Rising Economic and Social Costs of Hunger and Unemployment
Please join Commonpoint Queens and community leaders for an in-depth conversation about the Rising Economic and Social Costs of Hunger and Unemployment.
This virtual panel features:
Danielle Ellman, CEO, Commonpoint Queens
Marci Hunn, Program Director, The Harry and Jeanette Weinberg Foundation
Assemblymember Nily Rozic
Queens Borough President Donovan Richards
Moderated by David Brand, Managing Editor, Queens Daily Eagle.
Panel will be held over Zoom, as well as broadcast over Facebook live. Please register and submit any questions you may have for our panelists at commonpointqueens.org/TownHall.
For more information, please contact Judy Vladimir at [email protected] or 718-225-6750 ext. 345.
Ballet Hispánico Café America Watch Party and Conversation with Tony Award-winning choreographer George Faison
February 10, 2021
Ballet Hispánico, the nation’s renowned Latinx dance organization, recognized this year as one of America’s Cultural Treasures, kicks off 2021 with a glimpse into the company’s past. The 50th Anniversary Celebration continues its series of entertaining archival repertory pieces, inviting audiences to look back at vibrant performances from the 80s and 90s with Café America on Wednesday, February 10, 2021, available at ballethispanico.org, YouTube, Facebook. Enjoy a Company performance from the comfort of your own home, followed by live Q&A sessions with Artistic Director and CEO of Ballet Hispánico Eduardo Vilaro, Tony Award-Winning choreographer George Faison, and company and alumni dancers. The piece features Mr. Vilaro himself, during his years as a dancer with the Company.
Café America by George Faison (Tony Award winner forThe Wiz), followed by a conversation with the choreographer himself and the trio of three dancers, Jose Costas, Pedro Ruiz, and Eduardo Vilaro. Café America is a bittersweet envisioning of the “American Dream.” Three immigrants make their way to a new life dawned in brilliant-colored suits with a sense of determination evoked by Faison’s expansive, jazzy choreography. Choreography by George Faison; Music by Ruben Blades and Julio Iglesias; Set Design by Pepon Osorio; Costume Design by Bernard Johnson; Lighting Design by Tim Hunter; Dancers: Jose Costas, Pedro Ruiz, Eduardo Vilaro, and Amir Levy
“An evening of good old-fashioned entertainment.” – The New York Times
“Best of all were the performances of Jose Costas as the new immigrant and Pedro Ruiz and Eduardo Vilaro as his friends. Mr. Faison’s tight-sprung, lyrical dance flowed authoritatively through their bodies. And each man established a personality — Mr. Costas a wiry, quick learner; Mr. Ruiz so full of delight in his surroundings that his face was transfigured with radiance, and Mr. Vilaro a wryly savvy survivor with a sense of humor and the look of being the most adaptable of the three,” said Jennifer Dunning, The New York Times.
#BUnidos began as a daily video series to combat the loss of performances and community programming due to COVID-19. As social distancing continues, we continue to provide content through our social media platforms as a way to instill a sense of community within our BH familia and offer ways to explore dance and Latino cultures online. #BUnidos! Social distancing does not mean emotional distancing.
“As a community of dancers, artists, and human beings, we are all in this together. We will persevere through this challenging time, and we hope that this programming provides a coping outlet, for you, for our followers and the community overall,” said Eduardo Vilaro, Artistic Director & CEO of Ballet Hispánico. “Now more than ever, it is important to band together in support of the arts. The personal and professional challenges that we have already endured and will continue to face over the next few weeks or months are significant. What we can take from this time of cancellations, uncertainty and social distancing is a chance to use our creativity to connect with the community on a new level. Social distancing does not mean emotional distancing. Ballet Hispánico was founded upon and has always believed in the importance of reaching and servicing our community through dance and culture. As this pandemic occurs during our 50th Anniversary, it provides us with an opportunity to reflect on how far we have come, get back to our roots by reaching out to community near and far, and look forward to what is ahead.”
About Ballet Hispánico
Ballet Hispánico is the nation’s renowned Latino dance organization and one of America’s Cultural Treasures. Ballet Hispánico brings communities together to celebrate and explore Latino cultures through innovative dance performances, transformative dance training, and enduring community engagement experiences. Founded in 1970 by National Medal of Arts recipient, Tina Ramírez, the organization emerged during the post-civil rights movement on New York’s Upper West Side, providing a safe haven for primarily Black and Brown Latinx youth seeking artistic sanctuary during New York City’s plight in the 1970s. The need for place, both culturally and artistically, led families to find Ballet Hispánico. The focus on dance as a means to develop working artists, combined with the training, authenticity of voice, and power of representation, fueled the organization’s roots and trajectory. With its strong emphasis on dance, achievement, and public presence, the organization has flourished in its three main programs: its Company, School of Dance, and Community Arts Partnerships. The organization serves as a platform for historically omitted and overlooked artists providing them with increased capacity, voice, and affirmation. Over the past five decades, by leading with Latinx culture at the forefront of performance, education, and advocacy, Ballet Hispánico’s mission is a catalyst of change and possibility for communities throughout our nation.
Theater Resources Unlimited Announces TRUSpeak … Hear Our Voices! Virtual Fundraiser
February 21, 2021
Theater Resources Unlimited (TRU) announces TRUSpeak … Hear Our Voices! Virtual Fundraiser on Sunday, February 21, 2021 at 5pm (eastern time) via Zoom, presented with the generous sponsorship of R.K. Greene and The Storyline Project, Patrick Blake and Rhymes Over Beats, Neal Rubinstein and Dangerous the Musical, Merrie L. Davis and Cheryl Wiesenfeld. Join TRU for an evening of awareness at an annual fundraising gala reinvented for these virtual – and challenging – times. Tickets start at $55. For more information and tickets, visit https://truonline.org/events/tru-speak-hear-our-voices/.
