Calendar

Dec
18
Fri
Bloomingdale School of Music Virtual Holiday Concert Happy Holidays at BSM @ Online
Dec 18 all-day
Bloomingdale School of Music Virtual Holiday Concert Happy Holidays at BSM @ Online

Bloomingdale School of Music Virtual Holiday Concert Happy Holidays at BSM

Bloomingdale School of Music presents a virtual Holiday Concert, Happy Holidays at BSM, on Friday, December 18, 2020 at 7pm ET via Zoom. Join us for a festive treat to spice up your December! To RSVP, visit https://www.eventbrite.com/e/bsms-holiday-concert-tickets-129938464445. The program includes holiday favorites “A Charlie Brown Christmas” performed by Tereasa Payne, “Sleigh Ride” performed by Roberto Hidalgo and Marc Peloquin, and many more.

The full program includes:
Sonata in A Major, K. 322 – Domenico Scarlatti
Danza: “Entre ceniza y humo” – Leonardo Egurbida
Performed by Jose Maldonado

“A Charlie Brown Christmas”
Performed by Tereasa Payne

“Winter,” from The Seasons – Antonio Vivaldi
Performed by Naho Parrini, Alberto Parrini and Marc Peloquin

“Once Upon a Dream” from Tchaikovsky’s Sleeping Beauty – Adapted by George Burns, lyrics by Jack Lawernce and Sammy Fain.
Performed by Celeste and Dashiell Kwan

“Sleigh Ride” – Leroy Anderson
Performed by Roberto Hidalgo and Marc Peloquin

Hanukkah Songs
Performed by Margarlit Cantor and Chris Gross

“Auld Lang Syne/Last Christmas”
Performed by BSM Executive Director Erika Atkins

BSM celebrates the holiday season with a concert featuring faculty and students in music of the season. The concert features performances by Jose Maldonado, Tereasa Payne, Naho Parrini & Alberto Parrini, Celeste and Dashiell Kwan, Roberto Hidalgo, Marc Peloquin, Erika Atkins, Brandon Vasquez, Eli Asher, and BSM Executive Director Erika Atkins.

Founded in 1964, Bloomingdale School of Music is dedicated to the belief that music changes lives and everyone should have access to high-quality music education regardless of economic status, race, religion, ability level, or gender. Bloomingdale is a music-driven community center where all are welcome to join and learn about music from top faculty. We are dedicated to our mission – to make music education accessible to all who want to learn – and remain focused on supporting this mission through our values. www.bsmny.org/

Dec
21
Mon
Notorious RBG: The Life and Times of Ruth Bader Ginsburg @ virtual
Dec 21 @ 12:00 pm
Notorious RBG: The Life and Times of Ruth Bader Ginsburg @ virtual

Notorious RBG: The Life and Times of Ruth Bader Ginsburg

Join our Cultural Arts department and Central Queens Adult and Senior Center for a virtual visit to the Illinois Holocaust Museum & Education Center with curator Arielle Weininger! Arielle will lead us through Notorious RBG: The Life and Times of Ruth Bader Ginsburg, an exhibition that explores Justice Ginsburg’s life and her numerous, often simultaneous, roles as a student, wife, mother, lawyer, judge, women’s rights pioneer, and internet phenomenon. Our program will include a video tour followed by a Q & A session with a docent.

Cost is $8 member, $10 non-member. Visit commonpointqueens.org/register to register.

For a full list of our Winter Virtual Cultural Arts Speakers and Events, visit https://www.commonpointqueens.org/cultural/. For more information, please email [email protected]

Dec
22
Tue
Theater Resources Unlimited Art and Activism: How Theater Can Open (and Change) Minds @ Online
Dec 22 all-day
Theater Resources Unlimited Art and Activism: How Theater Can Open (and Change) Minds @ Online

Theater Resources Unlimited Art and Activism: How Theater Can Open (and Change) Minds

Theater Resources Unlimited (TRU) announces their monthly panel Art and Activism: How Theater Can Open (and Change) Minds on Tuesday, December 22, 2020 at 6pm via Zoom. The Zoom session will open at 6pm for roundtable introductions of attendees, and the program will start at 6:30pm – come prepared with your best 20-second summary of who you are, and what you need. Reserve a spot on the event page at https://truonline.org/events/art-and-activism/ or by emailing [email protected]  – you will be put on a list to receive the Zoom link.

Guest speakers include Jane Dubin, chair of the board of directors of Houses on the Moon Theatre Company; Adam Hyndman, associate at Octopus Theatricals, board of Broadway For Racial Justice, co-founder of The Industry Standard Group; Ludovica Villar-Hauser, founder/artistic director of Parity Productions; actor and activist Dominique Sharpton; and Gayle Waxenberg, co-founder and executive director of NewYorkRep.

From its very roots in ancient classics that often shaped current as well as historic events into life lessons, to Shakespeare’s portraits of royal villains and heroes, to the cool-eyed issue plays of Brecht and the agitprop of Odets, theater has always been a political medium. Even when it is not overtly political, theater can be subversively persuasive as it invites us to empathize with characters and dares us to understand human behavior in its full spectrum of moral shades. In a world now in urgent need of greater inclusion, will theater fulfill its potential by bringing a wider range of stories to the stage that show audiences the many faces of “the other” and explore the state of our world in thought-provoking ways?

We offer these events free to TRU members in normal times, and currently include a pay-what-you-can tax-deductible donation option for non-members, to help make up for our current financial losses.

