Theater Resources Unlimited Art and Activism: How Theater Can Open (and Change) Minds
Theater Resources Unlimited (TRU) announces their monthly panel Art and Activism: How Theater Can Open (and Change) Minds on Tuesday, December 22, 2020 at 6pm via Zoom. The Zoom session will open at 6pm for roundtable introductions of attendees, and the program will start at 6:30pm – come prepared with your best 20-second summary of who you are, and what you need. Reserve a spot on the event page at https://truonline.org/events/art-and-activism/ or by emailing [email protected] – you will be put on a list to receive the Zoom link.
Guest speakers include Jane Dubin, chair of the board of directors of Houses on the Moon Theatre Company; Adam Hyndman, associate at Octopus Theatricals, board of Broadway For Racial Justice, co-founder of The Industry Standard Group; Ludovica Villar-Hauser, founder/artistic director of Parity Productions; actor and activist Dominique Sharpton; and Gayle Waxenberg, co-founder and executive director of NewYorkRep.
From its very roots in ancient classics that often shaped current as well as historic events into life lessons, to Shakespeare’s portraits of royal villains and heroes, to the cool-eyed issue plays of Brecht and the agitprop of Odets, theater has always been a political medium. Even when it is not overtly political, theater can be subversively persuasive as it invites us to empathize with characters and dares us to understand human behavior in its full spectrum of moral shades. In a world now in urgent need of greater inclusion, will theater fulfill its potential by bringing a wider range of stories to the stage that show audiences the many faces of “the other” and explore the state of our world in thought-provoking ways?
We offer these events free to TRU members in normal times, and currently include a pay-what-you-can tax-deductible donation option for non-members, to help make up for our current financial losses.
About the Guest Speakers
Jane Dubin is a TONY Award-winning producer and the President of Double Play Connections, a theatrical production and management company committed to supporting emerging artists and playwrights in the creation and development of new works. Jane is a graduate of the Commercial Theatre Institute’s 14-week (NYC) and O’Neill Center Intensive (CT) Producing Workshops and past Director of Theater Resources Unlimited’s Producer Development Program, and current Director of the program’s Master Class. Broadway/OB: The Prom (Best Musical – Drama Desk Award), Farinelli and the King (5 Tony nominations), starring Mark Rylance, Bandstand, An American in Paris on Broadway (4 TONY Awards), National Tour and in London, Absolute Brightness of Leonard Pelkey (Off Broadway and on Tour), Peter and the Starcatcher (Broadway, Off-Broadway, National Tour), winner of 5 TONY Awards; Ann, starring Holland Taylor (Lincoln Center); The Umbrellas of Cherbourg (London); The 39 Steps (OB, Tour); The Norman Conquests (TONY Award, Best Play Revival), Groundswell (the New Group), Beebo Brinker Chronicles (2008 GLAAD Media Award for Theatre). Other: OPA! at TBG Theatre (Best Commercial Production, MITF 2008), Take Me America (Best Musical, MITF 2007), Count Down, (Bank Street Theatre) and the one-woman show that started it all, MentalPause by Margaret Liston. Ms. Dubin is a full voting member of the Broadway League. She is Chair of the Board of Directors of Houses on the Moon Theater Company and a prior Board member of the League of Professional Theatre Women. For two years she was co-curator of the Hudson Valley Writers’ Center New Play Reading Series. She co-produced Hudson River Rising, presenting events for One Billion Ris-ing (V-Day) 2013 and 2014 and was a member of the Grand Jury for New York Musical Festival’s 2015 – 2019 seasons.