TRUSpeak is a curated selection of short plays and musicals by TRU writers, produced by TRU producers and directed by TRU directors, all touching upon current social issues. “The shutdown has forced us all to rethink our business, our art, our assumptions about life itself,” says Bob Ost, executive director of TRU and producer of TRUSpeak. “Social awareness has been thrust into the spotlight, and virtual presentation has become our strongest means of expression. We are excited to offer a platform for the voices of seven talented writers, guided by directors and tech advisors collaborating to use this new medium in interesting ways.”
Each of the TRUSpeak shows will be introduced by former TRU honorees including
James Morgan, producing artistic director of the York Theatre; two-time Tony winning director/choreographer Jerry Mitchell; performer/choreographer and A Chorus Line legend Baayork Lee; four-time Tony winning producer Ron Simons; and four-time Tony winning producer Cheryl Wiesenfeld. Taking full advantage of the medium, each TRUSpeak piece will also include an interactive talkback session; and VIP ticket holders are invited to a post-show meet-and-greet with the cast and TRU board and other VIP’s.
Virtual Happy Hour, an online musical by Richard Castle & Matthew Levine
Directed by Jesica Garrou, Music Directed by Ben Doyle McCormick, Produced by James Rocco; starring Brendan Bradley, Nick Cearly, Lauren Molina, Tatiana Wechsler
Game Boy by Melissa Bell
Directed by Bryanda Minix, Technical Editor Carley Santori, Produced by Stephanie Pope; starring Cady Huffman, Will Mader, Jianzi Colon-Soto
Change of Plans by Michele Ann Miller
Directed by Cate Cammarata, Technical Editor Andrea Lynn Green, Produced by Jonathan Hogue; starring Crystal Kellogg
Out of Order, a memory play by T. Cat Ford
Directed by Glynn Borders, Produced by Claudia Zahn; starring Maggie Baird, Andrea Lynn Green, Crystal Tigney
A Woman’s Perspective by Melvina Douse Manuel
Directed by Van Dirk Fisher, Technical Eidotr Iben Cenholt, Produced by Stephanie Pope; starring Regina Taylor, Robert Baptiste, Gha’il Rhodes Benjamin, Adante Carter, Shariff Sinclair, Tyrone Hall
Zoom, a monologue by Joe Nelms
Directed by Dennis Corsi, Technical editor Henry Garrou, Produced by Jonathan Hogue with Jim Brochu, Brenda Braxton, Bob Cuccioli, Dickie Hearts, Ann Harada, Jana Robbins
There will also be special appearances by Broadway stars Jill Paice and Tonya Pinkins, as well as actress-activist Dominique Sharpton. For more information, visit https://truonline.org/tru-speak-hear-our-voices/
Theater Resources Unlimited (TRU) is the leading network for developing theater professionals, a twenty-seven-year-old 501(c)(3) nonprofit organization created to help producers produce, emerging theater companies to emerge healthily and all theater professionals to understand and navigate the business of the arts. Membership includes self-producing artists as well as career producers and theater companies. TRU publishes an email community newsletter of services, goods and productions; presents monthly panels as well as the new weekly Community Gatherings; offers a Producer Development & Mentorship Program taught by prominent producers and general managers in New York theater, and also presents Producer Boot Camp workshops to help aspirants develop business skills. TRU serves writers through the TRU Voices Play Reading Series, Writer-Producer Speed Date, a Practical Playwriting Workshop, How to Write a Musical That Works and a Director-Writer Communications Lab. Programs of Theater Resources Unlimited are supported in part by the Montage Foundation, the Storyline Project and the Leibowitz Greenway Foundation. For more information about TRU membership and programs, visit www.truonline.org.
Recalibrate Reality with Scott Rechler and the 92nd Street Y
March 10, 2021
Watch President and CEO of the 9/11 Memorial & Museum Alice Greenwald in the latest episode of Recalibrate Reality with Scott Rechler and the 92nd Street Y. She shares her views on January 6th, navigating COVID-19 and the economic downturn, and the future of NYC’s cultural institutions.
Tune in Wednesday 3.10.21 at 7pm EST at https://www.92y.org/event/recalibrate-reality-alice-greenwald
The Universe is Expanding: Emergent Performance by Nova Scott-James
The Universe is Expanding: Emergent Performance by Nova Scott-James
March 11 @ 5:00 pm – 6:30 pm
Filmmaker, medium, artist, and innovation doula Nova Scott-James will share media and process documentation from three performance pieces, A Eulogy For The Lenox Lounge, The Imposter, and Freeing The Caged Bird. Each of these performances involve an invocation of death as it relates to the transmutation of memories.
1. Eulogy For The Lenox Lounge (2017)
A soulful melody played on a fire escape above the demolition site of the Lenox Lounge, a historic Jazz club in Harlem,NYC stealthily demolished in 2017 in a massive wave of gentrification. Featuring Tivon Pennicott on Saxophone. Directed and Curated by Nova Scott- James.
A cultural thank you and acknowledgement of The historical Lennox Lounge Jazz club in Harlem, which was demolished in 2017.
A special thank you to Erica Johnson.
2. The Imposter (2018)
The artist transmutes the trauma of her past by performing in white-face as the male teacher that sexually abused her as a child.
Performed by Nova Scott-James; Featured in the short film Nova: A New Spelling of My Name, 2020
Camera by Jaime Inglehart, Sholeh Asgary, Catalina Alvarez, Natalie Tsui; Makeup by Kyle Kreuger; Special Thank You to Timmie Larode
3. Freeing The Caged Bird (2020)
An exploration of the work required to honor and translate collective memory through intuitive movement and talking to plants. Performed by Nova Scott-James.