About the Guest Speakers

Jane Dubin is a TONY Award-winning producer and the President of Double Play Connections, a theatrical production and management company committed to supporting emerging artists and playwrights in the creation and development of new works. Jane is a graduate of the Commercial Theatre Institute’s 14-week (NYC) and O’Neill Center Intensive (CT) Producing Workshops and past Director of Theater Resources Unlimited’s Producer Development Program, and current Director of the program’s Master Class. Broadway/OB: The Prom (Best Musical – Drama Desk Award), Farinelli and the King (5 Tony nominations), starring Mark Rylance,  Bandstand, An American in Paris on Broadway (4 TONY Awards), National Tour and in London, Absolute Brightness of Leonard Pelkey (Off Broadway and on Tour),  Peter and the Starcatcher (Broadway, Off-Broadway, National Tour), winner of 5 TONY Awards; Ann, starring Holland Taylor (Lincoln Center); The Umbrellas of Cherbourg (London); The 39 Steps (OB, Tour); The Norman Conquests (TONY Award, Best Play Revival), Groundswell (the New Group), Beebo Brinker Chronicles (2008 GLAAD Media Award for Theatre). Other: OPA! at TBG Theatre (Best Commercial Production, MITF 2008), Take Me America (Best Musical, MITF 2007), Count Down, (Bank Street Theatre) and the one-woman show that started it all, MentalPause by Margaret Liston. Ms. Dubin is a full voting member of the Broadway League. She is Chair of the Board of Directors of Houses on the Moon Theater Company and a prior Board member of the League of Professional Theatre Women. For two years she was co-curator of the Hudson Valley Writers’ Center New Play Reading Series. She co-produced Hudson River Rising, presenting events for One Billion Ris-ing (V-Day) 2013 and 2014 and was a member of the Grand Jury for New York Musical Festival’s 2015 – 2019 seasons.

Adam Hyndman is a performing artist, producer, and activist. He graduated from Princeton University with a degree in Cultural Anthropology and minors in theater and dance. He has worked extensively in the arts, performing on stage and screen with roles on Broadway and television. Some notable credits include: NBC’s The Sing Off, Children of Eden at the Kennedy Center, Aladdin on Broadway, Once On This Island on Broadway and Hadestown on Broadway. Adam was a co-producer for The Inheritance on Broadway. He is currently incubating several projects as an independent producer as well as within the Tony Award winning team at Octopus Theatricals. Adam uses his experiences working with narratives to challenge his vision for the world, and it leads him to opportunities in and out of the arts. He is passionate about creating possibilities for people to connect and activate their purpose. Adam is honored to serve on the board of directors for Broadway For Racial Justice where he is specifically charged with curating community through mentorship and volunteer programs. His purpose in this work is for disruption, radical accessibility, and reconciliation, and he continues this as a founder of The Industry Standard Group (a community fund for BIPOC folks to invest and produce in commercial theater, the first of its kind). As an individual committed to excellence and progressive achievement through collaboration, he works toward the manifestation of a diverse and inclusive world.

Dominique Sharpton has been an influential force in the National Action Network since she formally joined in 2008, as the membership director. She led the organization in terms of expansion, and has promoted activism with the rising youth, motivating real action. Dominique attended Temple University, studying theater, music, and communications, then went on to attend The American Musical and Dramatic Academy (AMDA), in New York City where she graduated in 2007. Aside from her love for theater and children, she has also explored the realms of producing. For a year she co-produced her father’s syndicated radio show “Keeping it Real” with Al Sharpton, co-produced a Broadway event at Birdland Jazz Club with Amy Birnbaum, celebrating Afro-American music on Broadway and is currently producing her father’s live radio broadcast rally every Saturday morning from 9-11 a.m. on WLIB-1190 a.m. She has been diligently working on the forefront with her father, helping to organize marches and rallies around the country in pursuit of justice. She devotes a lot of time mentoring young people around the city, having recently co-founded a youth based organization with her sister Ashley called “Harlem INC” which has transformed into an entertainment Company called “Sharpton entertainment LLC”. They work to provide positive outlets for youth and showcase their many talents, as well as raising issues and hardships that young adults are facing and dealing with today. Dominique Sharpton is also the board president for Education for a Better America (EBA), which seeks to promote, fund, organize and conduct activities that will build an educational support system that serves the needs of students in urban communities. The mission of the corporation is to build bridges between policymakers and the classrooms by supporting innovations in the delivery of education; creating a dialogue between policymakers, community leaders, educators, parents, and students; and disseminating information that will positively impact our schools.

Ludovica Villar-Hauser’s directorial accomplishments include the New York premiere of Otho Eskin’s Duet, the world premiere of Teresa Lotz’s She Calls Me Firefly, the Off-Broadway world premiere and West End premiere of Gregory Murphy’s The Countess (634 Off-Broadway performances), Philip Ridley’s Leaves of Glass, and Laura Pedersen’s For Heaven’s Sake!, among many other critically-acclaimed productions. Ludovica was the youngest woman ever to simultaneously produce and direct in London’s West End. In the New York theatre industry, she was also one of the few women to own and operate her own theatre for 17 years – The Greenwich Street Theatre. She served on the Board of the League of Professional Theatre Women from 2009-2018 and is currently the Producer of its Oral History Project at NYPL for the Performing Arts at Lincoln Center. Previous to her many credits in New York, at twenty-three, Ludovica was the youngest woman ever to simultaneously produce and direct in London’s West End. Her production of O’Neill’s  Long Day’s Journey into Night transferred after its initial run to a larger West End venue. In the New York theatre industry, Ludovica is one of the few women to have owned and operated her own theatre – The Greenwich Street Theatre – which she ran for seventeen years, during which time she developed more than thirty new plays and presented the work of hundreds of theatre artists.  Alongside her directorial career, Ludovica is Founder and Artistic Director of Parity Productions, a recipient of NYWA’s Galaxy Award, and has served on the Board of the League of Professional Theatre Women since 2009.

