all aspects of its programs and operations.
Battery Dance presents Canadian Voices in Dance as part of its new format Battery Dance Festival +
Battery Dance announces the second installment of Battery Dance Festival +, an extension of its annual summer festival that went virtual for the first time in August, attracting nearly 30,000 viewers in its 39th year. Established in 1982, the Battery Dance Festival (BDF) is New York City’s longest-running free public dance festival and one of its most wide-ranging. Battery Dance Festival + showcases free virtual performances by prior Festival participants and welcomes new artists within geographic and cultural themes.
In partnership with the Canadian Consulate of New York, Battery Dance Festival + will present an hour of performances celebrating Canadian Voices in Dance on Thursday, March 25, 2021 at 7pm EST on YouTube.com. This program is part of the Battery Dance Festival + series that transports audiences around the world to experience worldwide cultures and dance forms.
The virtual performances will be available to watch for 30 days after the premiere, expiring April 24, 2021. Registration is free and open to the public at https://www.classy.org/event/battery-dance-festival-canadian-voices-in-dance/e327355. For more information, visit https://batterydance.org/battery-dance-festival/canadian-voices-in-dance/.
“From cowboy boots to ankle bells, sneakers to snow boots, we celebrate the variegated styles of dance coming from our neighbors to the North with the newest edition of Battery Dance Festival +. I am thrilled to continue the celebration of dance this month with Canadian Voices in Dance. Join me as I interview inspiring Canadian dancemakers every Sunday leading up to the next edition of Battery Dance Festival + on March 25,” said Battery Dance founder and Artistic Director Jonathan Hollander.
between series by Kaeja d’Dance
Piece 1: between sun and sand
Concept: Karen Kaeja Dancers and Co-Direction – Karen Kaeja and Allen Kaeja
Cinematographer: Talia Tsarfati
Editor: Allen Kaeja
Composer: Edgardo Moreno
Location: Shot on the shores of Saugeen Nations, South Bruce Penninsula
between sun and sand was shot in the summer of 2020
Piece 2: between snow and sky
Concept: Karen Kaeja Dancers and Co-Direction – Karen Kaeja and Allen Kaeja
Cinematographer: Talia Tsarfati
Editor: Karen Kaeja
Original Score: Christina Litt Belch
Location: Shot on the shores of Saugeen Nations, South Bruce Penninsula
between snow and sky was shot in the winter of 2021
The Man in Black by Citadel + Compagnie
The Man in Black is a celebration of American working class-grit and of the man whose voice embodied it so well, Johnny Cash. James Kudelka takes six Cash songs and transforms them into outwardly simple yet choreographically sophisticated dances, creating an ode to the human spirit, proud and resilient.
Choreography: James Kudelka
Rehearsal Direction: Laurence Lemieux
Music: Six covers, sung by Johnny Cash
Dancers: Tyler Gledhill, Daniel McArthur, Connor Mitton, Erin Poole
Costume Design: Jim Searle and Chris Tyrell for Hoax Couture
Ever So Slightly by RUBBERBAND
Ever So Slightly explores the behavioural mechanisms and reflexes we develop against the ceaseless flow of irritants that bombard us in our daily lives. Most of us long for calm and resilience, but how do we get to a zone where noise and aggressivity no longer have a place? Simultaneously delivering delicacy, brutality, finesse, and high-voltage action, Victor Quijada conveys all the energy contained in urgency, revolt, chaos, and flight.
Choreography: Victor Quijada in collaboration with the dancers.
Dramaturgy: Mathieu Leroux.
Musical Director: Jasper Gahunia.
Original Music: Jasper Gahunia, William Lamoureux.
Lighting Design: Yan Lee Chan.
Costumes Design: Cloé Alain-Gendreau.
Technical Director: Simon Cloutier.
Production Manager: Florence Cardinal.
Dancers: Amara Barner, Jean Bui, Daniela Jezerinac, Sydney McManus, Dana Pajarillaga, Brontë Poiré-Prest, Jerimy Rivera, Zack Tang, Ryan Taylor, Paco Ziel.
Music (live performance): Jasper Gahunia – bass, drum machine, keyboard, turntable; William Lamoureux – violin, guitar, keyboard.
Ever So Slightly is a coproduction of RUBBERBAND, Danse Danse, Société de la Place des Arts de Montréal, Théâtre Hector-Charland and Global Arts Live. With the support of the Canada Council for the Arts, the Conseil des arts et des lettres du Québec, the Conseil des arts de Montréal and the Ontario Arts Council.
RUBBERBAND benefited from the support of Danse à la Carte and residencies at Place des Arts, Salle Pauline-Julien, CCOV – Centre de création O Vertigo, The Performing Arts Center at SUNY Purchase, and Théâtre Hector-Charland for the creation of Ever So Slightly.
Tarana by Tanveer Alam
The Tarana is a composition of Hindustani classical music in which syllables such as “tanadeem”, “yalali”, “tanaderena” based in Arabic and Persian phonemes are structured and held within a Taal (rhythmic cycle) and Raag (melody). The movements are abstract and strongly based in the technique of Kathak. The melody has no meaning but conveys a sense of vigour, indulgence, and celebration. This Tarana is set to the midnight Raag, Darbari Kanada. This work is a representation of how Kathak continues to evolve and grow within the bodies of its diasporic practitioners — with love, honestly, and authenticity.