Camera by Tanya Jackson, Nova Scott-James; Performance at the corn field at Sweet Freedom Farm, Hudson Valley, NY; Bird mask made by mask: Lexy Ho-Tai @Lexymakesthings; Special thank you to Sweet Freedom Farm and Charlotte Azad
Made through New Work Grant from Queens Council on The Arts (2020 grant recipient).
Dance Rising NYC: Video Tour (Still Dancing): 300 Videos Broadcast Throughout the Five Boroughs at More Than 20 Cultural Venues
March 13 – 21, 2021
Video displays: March 13-21, videos shown at 20+ cultural venues across NYC
Dance Rising NYC announces a five borough Video Tour (Still Dancing) from March 13-21 to mark the one-year anniversary of NYC’s cultural shutdown due to the COVID-19 pandemic. Screens across New York City will broadcast videos from Dance Rising’s fall 2020 dance-outs, bringing visibility to the dance industry while live performance remains on pause.
A grassroots collective formed last fall as an urgent response to the pandemic, Dance Rising NYC is a platform for embodied advocacy that affirms the importance of dance in all its forms. In October and December 2020, Dance Rising organized live, hyper-local dance outs: on several specific dates/times, 300+ NYC dancers across the boroughs simultaneously took to the parks, streets, and rooftops to dance, calling attention to an entire sector that has been shut down by the pandemic. Dance Rising collected video recordings from these dance-outs, representing individual artists and established companies like Limon, Ballet Hispánico, Flamenco Vivo, Trisha Brown, Heidi Latsky Dance, The Bang Group, New York Theatre Ballet, Kinesis Project dance theatre, jill sigman/thinkdance, Renegade Performance Group and Movement of the People.
Now these compilation videos are ready to share with the public. Dance Rising is teaming up with the Village Alliance to produce large-scale projections around Astor Place including at The Cooper Union for the Advancement of Science and Art (March 13-15) and partnering with 20+ cultural organizations in all five boroughs to display these videos in venue lobbies, windows, and online (March 13-21). New Yorkers can also see short clips on LINKNYC kiosks across the city (March 8-26). Collectively, these videos will saturate the city with what already exists but has been out of the public eye for the past year.
The dance sector of NYC is in crisis right now, from training the next generation to employing full-time professionals: dancers live in every neighborhood in the city, but the physical distancing requirements of the pandemic have kept them isolated in their homes, and studios and stages remain largely closed. Video Tour (Still Dancing) is a tribute to quarantine and the industry’s tenacity in finding ways to insist that dance is a vital performing art — one that shapes NYC’s identity as a cultural center.
Dance Rising founding member Melissa Riker, director of Kinesis Project dance theatre, says, “As a dance artist living through a mismanaged pandemic, struggling to support my own company, I am acutely aware of the damage to our field. Choreographers and dancers cannot train, teach, create, or perform in person – a year into the pandemic, they are still largely dancing in their living rooms on zoom. Dance Rising is an emergency call to action; a way to create a multi-faceted dialogue that threads advocacy and visibility for dance into the streets of New York City.”
Astor Place video projections: March 13-15, 45-minute loop starting at sunset and running for three hours each night (side of The Cooper Union’s Residence Hall at 29 3rd Avenue)
LINKNYC video kiosks: March 8-26, 15 second video clips running in rotation on kiosks
Video displays: March 13-21,videos shown at 20+ cultural venues across NYC (detailed list below)
Manhattan: Abrons Arts Center, Arts On Site, DANCENOW, Flamenco Vivo,
GIBNEY, HERE Arts Center, John Jay College/ Gerald W. Lynch Theater, The Joyce, Movement Research, Museum of the City of New York, New York Live Arts, The Schomburg Center for Research in Black Culture
Brooklyn: Actors Fund Theatre & Brooklyn Ballet, BAX, BRIC, LEIMAY,
Mark Morris Dance Group
Queens: CUNY Dance Initiative, Flushing Town Hall, Kupferberg Center for the Arts,
LaGuardia Performing Arts Center
Staten Island: Snug Harbor Cultural Center
Bronx: BAAD, Chashama
More information, including venue locations and details are all at www.dancerising.org
Dance Rising’s Video Tour (Still Dancing) is supported buy The Harkness Foundation for Dance, John and Jody Arnhold | The Arnhold Foundation, John C. Robinson, The Village Alliance and other generous individuals. The Astor Place projections are possible with thanks to 4Wall Entertainment, The Cooper Union for the Advancement of Science and Art, and St. John’s University. Dance Rising videos were edited by Carley Santori, with LINKNYC kiosk videos edited by Juan Zapata. Dance Rising’s technical team includes Lauren Parrish, TD of DanceNOW at Joe’s Pub; Peter Nigrini, lighting and projection designer for Broadway and the Park Avenue Armory; Simon Cleveland, J&M Special Effects; and Roderick Murray, Open Culture Works.
ABOUT THE ORGANIZERS
Dance Rising was formed in August 2020 as an urgent response to the pandemic by a collective of independent NYC dance artists and administrators. A platform for embodied advocacy that unites the dance industry and amplifies diverse voices and bodies, Dance Rising focuses public attention on the field and engages with stakeholders about partnership and possibility. It also provides audiences with opportunities to enjoy safe, site-specific performances and celebrates local artists–a potent reminder of the importance of arts and culture in NYC. Led by Melissa Riker, director of Kinesis Project dance theatre, Dance Rising is fiscally sponsored by The Field and advised by Lucy Sexton of New Yorkers for Culture & Arts.