Adam Hyndman is a performing artist, producer, and activist. He graduated from Princeton University with a degree in Cultural Anthropology and minors in theater and dance. He has worked extensively in the arts, performing on stage and screen with roles on Broadway and television. Some notable credits include: NBC’s The Sing Off, Children of Eden at the Kennedy Center, Aladdin on Broadway, Once On This Island on Broadway and Hadestown on Broadway. Adam was a co-producer for The Inheritance on Broadway. He is currently incubating several projects as an independent producer as well as within the Tony Award winning team at Octopus Theatricals. Adam uses his experiences working with narratives to challenge his vision for the world, and it leads him to opportunities in and out of the arts. He is passionate about creating possibilities for people to connect and activate their purpose. Adam is honored to serve on the board of directors for Broadway For Racial Justice where he is specifically charged with curating community through mentorship and volunteer programs. His purpose in this work is for disruption, radical accessibility, and reconciliation, and he continues this as a founder of The Industry Standard Group (a community fund for BIPOC folks to invest and produce in commercial theater, the first of its kind). As an individual committed to excellence and progressive achievement through collaboration, he works toward the manifestation of a diverse and inclusive world.
Dominique Sharpton has been an influential force in the National Action Network since she formally joined in 2008, as the membership director. She led the organization in terms of expansion, and has promoted activism with the rising youth, motivating real action. Dominique attended Temple University, studying theater, music, and communications, then went on to attend The American Musical and Dramatic Academy (AMDA), in New York City where she graduated in 2007. Aside from her love for theater and children, she has also explored the realms of producing. For a year she co-produced her father’s syndicated radio show “Keeping it Real” with Al Sharpton, co-produced a Broadway event at Birdland Jazz Club with Amy Birnbaum, celebrating Afro-American music on Broadway and is currently producing her father’s live radio broadcast rally every Saturday morning from 9-11 a.m. on WLIB-1190 a.m. She has been diligently working on the forefront with her father, helping to organize marches and rallies around the country in pursuit of justice. She devotes a lot of time mentoring young people around the city, having recently co-founded a youth based organization with her sister Ashley called “Harlem INC” which has transformed into an entertainment Company called “Sharpton entertainment LLC”. They work to provide positive outlets for youth and showcase their many talents, as well as raising issues and hardships that young adults are facing and dealing with today. Dominique Sharpton is also the board president for Education for a Better America (EBA), which seeks to promote, fund, organize and conduct activities that will build an educational support system that serves the needs of students in urban communities. The mission of the corporation is to build bridges between policymakers and the classrooms by supporting innovations in the delivery of education; creating a dialogue between policymakers, community leaders, educators, parents, and students; and disseminating information that will positively impact our schools.
Ludovica Villar-Hauser’s directorial accomplishments include the New York premiere of Otho Eskin’s Duet, the world premiere of Teresa Lotz’s She Calls Me Firefly, the Off-Broadway world premiere and West End premiere of Gregory Murphy’s The Countess (634 Off-Broadway performances), Philip Ridley’s Leaves of Glass, and Laura Pedersen’s For Heaven’s Sake!, among many other critically-acclaimed productions. Ludovica was the youngest woman ever to simultaneously produce and direct in London’s West End. In the New York theatre industry, she was also one of the few women to own and operate her own theatre for 17 years – The Greenwich Street Theatre. She served on the Board of the League of Professional Theatre Women from 2009-2018 and is currently the Producer of its Oral History Project at NYPL for the Performing Arts at Lincoln Center. Previous to her many credits in New York, at twenty-three, Ludovica was the youngest woman ever to simultaneously produce and direct in London’s West End. Her production of O’Neill’s Long Day’s Journey into Night transferred after its initial run to a larger West End venue. In the New York theatre industry, Ludovica is one of the few women to have owned and operated her own theatre – The Greenwich Street Theatre – which she ran for seventeen years, during which time she developed more than thirty new plays and presented the work of hundreds of theatre artists. Alongside her directorial career, Ludovica is Founder and Artistic Director of Parity Productions, a recipient of NYWA’s Galaxy Award, and has served on the Board of the League of Professional Theatre Women since 2009.