Choreography and performance: Tanveer Alam
Music: Pt. Atul Desai
Rehearsal direction: Harikishan S. Nair
In Between by The National Ballet of Canada
Praised as a “polished, cohesive ballet” in The Globe and Mail, In Between debuted with The National Ballet of Canada in 2018 with original music by Canadian composer Adam Sakiyama. Choreographer Alysa Pires has now adapted the piece for film, focusing on a single dancer, Second Soloist Christopher Gerty, rather than the original cast of four, reimaging the choreography as a poignant solo. Inspired by the pull between two places, In Between conveys a sense of yearning and restlessness that feels especially prescient in the context of the coronavirus pandemic.
Choreography: Alysa Pires
Director: Ben Shirinian
Producer: Ben Shirinian & Jared Cook | Lookout
Music: “In Between,” written and performed by Adam Sakiyama
Featuring: Christopher Gerty
BMO Financial Group presents the 2020/21 Season.
Expansive Dances is made possible by the generous support of The Delaney Family Foundation and Sans Limites.
The National Ballet of Canada presents Expansive Dances in partnership with Evergreen.
Filmed at Evergreen Brick Works
Supported by Bank of America as part of Evergreen’s 2020 Cultural Performing Arts Series
Christopher Gerty is sponsored through Dancers First by Ms. Nancy Viner & Dr. Raymond Stein.
Production Company: Lookout
Director: Ben Shirinian
Producer: Ben Shirinian & Jared Cook
Cinematography: Cameron Roden
Camera Assistant: Brandon Vieira
Drone: Matt Bujok
Title Design: Murilo Almeida
Editing Facility: School Editing
Editor: Jon Devries
Assistant Editor: Genevieve Latour
Executive Producer: Sarah Brooks
Executive Producer: Yumi Suyama
Colour Facility: Alter Ego
Colourist: Wade Odlum
Producer: Jane Garrah
Executive Producer: Greg Edgar
Online: Fort York
Flame Artist: Luke White
Producer: Armen Bunag
Executive Producer: Erica Bourgault
Audio Post Facility: Voodoo Highway Music
Mix: Rachael Johnstone & Brian Pickett
About Kaeja d’Dance
Established in 1990, Kaeja is driven by two distinct artistic forces, Karen and Allen Kaeja. Kaeja creates award-winning contemporary dance performances for stage, film & communities that have toured the world. The foundation of their stage and film creation began with fifteen years of Holocaust inspired dance works. Allen is the child of a refugee and Holocaust survivor. Kaeja presents local and international dance artists in Toronto through festival platforms, commissions and mentorships, creating with people of all identities, practices and ages. Passionate engagers of bridging professional and community dance art, Kaeja has received 40+ awards & nominations. www.kaeja.org
About Citadel + Compagnie
Citadel + Compagnie is a dance organization with its home, The Citadel: Ross Centre for Dance, embedded within the Regent Park community of downtown Toronto. Led by Artistic Director, Laurence Lemieux, the company commits to the creation and production of innovative and accessible original works of dance and the preservation of iconic Canadian repertoire, in addition to supporting its multiple presentation platforms and training program. www.citadelcie.com
About Tanveer Alam
Born and raised in Montreal, Tanveer Alam started his training in the Indian classical dance form of Kathak with Sudeshna Maulik and continues to study with guru Sandhya Desai. Alam also trains in Taal Vidya — the knowledge of Hindustani classical rhythms, with guru Pandit Divyang Vakil. He is a 2019 graduate of The School of Toronto Dance Theatre. Alam has performed in the works of Pandit Birju Maharaj, Janak Khendry, Rina Singha, Lata Pada, Brandy Leary, Noémie Lafrance, and Sanjukta Sinha. An emerging choreographer, he hopes to carry forward Kathak in relation this his own truths as a diasporic artist, as well as reflect on the different trainings his body holds. His work has been presented at Dance Ontario DanceWeekend, New Blue Emerging Dance Festival, London Dance Festival, MAI – Montréal, arts interculturels, SummerWorks Festival, and Tangente to name a few. Alam has been supported by The Canada Council for the Arts, Toronto Arts Council, and Ontario Arts Council. In 2020, he was the recipient of The Sadhana Residency supported by Anandam Dancetheatre.
About The National Ballet of Canada
One of the top international ballet companies, The National Ballet of Canada was founded in 1951 by Celia Franca. A company of 70 dancers with its own orchestra, the National Ballet has been led by Artistic Director Karen Kain, one of the greatest ballerinas of her generation, since 2005. Renowned for its diverse repertoire, the company performs traditional full-length classics, embraces contemporary work and encourages the creation of new ballets as well as the development of Canadian choreographers.
ABOUT BATTERY DANCE
Battery Dance created its outdoor festival in 1982 in lower Manhattan, the community where it was founded in 1976. As one of America’s leading cultural ambassadors, Battery Dance connects the world through dance. The Company pursues artistic excellence and social relevance by creating vibrant new works, performing on the world’s stages, presenting dance in public spaces, serving the field of dance and teaching people of all ages with special attention to the disadvantaged and areas of conflict. Battery Dance is committed to enhancing the cultural vibrancy of its home community in New York City, extending programming throughout the U.S., and building bridges worldwide through international cultural exchange with programs in 70 countries to date. Faced with the curtailment of all of its live programs in March, the Company went online and invented Battery Dance TV with hundreds of classes, performances and interviews broadcast across 199 countries, achieving over 1.2 million views within just six months. www.batterydance.org