THE DANCE RISING COLLECTIVE
Alyssa Alpine/CUNY Dance Initiative, Maura Nguyen Donohue, Remi Harris, DJ McDonald, Joya Powell/Movement of the People Dance Company, Melissa Riker/Kinesis Project, Leslie Roybal/Flamenco Vivo, JoAnna Mendl Shaw/Equus Dance, Jill Sigman/thinkdance, Amber Sloan, André Zachary/Renegade Performance Group
Stories Survive: Martin Karplus
March 14, 2021
Museum of Jewish Heritage
Nobel Laureate Martin Karplus was eight years old when his family fled Nazi-occupied Austria, shortly after the arrival of German forces in 1938. They escaped via Switzerland and France to the United States, where he became a theoretical chemist.
Karplus conducted groundbreaking work in the 1970s to develop multiscale models for complex chemical systems, for which he was awarded the Nobel Prize in Chemistry 2013. He is the Theodore William Richards Professor of Chemistry, Emeritus at Harvard University and the Director of the Biophysical Chemistry Laboratory in France. He credits his life as a refugee as a decisive influence on his worldview and approach to science.
Join Karplus for a Stories Survive program exploring his childhood and accomplished career in science.
A $10 suggested donation enables us to present programs like this one. We thank you for your support.
There Is Something Here
March 16th – March 31st, 2021
At the Flux Factory Gallery*
Open Gallery Hours: Friday – Sunday, 1 – 6pm
Or by appointment, email [email protected]
Artist Talk, Thursday March 25, 7pm EST
*All visitors are required to wear a face mask. Four visitors are allowed in the gallery at one time.
There Is Something Here looks at the components of filmmaking through the lens of the artist’s process, and the challenges of mastering artistic craft while wrestling with self doubt, lack of experience and fear of failure. Originally titled: Nothing to See Here, Carlos David TC leaves behind the self-deprecation that many artists experience to instead focus on celebrating the process of growth and exploration.
After a year of lockdowns, quarantines, and unfinished projects There Is Something Here examines the gap between a creative idea and its full realization, reveling in the uncomfortable but generative midpoint of the filmmaking process. From initial sketches, to editing, color grading, sound mixing and everything in between, there is something here and Carlos wants you to see it with him.
Carlos David TC’s solo exhibition features installations of unfinished, deconstructed, incomplete, raw, finished and mastered video work, conceived in collaboration as an Artist-in-Residence at Flux Factory during the global COVID-19 pandemic. The works will be presented via text, color waveforms, sound and traditional moving image. Some of the works include: My Quarantine Shoes, The Self* Tapes, Pass The Hours, Spencer’s Gift and the premiere of the trailer for his newest short film: Jevi from 9 to 11.
Jevi from 9 to 11 is a fictionalized documentary about a painter who works at a museum during the pandemic and is set to be released in October 2021. The short film is part of a series called Artist* from 9 to 5 which follows immigrant artists from “9 to 5” the traditional American business hours.
Digital Drink + Draw Tuesday
March 16, 2021
at the Flux Factory
Please join us for another virtual Drink + Draw on Tuesday, March 16, 7-9:30pm EST!!
Zoom link will be sent upon Registration.
BYOB + art supplies.
Hosted by Lexy Ho-Tai (@lexymakesthings, she/her)
Everybody is welcome! 7-9:30pm EST. Feel free to drop in for part of it. Bring your own drawing materials and a beverage of your choice. $5-20 suggested donations are very appreciated, which will go towards tipping our INCREDIBLE models. No one will be turned away due to lack of funds. Note: 15% of donations will go towards Flux Factory. Thank you for supporting artists and arts organizations! <3
Q: Where does it take place?
A: Good ole’ Zoom! Links will be sent upon registration.
Q: Is it okay if I come late for the Drink + Draw?
A: Yes! The event is ‘drop-in’ style, so come through any time between 7-9:30pm. Stay for as long as you can!
Q: Do we have to share our drawings?
A: Not at all! In between sets, we spent about 5 minutes sharing our drawings (i.e. holding them up to the screen and being spotlit). It’s a very supportive environment, as folks often say encouraging words about the drawings. However, this is totally optional – if you’d prefer not to share, that is absolutely okay!
Q: Is it free?
A: Yes! If you’re in the position to support, we do have a $5-20 suggested donation, which goes towards tipping the models and 15% will go towards Flux Factory. All the models are volunteering their time, so this is very appreciated. However, no one is turned away due to lack of funds, and you can show gratitude to the models in other ways: sharing your drawings, following their creative practices, etc.
If you have any more questions, an interest in modeling or Access Needs, please reach out!
If you have any Access Needs or questions about the event, please reach out to [email protected] Hope to see you there!
Virtual International Arts Festival for Social Change
March 16 – 18, 2021
Founded in October 2020, MDD’s seasonal Virtual International Arts (VIA) Festival creates a space for artists, scholars, and audiences to share, respond, and reflect beyond traditional, commercial performance spaces that often exclude people and limit access. Mark DeGarmo Dance broadcasts its Virtual International Arts Festival for Social Change on Tuesday, Wednesday, Thursday March 16-18, 2021. The VIA festival features 19 performing artists from 5 countries over the course of the three evening event.
Virtual International Arts (VIA) Festival for Social Change:
Tuesday, March 16th, 2021 7PM ET on Zoom
Wednesday, March 17th, 2021 7PM ET on Zoom
Thursday, March 18th, 2021 7PM ET on Zoom
Tickets by Donation: https://www.eventbrite.com/e/141165410543
About Mark DeGarmo Dance
Founded in 1987, Mark DeGarmo Dance is a nonprofit organization that educates New York City communities and children; creates, performs, and disseminates original artistic work; and builds intercultural community through dance arts. MDD commits its resources to serving social justice, equity, and equality issues across multiple fronts through dance arts in NYC, the U.S., and internationally.