Gayle Waxenberg’s career began on Wall Street where she managed the marketing and corporate communications for a premiere investment bank. During her 11 years there, she won a multitude of awards for the creative and strategic campaigns she directed. She later started her own marketing consulting firm, Waxenberg & Associates, working with advertising, public relations and direct marketing firms servicing the financial industry. A born advocate, she left the for-profit sector and committed herself to raising awareness for those less for-tunate. Combining her extensive business experience and philanthropic work, she began giving “voice” to the different communities she served, and continues to serve; domestic abuse victims, hospice patients, substance abuse victims, immigrants, at-risk children and mental health patients. Gayle has been repeatedly honored for her service by the organizations she serves. Recognizing the power of the stories she captured, she launched the Telling Company in 2012 as a forum for telling real-life stories influencing social change through art. She has now brought The Telling Company to NewYorkRep becoming a founding member with Markus Potter. Her first play, A Bitter Pill, premiered in 2016 at the Hudson Guild Theater, as part of the Venus/Adonis Theater Festival. Gayle also produced the mulit-award winning film Influence, and the London production of Stalking the Bogeyman, which received an Off-West End (Offie nomination) for best production and direction. Produced readings included Ben Elton’s Olivier award winning play, Popcorn, starring Sharon Stone and Stacey Keach. She is proud to have launched and produced a community-based program of readings, Thought Bubbles, to bring new theatrical work free to people who may not otherwise have access. Gayle is also a Founder/Past President and currently a Board Member of The Graham School Education Foundation, a Board Member of Danza Espanza, The American Spanish Dance Theater, and was an elected official. She is also a member of the Dramatists Guild of America, the Off Broadway Alliance, Theater Resources Unlimited and a member of the League of Professional Theater Women.
Theater Resources Unlimited (TRU) is the leading network for developing theater professionals, a twenty-seven-year-old 501(c)(3) nonprofit organization created to help producers produce, emerging theater companies to emerge healthily and all theater professionals to understand and navigate the business of the arts. Membership includes self-producing artists as well as career producers and theater companies. TRU publishes an email community newsletter of services, goods and productions; offers a Producer Development & Mentorship Program taught by prominent producers and general managers in New York theater, and also presents Producer Boot Camp workshops to help aspirants develop business skills. Currently, TRU offers a Weekly Community Gathering on Fridays at 4:30pm to help maintain community spirit during this time of isolation. TRU serves writers through the TRU Voices Play Reading Series, Writer-Producer Speed Dates, a Practical Playwriting Workshop, How to Write a Musical That Works and a Writer-Director Communications Lab. Programs of Theater Resources Unlimited are supported in part by the Montage Foundation and the Leibowitz Greenway Foundation. For more information about TRU membership and programs, visit www.truonline.org.
DFA Film Lab: Isolation to Creation Docuseries Conversation with Nic Petry and Julie Rooney, Dancing Camera, and Duke Dang
Join Dance Films Association for a conversation with filmmaker Nic Petry and editor Julie Rooney of Dancing Camera, and Duke Dang, General Manager of Works & Process, the performing arts series at the Guggenheim. RSVP for this free pre-premiere talk at https://gibneydance.secure.force.com/ticket/#/instances/a0F2S00001azfwnUAA. The talk is presented by Dance Films Association in partnership with the Guggenheim’s Works & Process at the Guggenheim and Gibney.
This Dance Film Lab, led by DFA curator Liz Wolff, will explore this filmmaking endeavor capturing the Works & Process production of six pioneering bubble residencies that took place in summer and fall of 2020 in the Hudson Valley. The residencies culminated in live, in-process outdoor performances at Kaatsbaan Summer Festival and Lincoln Center for the Performing Arts. This incredible journey will premiere as a four-part docudrama, ISOLATION TO CREATION streaming nationwide on January 27, and February 3, 10, and 17, at 8pm ET, for free on the ALL ARTS app, allarts.org , and also air in the New York metro area on the ALL ARTS TV channel (channel lineups available at: https://allarts.org/everywhere/).
“Works & Process has always championed artists and their creative process. Even though the pandemic put us on pause, we were adamant that we had to continue to fulfill our mission and creatively and financially support artists,” said Caroline Cronson, Producer of Works & Process. “With the pandemic rendering artists so vulnerable, we knew we had to forge a new path forward and share these truly unique and compelling journeys to a wider public, we are proud to partner with ALL ARTS to share these stories of hope and resiliency,” said Duke Dang, General Manager of Works & Process.