Gayle Waxenberg’s career began on Wall Street where she managed the marketing and corporate communications for a premiere investment bank. During her 11 years there, she won a multitude of awards for the creative and strategic campaigns she directed. She later started her own marketing consulting firm, Waxenberg & Associates, working with advertising, public relations and direct marketing firms servicing the financial industry. A born advocate, she left the for-profit sector and committed herself to raising awareness for those less for-tunate. Combining her extensive business experience and philanthropic work, she began giving “voice” to the different communities she served, and continues to serve; domestic abuse victims, hospice patients, substance abuse victims, immigrants, at-risk children and mental health patients. Gayle has been repeatedly honored for her service by the organizations she serves. Recognizing the power of the stories she captured, she launched the Telling Company in 2012 as a forum for telling real-life stories influencing social change through art.  She has now brought The Telling Company to NewYorkRep becoming a founding member with Markus Potter. Her first play, A Bitter Pill, premiered in 2016 at the Hudson Guild Theater, as part of the Venus/Adonis Theater Festival. Gayle also produced the mulit-award winning film Influence, and the London production of Stalking the Bogeyman, which received an Off-West End (Offie nomination) for best production and direction. Produced readings included Ben Elton’s Olivier award winning play, Popcorn, starring Sharon Stone and Stacey Keach. She is proud to have launched and produced a community-based program of readings, Thought Bubbles, to bring new theatrical work free to people who may not otherwise have access. Gayle is also a Founder/Past President and currently a Board Member of The Graham School Education Foundation, a Board Member of Danza Espanza, The American Spanish Dance Theater, and was an elected official.   She is also a member of the Dramatists Guild of America, the Off Broadway Alliance, Theater Resources Unlimited and a member of the League of Professional Theater Women.

Theater Resources Unlimited (TRU) is the leading network for developing theater professionals, a twenty-seven-year-old 501(c)(3) nonprofit organization created to help producers produce, emerging theater companies to emerge healthily and all theater professionals to understand and navigate the business of the arts. Membership includes self-producing artists as well as career producers and theater companies. TRU publishes an email community newsletter of services, goods and productions; offers a Producer Development & Mentorship Program taught by prominent producers and general managers in New York theater, and also presents Producer Boot Camp workshops to help aspirants develop business skills. Currently, TRU offers a Weekly Community Gathering on Fridays at 4:30pm to help maintain community spirit during this time of isolation. TRU serves writers through the TRU Voices Play Reading Series, Writer-Producer Speed Dates, a Practical Playwriting Workshop, How to Write a Musical That Works and a Writer-Director Communications Lab. Programs of Theater Resources Unlimited are supported in part by the Montage Foundation and the Leibowitz Greenway Foundation. For more information about TRU membership and programs, visit www.truonline.org.

Jan
3
Sun
South Street Seaport Museum Virtual Sea Chanteys and Maritime Music Sing-Along Broadcast @ Online
Jan 3 @ 2:00 pm
South Street Seaport Museum Virtual Sea Chanteys and Maritime Music Sing-Along Broadcast @ Online

South Street Seaport Museum Virtual Sea Chanteys and Maritime Music Sing-Along Broadcast

South Street Seaport Museum’s monthly sea-music event, Sea Chanteys and Maritime Music, continues virtually on Sunday, January 3, 2021 at 2pm ET. From our living rooms and kitchens join a round-robin of shared songs featuring members ofThe New York Packet and friends. Listen in, lead a song, and belt out the choruses for your neighbors to hear on the first Sunday of every month. The event is FREE. Sign up here to receive the Zoom link 24 hours prior: southstreetseaportmuseum.org/chanteysing/.

After years of meeting in person on the historic tall ship Wavertree, the event moved online in April 2020. Now in its ninth month of virtual incarnation, South Street Seaport Museum’s Virtual Chantey Sing has evolved into the preeminent virtual chantey sing in the world, featuring professionals and amateurs, old salts and new initiates, from across the street, across the country, and across the pond.

“A fine mix of familiar songs and some new ones that should be better known. The fact that performers came from all over, from the Netherlands, the UK, Canada, and across the US, gave a wonderful feeling of this special musical community we all share,” wrote one participant.

Old-time sailors on long voyages spent months living together in close quarters with no outside entertainment, no new people to interact with, a monotonous diet, and each day pretty much just like the day before. How did they keep their spirits up? Singing together! Work songs and fun songs, story songs and nonsense songs, songs of nostalgia and songs of up-to-the-moment news – all were part of the repertoire onboard. At South Street Seaport Museum, the Chantey tradition lives on. January’s event will be moderated by Deirdre Murtha of The Johnson Girls and The New York Packet, a collection of traditional chantey singers in the New York area.

“Sea chanteys fit in beautifully with the New York tradition,” said Laura Norwitz, SSSM’s Senior Director of Program and Education. “Sailing ships were a melting pot of languages and cultures, and chanteys and forecastle songs, along with hard work and shared challenges, helped sailors merge into one community. When we sing these songs today – some old, and some updated with up-to-the-moment lyrics – we celebrate our connection with our maritime heritage and also with the community we create enjoying home-made music together.”

The New York Packet was established over 30 years ago as the official maritime singing group of South Street Seaport Museum. First singing on the iconic vessel Peking, they have endeavored ever since to keep chantey singing alive in lower Manhattan. Even when the Seaport encountered “heavy weather” during and after hurricane Sandy, the Packet found places to fill with sound while awaiting a return to their beloved ships at the Seaport. In May of 2019, the moment came when the Packet could return and sing aboard
Wavertree. It was a magical and welcome moment.