About Mark DeGarmo
Mark DeGarmo, Ph.D., B.F.A. is a New York City-based dancer, choreographer, writer, and researcher. They are Founder, Executive & Artistic Director of Mark DeGarmo Dance, New York City; Dance Director of Crossing Bridges International Artist Residency, Michoacán, Mexico; and an Artist-Scholar with Creative Agency, Australia. Their 2020 publications explore autoethnography during COVID.
https://.markdegarmodance.org, Follow Mark DeGarmo Dance on Facebook, Instagram, and Twitter
Our programs are supported, in part, by private funds from Friends of Mark DeGarmo Dance and by public funds from the NYC Council Member for District 1, the Honorable Margaret Chin; the NYC Council Member for District 2, the Honorable Carlina Rivera; Mid Atlantic Arts Foundation CARES relief funding supported by National Endowment for the Arts; National Endowment for the Arts; the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.
Dance/NYC Announces 2021 Symposium Justice Track Speakers, Sessions, and Thematic Guide Curators
Dance/NYC announces that registration for the Dance/NYC 2021 Symposium is now open, available at here…
The Symposium will take place virtually from Wednesday, March 17 – Saturday, March 20, 2021. As the only gathering of its kind for the dance community in the metropolitan New York City area, the Symposium is an opportunity for the dance field to exchange ideas, expand networks, sharpen organizational practices, and deepen the inquiry around New York City’s legacy and trajectory of dance-making.
This year’s theme is Justice. Transformation. Education. and will invite participants to reimagine the dance ecology with emphasis on advancing justice, civic engagement, and the whole dance worker, in the context of the global health crisis and social justice uprisings of 2020. Held this year as a fully digital experience on the Whova digital platform, the Symposium will include panel discussions, interactive workshops, networking sessions, a virtual expo hall and sponsorship opportunities. Short daily ‘Dance Breaks’ will be programmed with facilitators including DHQ (Dancehall Queen) Brat and Krishna Washburn. Sessions will include ASL interpretation and closed captions.
2021 Digital Symposium Sessions:
Wednesday, March 17, 2021, 10:00 a.m. – 3:00 p.m.
Wednesday, March 17, 2021, 6:00 p.m. – 9:00 p.m.
Thursday, March 18, 2021, 10:00 a.m. – 7:30 p.m.
Friday, March 19, 2021, 10:00 a.m. – 7:30 p.m.
Saturday, March 20, 2021, 10:00 a.m. – 7:30 p.m.
Dance/NYC’s 2021 Symposium will offer content tracks in alignment with its theme Justice. Transformation. Education. Sessions and speakers will be announced on a rolling basis with the Justice Track aimed at rooting out oppressive practices and historic marginalization, the Transformation Track aimed at inspiring change at the individual, organizational and field-wide level, and the Education Track aimed at providing business of dance and dance education tools. Sessions in the Justice Track include:
Keynote: A Reckoning of Power, Accountability and Gender Equity, moderated by Lauren Wingenroth, Editor in Chief, Dance Teacher and Dance Business Weekly, Senior Consulting Editor, Dance Magazine with speakers Lady Krow, Dancer and Visual Artist, Germaul Barnes, Choreographer, Director of Viewsic Dance, Curator of Contemporary Improvisation for Black Men, and Linda LaBeija, Artistic Activist, Transgender Advocate, Performance Poet.
Streets, Dance Halls and Living Rooms: Social Dance in Form, Function and Practice moderated by Rodney Lopez, Principal, Rodney Eric Lopez Enterprises. Speakers include Michael Manswell, Choreographer and Teaching Artist, Something Positive, Inc., Nicole Macotsis, Dancer, Public Folklorist and Founder of Traditions in Motion, and Joti Singh, Artistic Director, Duniya Dance and Drum Company.
Negotiations of Power in Commercial Cultural Practice moderated by Nelida Tirado, Artistic Director & Teacher of Nelida Tirado Flamenco. Each track will be accompanied by a thematic guide to be included in the program book curated by leading dance practitioners. These guides will feature essays, resource lists with related media, and reflection prompts providing deeper pathways to explore the Symposium topics. 2021 Thematic Guide Curators include Maura Donohue (Education) and Jonathan Gonzalez (Justice).
Visit Dance.NYC/DanceSymp to get information about Registration, Sponsorship, Ads, Group Tickets, Sessions and Speakers. Promotional materials and toolkit can be found at bit.ly/2021SympPromo.
Dance/NYC’s mission to promote and encourage the knowledge, appreciation, practice, and performance of dance in the metropolitan New York City area. It embeds core values of justice, equity, and inclusion into all aspects of its programs and operations.
Associated Chamber Music Players (ACMP) Virtual Worldwide Play-In Schedule of Events
March 20 – 21, 2021
Associated Chamber Music Players (ACMP)’s annual chamber music jamming weekend, the Worldwide Play-In Weekend, will be held virtually this year on March 20 and 21, 2021. Each March, this grassroots event unites people of all ages and abilities through their common love of chamber music in honoring J.S. Bach during the month of his birth. ACMP is seeking chamber musicians to participate in and host Play-Ins. Join musicians around the globe in making joyous music together and organize your own Play-In event on JamKazam, Jamulus, SonoBus, Zoom, or any other virtual music session software of your choice. With repertoire ranging from J.S. Bach to Terry Riley, thus far there are eleven open sessions: six on Jamulus, two on JamKazam, one on JackTrip and two on Zoom; and at least eleven private sessions sponsored by ACMP members and grantees. Register your Play-In and see up-to-date info about all Play-In events at docs.google.com/spreadsheets/d/107xYO-Iqkk-1KuTAStQxjCjbBNyN64p4MYl4CKQCJJM/edit?usp=sharing
ALL EVENTS ARE FREE OF CHARGE
Open Session: Opportunity to Watch:
Bach’s Musical Offering on JamKazam!
March 21, 2021 at 3pm EDT
J.S. Bach’s Birthday!