“We’re incredibly proud of the role we play as an amplifier and platform for the arts. So many arts institutions have either had to close their doors or find new innovative ways to present to their audiences this year,” said Co-Executive in Charge of ALL ARTS Diane Masciale. “We’re honored to be partnering with the Guggenheim’s Works & Process to bring Isolation to Creation to viewers across the country for free. It’s a perfect example of the beautiful collaboration and creativity that exists in the arts community, especially during hard times,” added Senior Director of ALL ARTS Joe Harrell.
Under a medical protocol developed with medical counsel Dr. Wendy S. Ziecheck, and ethical oversight provided by Dr. Robert Klitzman, artists isolated by the coronavirus (COVID-19) pandemic gathered in quarantine to work together in Hudson Valley. In partnership with Kaatsbaan Cultural Park, Mount Tremper Arts, and Petronio Residency Center through jointly subsidized residencies, eight creative bubbles were created to incubate Works & Process commissions featuring diverse dance cultures, including Afrik, ballet, ballroom, break, flex, Krump, modern, tap, and vogue dance styles, and beatbox. Select projects were performed at the Kaatsbaan Festival to live audiences and were sequenced into filmed performances at Lincoln Center for the Performing Arts. Audiences were invited to witness some of the collaborative work and receive real-time updates on Works & Process social media at Facebook, Instagram, and YouTube (@worksandprocess).
Episode 1: January 27
Isolation to Creation: A Way Forward
After self-isolation and serial Covid testing, quarantine bubbles are formed for artists to gather, create, and perform safely again. Ephrat Asherie, Les Ballet Afrik, Joshua Bergasse, Sara Mearns, Missing Element, Music from the Sole, and Jamar Roberts.
Episode 2: February 3
Isolation to Creation: Beatbox, Modern, Street, Tap Dance and Afro-Brazilian Rhythm
Artists from Missing Element melding beatbox and breaking, flexn, and Krumping; Music from the Sole fusing tap and Afro-Brazilian rhythms; and Alvin Ailey American Dance Theater resident choreographer Jamar Roberts and dancers go back into the studio for the first time.
Episode 3: February 10
Isolation to Creation: Afrik, Ballet, Ballroom, Broadway, Club, House, and Vogue
Ephrat Asherie Dance with club legends, Les Ballet Afrik and ballroom legend Omari Wiles, and Seven Deadly Sins artists Joshua Bergasse, Marc Happel and Sara Mearns go back into the studio for the first time.
Episode 4: February 17
Isolation to Creation: Showtime
After two weeks inside Works & Process bubble residencies, projects culminate in live performances at Kaatsbaan Festival and filmed video at Lincoln Center, previewing future premiere performances at the Guggenheim, once it is safe for all to gather.
Lead support for Works & Process Bubble Residencies and Isolation to Creation provided by Works & Process Board of Directors and Anh-Tuyet Nguyen and Robert Pollock, with additional support from Jonna Mackin. The filming of Isolation to Creation was supported in part by the Jerome Robbins Dance Division at the New York Public Library for the Performing Arts.
Featured Bubble Residency Artists include:
Ephrat Asherie Dance and Club Legends
Les Ballet Afrik with Omari Wiles
The Missing Element with Chris Celiz and Anthony Rodriguez “Invertebrate”
Music from the Sole with Gregory Richardson and Leonardo Sandoval
Seven Deadly Sins with Joshua Bergasse, Justin Vivian Bond, Jeffrey Guimond, Marc Happel, and Sara Mearns
Notes from the Bubble, a series for trailers for Isolation to Creation can be viewed at:
Find more information at www.worksandprocess.org.
Once conditions are deemed safe for audiences and artists to gather, the live premieres and showings of projects featured in Isolation to Creation will be presented at the Guggenheim Museum as part of the Works & Process 2021 season.