About the South Street Seaport Museum
The South Street Seaport Museum, located in the heart of the historic seaport district in New York City, preserves and interprets the history of New York as a great port city. Founded in 1967, the Museum houses an extensive collection of works of art and artifacts, a maritime reference library, exhibition galleries and education spaces, working nineteenth century print shops, and an active fleet of historic vessels that all work to tell the story of “Where New York Begins.” www.southstreetseaportmuseum.org

#SouthStreetSeaportMuseum #WhereNewYorkBegins
@SouthStreetSeaportMuseum – Facebook
@seaportmuseum – Instagram
@seaportmuseum – Twitter

Jan
13
Wed
Ballet Hispánico’s B Unidos Winter Watch Party Schedule Unveiled @ Online
Jan 13 all-day

Ballet Hispánico’s B Unidos Winter Watch Party Schedule Unveiled

Multiple Dates

New York, NY – Ballet Hispánico, the nation’s renowned Latinx dance organization recognized this year as one of America’s Cultural Treasures, kicks off 2021 with a glimpse into the company’s past. The 50th Anniversary Celebration continues with a series of entertaining archival repertory pieces, inviting audiences to look back at vibrant performances from the 80s and 90s with the Ballet Hispánico Watch Party Series on Wednesdays, January 13, 27 and February 10, available at ballethispanico.org, and on YouTube and Facebook. Enjoy a Company performance from the comfort of your own home, followed by live Q&A sessions with Artistic Director and CEO of Ballet Hispánico Eduardo Vilaro, choreographers and Company and alumni dancers. Each of the pieces feature Mr. Vilaro himself, during his years as a dancer with the Company. https://www.ballethispanico.org/

January 13 at 6:30pm
Arabesque by Vincente Nebrada, with post-event appearances by former Company dancers Justine DiCostanzo and Sean Kim.

January 27 at 6:30pm
¡Si Señor! ¡Es Mi Son! by Alberto Alonso, followed by a conversation with former Company member Donald Roman Lopez and other special guests.

February 10 at 7pm
Café America by George Faison, including post-event conversation with the choreographer himself.

Arabesque (1984)
Vicente Nebrada’s Arabesque is an elegant suite of dances set to the music of Spanish composer, Enrique Granados. Traces of Flamenco influence are hinted at in the upper body as the dancers move through a series of lush balletic contemporary phrase work. Choreography by Vicente Nebrada; Music by Enrique Granados; Costume Design by Randy Barcelo; Lighting Design by Donald Holder; Dancers: Mari MacKenzi, Justine DiCostanzo, Nadine Mose, Kathryn Ross, Teresina Goheen, Jose Costas, Verne Hunt, Cholsu Kim, Pedro Ruiz, Eduardo Vilaro

¡Si Señor! ¡Es Mi Son! (1994)
Choreographer Alberto Alonso brings the spirit of Cuba to life. Elaborately costumed dancers make their way across the stage in a carnival style procession eventually breaking off in pairs, their movement intertwined with the Afro-Cuban rhythms of Gloria Estefan’s music from her album, Mi Tierra. Choreography by Alberto Alonso; Assisted by Sonia Calero; Music by Gloria Estefan (from the album Mi Tierra); Costume Design by Randy Barcelo; Lighting Design by Donald Holder; Dancers: Pedro Ruiz, Amir Levy, Natalia Zisa, Eduardo Vilaro, Lynne Morrissey, Alessandra Corona, Rebecca Jefferson, Veronica Ruiz, Donald Roman Lopez, Yael Levitin, Marc Calamia, Linda Caceres, Rita Blandino, Christina Figueroa, Eric Rivera

Café America (1990)
Café America is a bittersweet envisioning of the “American Dream.” Three immigrants make their way to a new life dawned in brilliant-colored suits with a sense of determination evoked by Faison’s expansive, jazzy choreography. Choreography by George Faison; Music by Ruben Blades and Julio Iglesias; Set Design by Pepon Osorio; Costume Design by Bernard Johnson; Lighting Design by Tim Hunter; Dancers: Marc Calamia, Eduardo Vilaro, and Amir Levy

#BUnidos
#BUnidos began as a daily video series to combat the loss of performances and community programming due to COVID-19. As social distancing continues, we continue to provide content through our social media platforms as a way to instill a sense of community within our BH familia and offer ways to explore dance and Latino cultures online. #BUnidos! Social distancing does not mean emotional distancing.

“As a community of dancers, artists, and human beings, we are all in this together. We will persevere through this challenging time, and we hope that this programming provides a coping outlet, for you, for our followers and the community overall,” said Eduardo Vilaro, Artistic Director & CEO of Ballet Hispánico. “Now more than ever, it is important to band together in support of the arts. The personal and professional challenges that we have already endured and will continue to face over the next few weeks or months are significant. What we can take from this time of cancellations, uncertainty and social distancing is a chance to use our creativity to connect with the community on a new level. Social distancing does not mean emotional distancing. Ballet Hispánico was founded upon and has always believed in the importance of reaching and servicing our community through dance and culture. As this pandemic occurs during our 50th Anniversary, it provides us with an opportunity to reflect on how far we have come, get back to our roots by reaching out to community near and far, and look forward to what is ahead.”

About Ballet Hispánico
Ballet Hispánico is the nation’s renowned Latino dance organization and one of America’s Cultural Treasures. Ballet Hispánico brings communities together to celebrate and explore Latino cultures through innovative dance performances, transformative dance training, and enduring community engagement experiences. Founded in 1970 by National Medal of Arts recipient, Tina Ramírez, the organization emerged during the post-civil rights movement on New York’s Upper West Side, providing a safe haven for primarily Black and Brown Latinx youth seeking artistic sanctuary during New York City’s plight in the 1970s. The need for place, both culturally and artistically, led families to find Ballet Hispánico. The focus on dance as a means to develop working artists, combined with the training, authenticity of voice, and power of representation, fueled the organization’s roots and trajectory. With its strong emphasis on dance, achievement, and public presence, the organization has flourished in its three main programs: its Company, School of Dance, and Community Arts Partnerships. The organization serves as a platform for historically omitted and overlooked artists providing them with increased capacity, voice, and affirmation. Over the past five decades, by leading with Latinx culture at the forefront of performance, education, and advocacy, Ballet Hispánico’s mission is a catalyst of change and possibility for communities throughout our nation.