The Princeton Symphony Orchestra’s Assistant Conductor (and ACMP member) Nell Flanders is curating a Play-In of J.S. Bach’s “A Musical Offering” with amateur chamber music players from all over the world on JamKazam. The event will be live-streamed on YouTube here: https://www.youtube.com/watch?v=Cbks2J30FiM
Open Session: Opportunity to Listen:
Monday March 22, 2021 at 10am JAPAN STANDARD TIME (Sunday, March 21, 8pm EDT)
Session host: Triton Chamber Ensemble (Tokyo)
Finding the session: Go into Jamulus and look for a Japanese server with musicians on it at 8pm EDT on March
Big Open Sessions: Opportunities to Play Along:
ACMP Jamulus Jamboree!
March 20, 2021 at 2pm EDT
Session hosts: ACMP’s Executive Director Stephanie Griffin with Michael Tietz
All instruments, repertoire to be announced on Friday, March 19
RSVP by Wednesday, March 17: https://www.surveymonkey.com/r/TRVVP7L
ACMP Untitled Ensemble’s Toronto Server
March 20, 2021 at 5:30pm to 9:30pm EDT
Session host: Untitled Ensemble, Beth
Piece/Instrumentation: To view and download music visit dropbox.com/sh/6aaobkcg1yqf0cd/AABdN5vJh21tYHavT2x5EEQ2a?dl=0
Finding the session: Facebook event here: https://fb.me/e/h9uQyviH3.
Saturday Night “In C” on Zoom
March 20, 2021 at 8pm EDT
Join ACMP for the Zoom premiere (we think!) of Terry Riley’s “American Minimalist “and community music-making classic “In C’ (1964). RSVP on Eventbrite at: https://www.eventbrite.com/e/saturday-night-in-c-on-zoom-tickets-145727381521
Terry Riley’s “In C” on Zoom
March 21, 2021 at 11am EDT
Not many pieces of great ensemble music can work on Zoom, but Terry Riley’s “In C” is an American Minimalist classic from 1964 that is also the ultimate piece for community music-making: it can be played by people of all skill levels on any instruments or voice types. RSVP on Eventbrite at: eventbrite.com/e/playing-terry-rileys-in-c-on-zoom-tickets-144953392499
West Coast Café
March 21, 2021 at 1pm PDT (4pm EDT)
Session host: Christina Wolf, Jamulus profile name: CWolf
Geographic location: Vancouver, B.C., Canada
Piece/Instrumentation: Mozart Symphony no. 40 (download the version with clarinets from IMSLP)
Finding the session: type in the private server name seattle-music.allyn into the search field at the bottom of the Connection Set-up Menu
More Intimate Open Sessions: Opportunities to Play Along (by RSVP):
ACMP-DCCM Mozart K414
March 20, 2021 at 1pm EDT
Session host: JamKazam user: Susan Alexander
Geographic location: Washington, DC
Piece/Instrumentation: Mozart Piano Concerto in A major K. 414 arranged for string quartet and bass; oboes and horns welcome
Finding the session: Search for ACMP-DCCM Mozart K414 in JamKazam “Open Sessions” and PLEASE RSVP.
March 20, 2021 at 11am PDT (2pm EDT)
Session host: Phyllis Kaiden
Piece/Instrumentation: Mozart string quartet k464, Peter’s edition, on IMSLP
Finding the session: vivacenw.com, RSVP here
West Coast Café
March 20, 2021 at 3pm PDT (6pm EDT)
Session host: Christina Wolf, Jamulus profile name: CWolf
Geographic location: Vancouver, B.C., Canada
Piece/Instrumentation: Mendelssohn Op. 44 No. 1
Finding the session: type in the private server name seattle-music.allyn into the search field at the bottom of the Connection Set-up Menu, RSVP here
March 21, 2021 at 10am PDT (1pm EDT)
Session host: Phyllis Kaiden
Piece/Instrumentation: Spohr Nonet op.31 for winds and strings, on IMSLP with measure numbers
Finding the session: vivacenw.com, RSVP here
To view a live document of sessions and to sign up, visit docs.google.com/spreadsheets/d/107xYO-Iqkk-1KuTAStQxjCjbBNyN64p4MYl4CKQCJJM/edit?usp=sharing.
Learn how to use Jamulus, JamKazam, and SonoBus with Phyllis Kaiden with this walkthrough video.
Connect with other chamber music players by
Joining the ACMP Members Group on Facebook to post real-time Play-In updates
Signing up on Jamulus and adding “ACMP” to your profile name
Signing up on JamKazam and including “ACMP” in the session title, listing the session on ACMP’s Events Page, and posting in the Forum
For more information, visit acmp.net/wpiw.
About ACMP – Associated Chamber Music Players
For the past 72 years, ACMP has provided support and services to people who are passionate about playing chamber music. ACMP believes that chamber music playing provides a unique opportunity for cultural participation and engagement. By creating opportunities and resources for people to play music together in small ensembles, skills are sharpened, communities are enriched, connections are made and lives are changed. Since the organization began, ACMP has helped chamber music players find one another to share and play music together through a variety of networking programs. More than 2,300 members come from every part of the world and share one interest: the love of making music with others. Most recent initiatives use technology to help players connect and provide access to online coaching. The ACMP Foundation was founded in the 1990s and has contributed more than $4 million to foster the playing of chamber music for people of all ages and skill levels. Grants support chamber music workshops and programs for adult amateurs and children and focus on coaching fees and/or initiatives that reduce the registration cost for participants.
Battery Dance presents Canadian Voices in Dance as part of its new format Battery Dance Festival +
Battery Dance announces the second installment of Battery Dance Festival +, an extension of its annual summer festival that went virtual for the first time in August, attracting nearly 30,000 viewers in its 39th year. Established in 1982, the Battery Dance Festival (BDF) is New York City’s longest-running free public dance festival and one of its most wide-ranging. Battery Dance Festival + showcases free virtual performances by prior Festival participants and welcomes new artists within geographic and cultural themes.