Works & Process at the Guggenheim
Described by The New York Times as “an exceptional opportunity to understand something of the creative process,” for 35 years, New Yorkers have been able to see, hear, and meet the most acclaimed artists in the world, in an intimate setting unlike any other. Works & Process, the performing arts series at the Guggenheim, has championed new works and offered audiences unprecedented access to generations of leading creators and performers. Most performances take place in the Guggenheim’s intimate Frank Lloyd Wright-designed 273-seat Peter B. Lewis Theater. In 2017, Works & Process established a new residency and commissioning program, inviting artists to create new works, made in and for the iconic Guggenheim rotunda. In 2020, Works & Process Artists (WPA) Virtual Commissions was created to financially support artists and nurture their creative process during the pandemic. To forge a path for artists to safely gather, create, and perform during the pandemic, in summer 2020, Works & Process pioneered and produced a series of bubble residencies that will continue into 2021. worksandprocess.org. Lead funding for Works & Process is provided by the Ford Foundation, the Christian Humann Foundation, Leon Levy Foundation, Mertz Gilmore Foundation, NYC COVID-19 Response and Impact Fund, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts. Works & Process has received support from the U.S. Small Business Administration Paycheck Protection Program and NYC Employee Retention Grant Program.
About Dance Films Association
Dance Films Association is the catalyst for the production, presentation, and preservation of dance on camera. We are dedicated to furthering the art of dance film by connecting artists and organizations, fostering new works for new audiences, and sharing essential resources. A non profit membership organization, Dance Films Association builds upon founder Susan Braun’s vision by encouraging choreographers to enter the world of filmmaking, for filmmakers to discover the rich history of dance, and for audiences to engage with the broad spectrum of these films. Today, DFA serves the global dance film community by providing membership opportunities, connecting artists and organizations, fostering new works for new audiences, and sharing essential resources. Its constituency includes dance and film artists, academics and critics, as well as students and established professionals. Based on the principle of movement, dance, like cinema, began as an art form centered on the human body, physical performance, and communication through action and image. Today, technology allows for more artistic experimentation than ever and the language of moving images enriches viewers’ experience. Forging a truly unique vision, dance filmmakers continue to question creative boundaries, producing films that speak through the universal language of movement, unifying cultures and generating wider audiences. DFA champions the fundamental art forms of dance and film by encouraging the affinities between the two, providing infrastructure for the dance film genre, and serving as an international hub for dance on camera. DFA strives to promote films of value which engage viewers to question the world around them.
Gibney has used movement to transform and inspire for nearly 30 years. Gibney’s story began in 1991, when choreographer Gina Gibney founded her socially active dance company with a single dance studio to call home. The organization has rapidly evolved into a performing arts and social justice powerhouse. Gibney is now home to thousands of artists and community members across two New York City locations, totaling 23 studios, 5 performance spaces, and 52,000 square feet of space. Gibney’s mission is to tap into the vast potential of movement, creativity, and performance to effect social change and personal transformation. Gibney’s vision is to deploy resources and bring together disparate communities to ignite a cultural renaissance that has ripple effects for society far beyond the studio and stage. Gibney’s mission and vision come to life through a stunning resident repertory company, impactful community action initiatives, and thriving performing arts centers.
About ALL ARTS
ALL ARTS is breaking new ground as the premier destination for inspiration, creativity and art of all forms. This New York Emmy-winning arts and culture hub is created by WNET, the parent company of New York’s PBS stations. With the aim of being accessible to viewers everywhere, ALL ARTS’ Webby-nominated programming – from digital shorts to feature films – is available online nationwide through allarts.org, the free ALL ARTS app on all major streaming platforms and @AllArtsTV on YouTube, Facebook, Instagram, and Twitter. New York area TV viewers can also watch the 24/7 broadcast channel. For all the ways to watch, visit allarts.org/everywhere. Leadership support for ALL ARTS is generously provided by Jody and John Arnhold, Sue and Edgar Wachenheim III, the Kate W. Cassidy Foundation, The Jerome L. Greene Foundation, The Andrew W. Mellon Foundation and Anderson Family Fund.
Dance Rising NYC: Video Tour (Still Dancing): 300 Videos Broadcast Throughout the Five Boroughs at More Than 20 Cultural Venues
March 13 – 21, 2021
Video displays: March 13-21, videos shown at 20+ cultural venues across NYC
Dance Rising NYC announces a five borough Video Tour (Still Dancing) from March 13-21 to mark the one-year anniversary of NYC’s cultural shutdown due to the COVID-19 pandemic. Screens across New York City will broadcast videos from Dance Rising’s fall 2020 dance-outs, bringing visibility to the dance industry while live performance remains on pause.