Jan
20
Wed
Ballet Hispánico’s B Unidos Winter Watch Party Schedule Unveiled @ Online
Jan 20 all-day

Ballet Hispánico’s B Unidos Winter Watch Party Schedule Unveiled

Multiple Dates

New York, NY – Ballet Hispánico, the nation’s renowned Latinx dance organization recognized this year as one of America’s Cultural Treasures, kicks off 2021 with a glimpse into the company’s past. The 50th Anniversary Celebration continues with a series of entertaining archival repertory pieces, inviting audiences to look back at vibrant performances from the 80s and 90s with the Ballet Hispánico Watch Party Series on Wednesdays, January 13, 27 and February 10, available at ballethispanico.org, and on YouTube and Facebook. Enjoy a Company performance from the comfort of your own home, followed by live Q&A sessions with Artistic Director and CEO of Ballet Hispánico Eduardo Vilaro, choreographers and Company and alumni dancers. Each of the pieces feature Mr. Vilaro himself, during his years as a dancer with the Company. https://www.ballethispanico.org/

January 13 at 6:30pm
Arabesque by Vincente Nebrada, with post-event appearances by former Company dancers Justine DiCostanzo and Sean Kim.

January 27 at 6:30pm
¡Si Señor! ¡Es Mi Son! by Alberto Alonso, followed by a conversation with former Company member Donald Roman Lopez and other special guests.

February 10 at 7pm
Café America by George Faison, including post-event conversation with the choreographer himself.

Arabesque (1984)
Vicente Nebrada’s Arabesque is an elegant suite of dances set to the music of Spanish composer, Enrique Granados. Traces of Flamenco influence are hinted at in the upper body as the dancers move through a series of lush balletic contemporary phrase work. Choreography by Vicente Nebrada; Music by Enrique Granados; Costume Design by Randy Barcelo; Lighting Design by Donald Holder; Dancers: Mari MacKenzi, Justine DiCostanzo, Nadine Mose, Kathryn Ross, Teresina Goheen, Jose Costas, Verne Hunt, Cholsu Kim, Pedro Ruiz, Eduardo Vilaro

¡Si Señor! ¡Es Mi Son! (1994)
Choreographer Alberto Alonso brings the spirit of Cuba to life. Elaborately costumed dancers make their way across the stage in a carnival style procession eventually breaking off in pairs, their movement intertwined with the Afro-Cuban rhythms of Gloria Estefan’s music from her album, Mi Tierra. Choreography by Alberto Alonso; Assisted by Sonia Calero; Music by Gloria Estefan (from the album Mi Tierra); Costume Design by Randy Barcelo; Lighting Design by Donald Holder; Dancers: Pedro Ruiz, Amir Levy, Natalia Zisa, Eduardo Vilaro, Lynne Morrissey, Alessandra Corona, Rebecca Jefferson, Veronica Ruiz, Donald Roman Lopez, Yael Levitin, Marc Calamia, Linda Caceres, Rita Blandino, Christina Figueroa, Eric Rivera

Café America (1990)
Café America is a bittersweet envisioning of the “American Dream.” Three immigrants make their way to a new life dawned in brilliant-colored suits with a sense of determination evoked by Faison’s expansive, jazzy choreography. Choreography by George Faison; Music by Ruben Blades and Julio Iglesias; Set Design by Pepon Osorio; Costume Design by Bernard Johnson; Lighting Design by Tim Hunter; Dancers: Marc Calamia, Eduardo Vilaro, and Amir Levy

#BUnidos
#BUnidos began as a daily video series to combat the loss of performances and community programming due to COVID-19. As social distancing continues, we continue to provide content through our social media platforms as a way to instill a sense of community within our BH familia and offer ways to explore dance and Latino cultures online. #BUnidos! Social distancing does not mean emotional distancing.

“As a community of dancers, artists, and human beings, we are all in this together. We will persevere through this challenging time, and we hope that this programming provides a coping outlet, for you, for our followers and the community overall,” said Eduardo Vilaro, Artistic Director & CEO of Ballet Hispánico. “Now more than ever, it is important to band together in support of the arts. The personal and professional challenges that we have already endured and will continue to face over the next few weeks or months are significant. What we can take from this time of cancellations, uncertainty and social distancing is a chance to use our creativity to connect with the community on a new level. Social distancing does not mean emotional distancing. Ballet Hispánico was founded upon and has always believed in the importance of reaching and servicing our community through dance and culture. As this pandemic occurs during our 50th Anniversary, it provides us with an opportunity to reflect on how far we have come, get back to our roots by reaching out to community near and far, and look forward to what is ahead.”

About Ballet Hispánico
Ballet Hispánico is the nation’s renowned Latino dance organization and one of America’s Cultural Treasures. Ballet Hispánico brings communities together to celebrate and explore Latino cultures through innovative dance performances, transformative dance training, and enduring community engagement experiences. Founded in 1970 by National Medal of Arts recipient, Tina Ramírez, the organization emerged during the post-civil rights movement on New York’s Upper West Side, providing a safe haven for primarily Black and Brown Latinx youth seeking artistic sanctuary during New York City’s plight in the 1970s. The need for place, both culturally and artistically, led families to find Ballet Hispánico. The focus on dance as a means to develop working artists, combined with the training, authenticity of voice, and power of representation, fueled the organization’s roots and trajectory. With its strong emphasis on dance, achievement, and public presence, the organization has flourished in its three main programs: its Company, School of Dance, and Community Arts Partnerships. The organization serves as a platform for historically omitted and overlooked artists providing them with increased capacity, voice, and affirmation. Over the past five decades, by leading with Latinx culture at the forefront of performance, education, and advocacy, Ballet Hispánico’s mission is a catalyst of change and possibility for communities throughout our nation.