In partnership with the Canadian Consulate of New York, Battery Dance Festival + will present an hour of performances celebrating Canadian Voices in Dance on Thursday, March 25, 2021 at 7pm EST on YouTube.com. This program is part of the Battery Dance Festival + series that transports audiences around the world to experience worldwide cultures and dance forms.
The virtual performances will be available to watch for 30 days after the premiere, expiring April 24, 2021. Registration is free and open to the public at https://www.classy.org/event/battery-dance-festival-canadian-voices-in-dance/e327355. For more information, visit https://batterydance.org/battery-dance-festival/canadian-voices-in-dance/.
“From cowboy boots to ankle bells, sneakers to snow boots, we celebrate the variegated styles of dance coming from our neighbors to the North with the newest edition of Battery Dance Festival +. I am thrilled to continue the celebration of dance this month with Canadian Voices in Dance. Join me as I interview inspiring Canadian dancemakers every Sunday leading up to the next edition of Battery Dance Festival + on March 25,” said Battery Dance founder and Artistic Director Jonathan Hollander.
between series by Kaeja d’Dance
Piece 1: between sun and sand
Concept: Karen Kaeja Dancers and Co-Direction – Karen Kaeja and Allen Kaeja
Cinematographer: Talia Tsarfati
Editor: Allen Kaeja
Composer: Edgardo Moreno
Location: Shot on the shores of Saugeen Nations, South Bruce Penninsula
between sun and sand was shot in the summer of 2020
Piece 2: between snow and sky
Concept: Karen Kaeja Dancers and Co-Direction – Karen Kaeja and Allen Kaeja
Cinematographer: Talia Tsarfati
Editor: Karen Kaeja
Original Score: Christina Litt Belch
Location: Shot on the shores of Saugeen Nations, South Bruce Penninsula
between snow and sky was shot in the winter of 2021
The Man in Black by Citadel + Compagnie
The Man in Black is a celebration of American working class-grit and of the man whose voice embodied it so well, Johnny Cash. James Kudelka takes six Cash songs and transforms them into outwardly simple yet choreographically sophisticated dances, creating an ode to the human spirit, proud and resilient.
Choreography: James Kudelka
Rehearsal Direction: Laurence Lemieux
Music: Six covers, sung by Johnny Cash
Dancers: Tyler Gledhill, Daniel McArthur, Connor Mitton, Erin Poole
Costume Design: Jim Searle and Chris Tyrell for Hoax Couture
Ever So Slightly by RUBBERBAND
Ever So Slightly explores the behavioural mechanisms and reflexes we develop against the ceaseless flow of irritants that bombard us in our daily lives. Most of us long for calm and resilience, but how do we get to a zone where noise and aggressivity no longer have a place? Simultaneously delivering delicacy, brutality, finesse, and high-voltage action, Victor Quijada conveys all the energy contained in urgency, revolt, chaos, and flight.
Choreography: Victor Quijada in collaboration with the dancers.
Dramaturgy: Mathieu Leroux.
Musical Director: Jasper Gahunia.
Original Music: Jasper Gahunia, William Lamoureux.
Lighting Design: Yan Lee Chan.
Costumes Design: Cloé Alain-Gendreau.
Technical Director: Simon Cloutier.
Production Manager: Florence Cardinal.
Dancers: Amara Barner, Jean Bui, Daniela Jezerinac, Sydney McManus, Dana Pajarillaga, Brontë Poiré-Prest, Jerimy Rivera, Zack Tang, Ryan Taylor, Paco Ziel.
Music (live performance): Jasper Gahunia – bass, drum machine, keyboard, turntable; William Lamoureux – violin, guitar, keyboard.
Ever So Slightly is a coproduction of RUBBERBAND, Danse Danse, Société de la Place des Arts de Montréal, Théâtre Hector-Charland and Global Arts Live. With the support of the Canada Council for the Arts, the Conseil des arts et des lettres du Québec, the Conseil des arts de Montréal and the Ontario Arts Council.
RUBBERBAND benefited from the support of Danse à la Carte and residencies at Place des Arts, Salle Pauline-Julien, CCOV – Centre de création O Vertigo, The Performing Arts Center at SUNY Purchase, and Théâtre Hector-Charland for the creation of Ever So Slightly.
Tarana by Tanveer Alam
The Tarana is a composition of Hindustani classical music in which syllables such as “tanadeem”, “yalali”, “tanaderena” based in Arabic and Persian phonemes are structured and held within a Taal (rhythmic cycle) and Raag (melody). The movements are abstract and strongly based in the technique of Kathak. The melody has no meaning but conveys a sense of vigour, indulgence, and celebration. This Tarana is set to the midnight Raag, Darbari Kanada. This work is a representation of how Kathak continues to evolve and grow within the bodies of its diasporic practitioners — with love, honestly, and authenticity.
Choreography and performance: Tanveer Alam
Music: Pt. Atul Desai
Rehearsal direction: Harikishan S. Nair
In Between by The National Ballet of Canada
Praised as a “polished, cohesive ballet” in The Globe and Mail, In Between debuted with The National Ballet of Canada in 2018 with original music by Canadian composer Adam Sakiyama. Choreographer Alysa Pires has now adapted the piece for film, focusing on a single dancer, Second Soloist Christopher Gerty, rather than the original cast of four, reimaging the choreography as a poignant solo. Inspired by the pull between two places, In Between conveys a sense of yearning and restlessness that feels especially prescient in the context of the coronavirus pandemic.
Choreography: Alysa Pires
Director: Ben Shirinian
Producer: Ben Shirinian & Jared Cook | Lookout
Music: “In Between,” written and performed by Adam Sakiyama
Featuring: Christopher Gerty
BMO Financial Group presents the 2020/21 Season.