A grassroots collective formed last fall as an urgent response to the pandemic, Dance Rising NYC is a platform for embodied advocacy that affirms the importance of dance in all its forms. In October and December 2020, Dance Rising organized live, hyper-local dance outs: on several specific dates/times, 300+ NYC dancers across the boroughs simultaneously took to the parks, streets, and rooftops to dance, calling attention to an entire sector that has been shut down by the pandemic. Dance Rising collected video recordings from these dance-outs, representing individual artists and established companies like Limon, Ballet Hispánico, Flamenco Vivo, Trisha Brown, Heidi Latsky Dance, The Bang Group, New York Theatre Ballet, Kinesis Project dance theatre, jill sigman/thinkdance, Renegade Performance Group and Movement of the People.
Now these compilation videos are ready to share with the public. Dance Rising is teaming up with the Village Alliance to produce large-scale projections around Astor Place including at The Cooper Union for the Advancement of Science and Art (March 13-15) and partnering with 20+ cultural organizations in all five boroughs to display these videos in venue lobbies, windows, and online (March 13-21). New Yorkers can also see short clips on LINKNYC kiosks across the city (March 8-26). Collectively, these videos will saturate the city with what already exists but has been out of the public eye for the past year.
The dance sector of NYC is in crisis right now, from training the next generation to employing full-time professionals: dancers live in every neighborhood in the city, but the physical distancing requirements of the pandemic have kept them isolated in their homes, and studios and stages remain largely closed. Video Tour (Still Dancing) is a tribute to quarantine and the industry’s tenacity in finding ways to insist that dance is a vital performing art — one that shapes NYC’s identity as a cultural center.
Dance Rising founding member Melissa Riker, director of Kinesis Project dance theatre, says, “As a dance artist living through a mismanaged pandemic, struggling to support my own company, I am acutely aware of the damage to our field. Choreographers and dancers cannot train, teach, create, or perform in person – a year into the pandemic, they are still largely dancing in their living rooms on zoom. Dance Rising is an emergency call to action; a way to create a multi-faceted dialogue that threads advocacy and visibility for dance into the streets of New York City.”
Astor Place video projections: March 13-15, 45-minute loop starting at sunset and running for three hours each night (side of The Cooper Union’s Residence Hall at 29 3rd Avenue)
LINKNYC video kiosks: March 8-26, 15 second video clips running in rotation on kiosks
Video displays: March 13-21,videos shown at 20+ cultural venues across NYC (detailed list below)
Manhattan: Abrons Arts Center, Arts On Site, DANCENOW, Flamenco Vivo,
GIBNEY, HERE Arts Center, John Jay College/ Gerald W. Lynch Theater, The Joyce, Movement Research, Museum of the City of New York, New York Live Arts, The Schomburg Center for Research in Black Culture
Brooklyn: Actors Fund Theatre & Brooklyn Ballet, BAX, BRIC, LEIMAY,
Mark Morris Dance Group
Queens: CUNY Dance Initiative, Flushing Town Hall, Kupferberg Center for the Arts,
LaGuardia Performing Arts Center
Staten Island: Snug Harbor Cultural Center
Bronx: BAAD, Chashama
More information, including venue locations and details are all at www.dancerising.org
Dance Rising’s Video Tour (Still Dancing) is supported buy The Harkness Foundation for Dance, John and Jody Arnhold | The Arnhold Foundation, John C. Robinson, The Village Alliance and other generous individuals. The Astor Place projections are possible with thanks to 4Wall Entertainment, The Cooper Union for the Advancement of Science and Art, and St. John’s University. Dance Rising videos were edited by Carley Santori, with LINKNYC kiosk videos edited by Juan Zapata. Dance Rising’s technical team includes Lauren Parrish, TD of DanceNOW at Joe’s Pub; Peter Nigrini, lighting and projection designer for Broadway and the Park Avenue Armory; Simon Cleveland, J&M Special Effects; and Roderick Murray, Open Culture Works.