Jan
26
Tue
Dance Films Association Film Lab: Isolation to Creation Docuseries Conversation @ Online
Jan 26 all-day

DFA Film Lab: Isolation to Creation Docuseries Conversation with Nic Petry and Julie Rooney, Dancing Camera, and Duke Dang

Join Dance Films Association for a conversation with filmmaker Nic Petry and editor Julie Rooney of Dancing Camera, and Duke Dang, General Manager of Works & Process, the performing arts series at the Guggenheim. RSVP for this free pre-premiere talk at https://gibneydance.secure.force.com/ticket/#/instances/a0F2S00001azfwnUAA. The talk is presented by Dance Films Association in partnership with the Guggenheim’s Works & Process at the Guggenheim and Gibney.

This Dance Film Lab, led by DFA curator Liz Wolff, will explore this filmmaking endeavor capturing the Works & Process production of six pioneering bubble residencies that took place in summer and fall of 2020 in the Hudson Valley. The residencies culminated in live, in-process outdoor performances at Kaatsbaan Summer Festival and Lincoln Center for the Performing Arts. This incredible journey will premiere as a four-part docudrama, ISOLATION TO CREATION streaming nationwide on January 27, and February 3, 10, and 17, at 8pm ET, for free on the ALL ARTS app, allarts.org , and also air in the New York metro area on the ALL ARTS TV channel (channel lineups available at: https://allarts.org/everywhere/).

“Works & Process has always championed artists and their creative process. Even though the pandemic put us on pause, we were adamant that we had to continue to fulfill our mission and creatively and financially support artists,” said Caroline Cronson, Producer of Works & Process. “With the pandemic rendering artists so vulnerable, we knew we had to forge a new path forward and share these truly unique and compelling journeys to a wider public, we are proud to partner with ALL ARTS to share these stories of hope and resiliency,” said Duke Dang, General Manager of Works & Process.

“We’re incredibly proud of the role we play as an amplifier and platform for the arts. So many arts institutions have either had to close their doors or find new innovative ways to present to their audiences this year,” said Co-Executive in Charge of ALL ARTS Diane Masciale. “We’re honored to be partnering with the Guggenheim’s Works & Process to bring Isolation to Creation to viewers across the country for free. It’s a perfect example of the beautiful collaboration and creativity that exists in the arts community, especially during hard times,” added Senior Director of ALL ARTS Joe Harrell.

Under a medical protocol developed with medical counsel Dr. Wendy S. Ziecheck, and ethical oversight provided by Dr. Robert Klitzman, artists isolated by the coronavirus (COVID-19) pandemic gathered in quarantine to work together in Hudson Valley. In partnership with Kaatsbaan Cultural Park, Mount Tremper Arts, and Petronio Residency Center through jointly subsidized residencies, eight creative bubbles were created to incubate Works & Process commissions featuring diverse dance cultures, including Afrik, ballet, ballroom, break, flex, Krump, modern, tap, and vogue dance styles, and beatbox. Select projects were performed at the Kaatsbaan Festival to live audiences and were sequenced into filmed performances at Lincoln Center for the Performing Arts. Audiences were invited to witness some of the collaborative work and receive real-time updates on Works & Process social media at Facebook, Instagram, and YouTube (@worksandprocess).

Episode 1: January 27
Isolation to Creation: A Way Forward
After self-isolation and serial Covid testing, quarantine bubbles are formed for artists to gather, create, and perform safely again. Ephrat Asherie, Les Ballet Afrik, Joshua Bergasse, Sara Mearns, Missing Element, Music from the Sole, and Jamar Roberts.

Episode 2: February 3
Isolation to Creation: Beatbox, Modern, Street, Tap Dance and Afro-Brazilian Rhythm
Artists from Missing Element melding beatbox and breaking, flexn, and Krumping; Music from the Sole fusing tap and Afro-Brazilian rhythms; and Alvin Ailey American Dance Theater resident choreographer Jamar Roberts and dancers go back into the studio for the first time.

Episode 3: February 10
Isolation to Creation: Afrik, Ballet, Ballroom, Broadway, Club, House, and Vogue
Ephrat Asherie Dance with club legends, Les Ballet Afrik and ballroom legend Omari Wiles, and Seven Deadly Sins artists Joshua Bergasse, Marc Happel and Sara Mearns go back into the studio for the first time.

Episode 4: February 17
Isolation to Creation: Showtime
After two weeks inside Works & Process bubble residencies, projects culminate in live performances at Kaatsbaan Festival and filmed video at Lincoln Center, previewing future premiere performances at the Guggenheim, once it is safe for all to gather.

Lead support for Works & Process Bubble Residencies and Isolation to Creation provided by Works & Process Board of Directors and Anh-Tuyet Nguyen and Robert Pollock, with additional support from Jonna Mackin. The filming of Isolation to Creation was supported in part by the Jerome Robbins Dance Division at the New York Public Library for the Performing Arts.

Featured Bubble Residency Artists include:
Ephrat Asherie Dance and Club Legends
Les Ballet Afrik with Omari Wiles
The Missing Element with Chris Celiz and Anthony Rodriguez “Invertebrate”
Music from the Sole with Gregory Richardson and Leonardo Sandoval
Jamar Roberts
Seven Deadly Sins with Joshua Bergasse, Justin Vivian Bond, Jeffrey Guimond, Marc Happel, and Sara Mearns

Notes from the Bubble, a series for trailers for Isolation to Creation can be viewed at:
https://www.youtube.com/playlistlist=PLJ08rQmWB63QrAk67XU8C3k2DiPmUVRyM.