Expansive Dances is made possible by the generous support of The Delaney Family Foundation and Sans Limites.
The National Ballet of Canada presents Expansive Dances in partnership with Evergreen.
Filmed at Evergreen Brick Works
Supported by Bank of America as part of Evergreen’s 2020 Cultural Performing Arts Series
Christopher Gerty is sponsored through Dancers First by Ms. Nancy Viner & Dr. Raymond Stein.
Production Company: Lookout
Director: Ben Shirinian
Producer: Ben Shirinian & Jared Cook
Cinematography: Cameron Roden
Camera Assistant: Brandon Vieira
Drone: Matt Bujok
Title Design: Murilo Almeida
Editing Facility: School Editing
Editor: Jon Devries
Assistant Editor: Genevieve Latour
Executive Producer: Sarah Brooks
Executive Producer: Yumi Suyama
Colour Facility: Alter Ego
Colourist: Wade Odlum
Producer: Jane Garrah
Executive Producer: Greg Edgar
Online: Fort York
Flame Artist: Luke White
Producer: Armen Bunag
Executive Producer: Erica Bourgault
Audio Post Facility: Voodoo Highway Music
Mix: Rachael Johnstone & Brian Pickett
About Kaeja d’Dance
Established in 1990, Kaeja is driven by two distinct artistic forces, Karen and Allen Kaeja. Kaeja creates award-winning contemporary dance performances for stage, film & communities that have toured the world. The foundation of their stage and film creation began with fifteen years of Holocaust inspired dance works. Allen is the child of a refugee and Holocaust survivor. Kaeja presents local and international dance artists in Toronto through festival platforms, commissions and mentorships, creating with people of all identities, practices and ages. Passionate engagers of bridging professional and community dance art, Kaeja has received 40+ awards & nominations. www.kaeja.org
About Citadel + Compagnie
Citadel + Compagnie is a dance organization with its home, The Citadel: Ross Centre for Dance, embedded within the Regent Park community of downtown Toronto. Led by Artistic Director, Laurence Lemieux, the company commits to the creation and production of innovative and accessible original works of dance and the preservation of iconic Canadian repertoire, in addition to supporting its multiple presentation platforms and training program. www.citadelcie.com
About Tanveer Alam
Born and raised in Montreal, Tanveer Alam started his training in the Indian classical dance form of Kathak with Sudeshna Maulik and continues to study with guru Sandhya Desai. Alam also trains in Taal Vidya — the knowledge of Hindustani classical rhythms, with guru Pandit Divyang Vakil. He is a 2019 graduate of The School of Toronto Dance Theatre. Alam has performed in the works of Pandit Birju Maharaj, Janak Khendry, Rina Singha, Lata Pada, Brandy Leary, Noémie Lafrance, and Sanjukta Sinha. An emerging choreographer, he hopes to carry forward Kathak in relation this his own truths as a diasporic artist, as well as reflect on the different trainings his body holds. His work has been presented at Dance Ontario DanceWeekend, New Blue Emerging Dance Festival, London Dance Festival, MAI – Montréal, arts interculturels, SummerWorks Festival, and Tangente to name a few. Alam has been supported by The Canada Council for the Arts, Toronto Arts Council, and Ontario Arts Council. In 2020, he was the recipient of The Sadhana Residency supported by Anandam Dancetheatre.
About The National Ballet of Canada
One of the top international ballet companies, The National Ballet of Canada was founded in 1951 by Celia Franca. A company of 70 dancers with its own orchestra, the National Ballet has been led by Artistic Director Karen Kain, one of the greatest ballerinas of her generation, since 2005. Renowned for its diverse repertoire, the company performs traditional full-length classics, embraces contemporary work and encourages the creation of new ballets as well as the development of Canadian choreographers.
ABOUT BATTERY DANCE
Battery Dance created its outdoor festival in 1982 in lower Manhattan, the community where it was founded in 1976. As one of America’s leading cultural ambassadors, Battery Dance connects the world through dance. The Company pursues artistic excellence and social relevance by creating vibrant new works, performing on the world’s stages, presenting dance in public spaces, serving the field of dance and teaching people of all ages with special attention to the disadvantaged and areas of conflict. Battery Dance is committed to enhancing the cultural vibrancy of its home community in New York City, extending programming throughout the U.S., and building bridges worldwide through international cultural exchange with programs in 70 countries to date. Faced with the curtailment of all of its live programs in March, the Company went online and invented Battery Dance TV with hundreds of classes, performances and interviews broadcast across 199 countries, achieving over 1.2 million views within just six months. www.batterydance.org
OnlyPods by Rmi Dalton & Jevijoe Vitug
Public Video Projections in the Flux Factory Windows
April 1 – April 27, 7:30 – 9:30pm
Open Gallery Hours
April 14 – 27, Friday – Sunday 1pm – 6pm
Weekday hours available by appointment, email [email protected]
Opening Reception in the Windmill Garden across the Flux Factory gallery
April 15th, 5pm – 9pm
REGISTER HERE: https://withfriends.co/event/10184628/only_pods_opening_reception
Performance and Artist Q&A
April 27th @ 7 PM EST – Via Zoom
REGISTER HERE: https://withfriends.co/event/10030008/only_pods_artist_talk_and_qanda
Follow @remidalton and @jevijoe at OnlyPods. Like and subscribe to new channels of work that employ the translational essence of the meme. Watch as these artists labor on live-streaming platforms.
We can all be heroes just for one stream. Username: ArtHistoryPrisoner and username: ArtHistoryguard empower streamers through a collaborative process of framing. Paintings are created that combine private, public and aspirational space in novel ways. Lags in wifi provide frames for social bonding from the hilarious to the devastating.