ABOUT THE ORGANIZERS
Dance Rising was formed in August 2020 as an urgent response to the pandemic by a collective of independent NYC dance artists and administrators. A platform for embodied advocacy that unites the dance industry and amplifies diverse voices and bodies, Dance Rising focuses public attention on the field and engages with stakeholders about partnership and possibility. It also provides audiences with opportunities to enjoy safe, site-specific performances and celebrates local artists–a potent reminder of the importance of arts and culture in NYC. Led by Melissa Riker, director of Kinesis Project dance theatre, Dance Rising is fiscally sponsored by The Field and advised by Lucy Sexton of New Yorkers for Culture & Arts.
THE DANCE RISING COLLECTIVE
Alyssa Alpine/CUNY Dance Initiative, Maura Nguyen Donohue, Remi Harris, DJ McDonald, Joya Powell/Movement of the People Dance Company, Melissa Riker/Kinesis Project, Leslie Roybal/Flamenco Vivo, JoAnna Mendl Shaw/Equus Dance, Jill Sigman/thinkdance, Amber Sloan, André Zachary/Renegade Performance Group
There Is Something Here
March 16th – March 31st, 2021
At the Flux Factory Gallery*
Open Gallery Hours: Friday – Sunday, 1 – 6pm
Or by appointment, email [email protected]
Artist Talk, Thursday March 25, 7pm EST
*All visitors are required to wear a face mask. Four visitors are allowed in the gallery at one time.
There Is Something Here looks at the components of filmmaking through the lens of the artist’s process, and the challenges of mastering artistic craft while wrestling with self doubt, lack of experience and fear of failure. Originally titled: Nothing to See Here, Carlos David TC leaves behind the self-deprecation that many artists experience to instead focus on celebrating the process of growth and exploration.
After a year of lockdowns, quarantines, and unfinished projects There Is Something Here examines the gap between a creative idea and its full realization, reveling in the uncomfortable but generative midpoint of the filmmaking process. From initial sketches, to editing, color grading, sound mixing and everything in between, there is something here and Carlos wants you to see it with him.
Carlos David TC’s solo exhibition features installations of unfinished, deconstructed, incomplete, raw, finished and mastered video work, conceived in collaboration as an Artist-in-Residence at Flux Factory during the global COVID-19 pandemic. The works will be presented via text, color waveforms, sound and traditional moving image. Some of the works include: My Quarantine Shoes, The Self* Tapes, Pass The Hours, Spencer’s Gift and the premiere of the trailer for his newest short film: Jevi from 9 to 11.
Jevi from 9 to 11 is a fictionalized documentary about a painter who works at a museum during the pandemic and is set to be released in October 2021. The short film is part of a series called Artist* from 9 to 5 which follows immigrant artists from “9 to 5” the traditional American business hours.
OnlyPods by Rmi Dalton & Jevijoe Vitug
Public Video Projections in the Flux Factory Windows
April 1 – April 27, 7:30 – 9:30pm
Open Gallery Hours
April 14 – 27, Friday – Sunday 1pm – 6pm
Weekday hours available by appointment, email [email protected]
Opening Reception in the Windmill Garden across the Flux Factory gallery
April 15th, 5pm – 9pm
REGISTER HERE: https://withfriends.co/event/10184628/only_pods_opening_reception
Performance and Artist Q&A
April 27th @ 7 PM EST – Via Zoom
REGISTER HERE: https://withfriends.co/event/10030008/only_pods_artist_talk_and_qanda
Follow @remidalton and @jevijoe at OnlyPods. Like and subscribe to new channels of work that employ the translational essence of the meme. Watch as these artists labor on live-streaming platforms.
We can all be heroes just for one stream. Username: ArtHistoryPrisoner and username: ArtHistoryguard empower streamers through a collaborative process of framing. Paintings are created that combine private, public and aspirational space in novel ways. Lags in wifi provide frames for social bonding from the hilarious to the devastating.