Find more information at www.worksandprocess.org.

Once conditions are deemed safe for audiences and artists to gather, the live premieres and showings of projects featured in Isolation to Creation will be presented at the Guggenheim Museum as part of the Works & Process 2021 season.

Works & Process at the Guggenheim
Described by The New York Times as “an exceptional opportunity to understand something of the creative process,” for 35 years, New Yorkers have been able to see, hear, and meet the most acclaimed artists in the world, in an intimate setting unlike any other. Works & Process, the performing arts series at the Guggenheim, has championed new works and offered audiences unprecedented access to generations of leading creators and performers. Most performances take place in the Guggenheim’s intimate Frank Lloyd Wright-designed 273-seat Peter B. Lewis Theater. In 2017, Works & Process established a new residency and commissioning program, inviting artists to create new works, made in and for the iconic Guggenheim rotunda. In 2020, Works & Process Artists (WPA) Virtual Commissions was created to financially support artists and nurture their creative process during the pandemic. To forge a path for artists to safely gather, create, and perform during the pandemic, in summer 2020, Works & Process pioneered and produced a series of bubble residencies that will continue into 2021. worksandprocess.org. Lead funding for Works & Process is provided by the Ford Foundation, the Christian Humann Foundation, Leon Levy Foundation, Mertz Gilmore Foundation, NYC COVID-19 Response and Impact Fund, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts. Works & Process has received support from the U.S. Small Business Administration Paycheck Protection Program and NYC Employee Retention Grant Program.

About Dance Films Association
Dance Films Association is the catalyst for the production, presentation, and preservation of dance on camera. We are dedicated to furthering the art of dance film by connecting artists and organizations, fostering new works for new audiences, and sharing essential resources. A non profit membership organization, Dance Films Association builds upon founder Susan Braun’s vision by encouraging choreographers to enter the world of filmmaking, for filmmakers to discover the rich history of dance, and for audiences to engage with the broad spectrum of these films. Today, DFA serves the global dance film community by providing membership opportunities, connecting artists and organizations, fostering new works for new audiences, and sharing essential resources. Its constituency includes dance and film artists, academics and critics, as well as students and established professionals. Based on the principle of movement, dance, like cinema, began as an art form centered on the human body, physical performance, and communication through action and image. Today, technology allows for more artistic experimentation than ever and the language of moving images enriches viewers’ experience. Forging a truly unique vision, dance filmmakers continue to question creative boundaries, producing films that speak through the universal language of movement, unifying cultures and generating wider audiences. DFA champions the fundamental art forms of dance and film by encouraging the affinities between the two, providing infrastructure for the dance film genre, and serving as an international hub for dance on camera. DFA strives to promote films of value which engage viewers to question the world around them.

About Gibney
Gibney has used movement to transform and inspire for nearly 30 years. Gibney’s story began in 1991, when choreographer Gina Gibney founded her socially active dance company with a single dance studio to call home. The organization has rapidly evolved into a performing arts and social justice powerhouse. Gibney is now home to thousands of artists and community members across two New York City locations, totaling 23 studios, 5 performance spaces, and 52,000 square feet of space. Gibney’s mission is to tap into the vast potential of movement, creativity, and performance to effect social change and personal transformation. Gibney’s vision is to deploy resources and bring together disparate communities to ignite a cultural renaissance that has ripple effects for society far beyond the studio and stage. Gibney’s mission and vision come to life through a stunning resident repertory company, impactful community action initiatives, and thriving performing arts centers.

About ALL ARTS
ALL ARTS is breaking new ground as the premier destination for inspiration, creativity and art of all forms. This New York Emmy-winning arts and culture hub is created by WNET, the parent company of New York’s PBS stations. With the aim of being accessible to viewers everywhere, ALL ARTS’ Webby-nominated programming – from digital shorts to feature films – is available online nationwide through allarts.org, the free ALL ARTS app on all major streaming platforms and @AllArtsTV on YouTube, Facebook, Instagram, and Twitter. New York area TV viewers can also watch the 24/7 broadcast channel. For all the ways to watch, visit allarts.org/everywhere. Leadership support for ALL ARTS is generously provided by Jody and John Arnhold, Sue and Edgar Wachenheim III, the Kate W. Cassidy Foundation, The Jerome L. Greene Foundation, The Andrew W. Mellon Foundation and Anderson Family Fund.

Jan
27
Wed
Ballet Hispánico’s ¡Si Señor! ¡Es Mi Son! Watch Party @ Online
Jan 27 all-day
Ballet Hispánico's ¡Si Señor! ¡Es Mi Son! Watch Party @ Online

Ballet Hispánico’s ¡Si Señor! ¡Es Mi Son! Watch Party

January 27

Ballet Hispánico, the nation’s renowned Latinx dance organization recognized this year as one of America’s Cultural Treasures, kicks off 2021 with a glimpse into the company’s past. The 50th Anniversary Celebration continues with a series of entertaining archival repertory pieces, inviting audiences to look back at vibrant performances from the 80s and 90s with the Ballet Hispánico Watch Party Series on Wednesday, January 27, available at ballethispanico.org, and on YouTube and Facebook. Enjoy a Company performance from the comfort of your own home, followed by live Q&A sessions with Artistic Director and CEO of Ballet Hispánico Eduardo Vilaro, choreographers and Company and alumni dancers. The piece features Mr. Vilaro himself, during his years as a dancer with the Company.

January 27 at 6:30pm
¡Si Señor! ¡Es Mi Son! by Alberto Alonso, followed by a conversation with former Company member Donald Roman Lopez and other special guests.

¡Si Señor! ¡Es Mi Son! (1994)
Choreographer Alberto Alonso brings the spirit of Cuba to life. Elaborately costumed dancers make their way across the stage in a carnival style procession eventually breaking off in pairs, their movement intertwined with the Afro-Cuban rhythms of Gloria Estefan’s music from her album, Mi Tierra. Choreography by Alberto Alonso; Assisted by Sonia Calero; Music by Gloria Estefan (from the album Mi Tierra); Costume Design by Randy Barcelo; Lighting Design by Donald Holder; Dancers: Pedro Ruiz, Amir Levy, Natalia Zisa, Eduardo Vilaro, Lynne Morrissey, Alessandra Corona, Rebecca Jefferson, Veronica Ruiz, Donald Roman Lopez, Yael Levitin, Marc Calamia, Linda Caceres, Rita Blandino, Christina Figueroa, Eric Rivera

#BUnidos
#BUnidos began as a daily video series to combat the loss of performances and community programming due to COVID-19. As social distancing continues, we continue to provide content through our social media platforms as a way to instill a sense of community within our BH familia and offer ways to explore dance and Latino cultures online. #BUnidos! Social distancing does not mean emotional distancing.

“As a community of dancers, artists, and human beings, we are all in this together. We will persevere through this challenging time, and we hope that this programming provides a coping outlet, for you, for our followers and the community overall,” said Eduardo Vilaro, Artistic Director & CEO of Ballet Hispánico. “Now more than ever, it is important to band together in support of the arts. The personal and professional challenges that we have already endured and will continue to face over the next few weeks or months are significant. What we can take from this time of cancellations, uncertainty and social distancing is a chance to use our creativity to connect with the community on a new level. Social distancing does not mean emotional distancing. Ballet Hispánico was founded upon and has always believed in the importance of reaching and servicing our community through dance and culture. As this pandemic occurs during our 50th Anniversary, it provides us with an opportunity to reflect on how far we have come, get back to our roots by reaching out to community near and far, and look forward to what is ahead.”

About Ballet Hispánico
Ballet Hispánico is the nation’s renowned Latino dance organization and one of America’s Cultural Treasures. Ballet Hispánico brings communities together to celebrate and explore Latino cultures through innovative dance performances, transformative dance training, and enduring community engagement experiences. Founded in 1970 by National Medal of Arts recipient, Tina Ramírez, the organization emerged during the post-civil rights movement on New York’s Upper West Side, providing a safe haven for primarily Black and Brown Latinx youth seeking artistic sanctuary during New York City’s plight in the 1970s. The need for place, both culturally and artistically, led families to find Ballet Hispánico. The focus on dance as a means to develop working artists, combined with the training, authenticity of voice, and power of representation, fueled the organization’s roots and trajectory. With its strong emphasis on dance, achievement, and public presence, the organization has flourished in its three main programs: its Company, School of Dance, and Community Arts Partnerships. The organization serves as a platform for historically omitted and overlooked artists providing them with increased capacity, voice, and affirmation. Over the past five decades, by leading with Latinx culture at the forefront of performance, education, and advocacy, Ballet Hispánico’s mission is a catalyst of change and possibility for communities throughout our nation.

Ballet Hispánico’s B Unidos Winter Watch Party Schedule Unveiled @ Online
Jan 27 all-day

Ballet Hispánico’s B Unidos Winter Watch Party Schedule Unveiled

Multiple Dates

New York, NY – Ballet Hispánico, the nation’s renowned Latinx dance organization recognized this year as one of America’s Cultural Treasures, kicks off 2021 with a glimpse into the company’s past. The 50th Anniversary Celebration continues with a series of entertaining archival repertory pieces, inviting audiences to look back at vibrant performances from the 80s and 90s with the Ballet Hispánico Watch Party Series on Wednesdays, January 13, 27 and February 10, available at ballethispanico.org, and on YouTube and Facebook. Enjoy a Company performance from the comfort of your own home, followed by live Q&A sessions with Artistic Director and CEO of Ballet Hispánico Eduardo Vilaro, choreographers and Company and alumni dancers. Each of the pieces feature Mr. Vilaro himself, during his years as a dancer with the Company. https://www.ballethispanico.org/

January 13 at 6:30pm
Arabesque by Vincente Nebrada, with post-event appearances by former Company dancers Justine DiCostanzo and Sean Kim.

January 27 at 6:30pm
¡Si Señor! ¡Es Mi Son! by Alberto Alonso, followed by a conversation with former Company member Donald Roman Lopez and other special guests.

February 10 at 7pm
Café America by George Faison, including post-event conversation with the choreographer himself.

Arabesque (1984)
Vicente Nebrada’s Arabesque is an elegant suite of dances set to the music of Spanish composer, Enrique Granados. Traces of Flamenco influence are hinted at in the upper body as the dancers move through a series of lush balletic contemporary phrase work. Choreography by Vicente Nebrada; Music by Enrique Granados; Costume Design by Randy Barcelo; Lighting Design by Donald Holder; Dancers: Mari MacKenzi, Justine DiCostanzo, Nadine Mose, Kathryn Ross, Teresina Goheen, Jose Costas, Verne Hunt, Cholsu Kim, Pedro Ruiz, Eduardo Vilaro

¡Si Señor! ¡Es Mi Son! (1994)
Choreographer Alberto Alonso brings the spirit of Cuba to life. Elaborately costumed dancers make their way across the stage in a carnival style procession eventually breaking off in pairs, their movement intertwined with the Afro-Cuban rhythms of Gloria Estefan’s music from her album, Mi Tierra. Choreography by Alberto Alonso; Assisted by Sonia Calero; Music by Gloria Estefan (from the album Mi Tierra); Costume Design by Randy Barcelo; Lighting Design by Donald Holder; Dancers: Pedro Ruiz, Amir Levy, Natalia Zisa, Eduardo Vilaro, Lynne Morrissey, Alessandra Corona, Rebecca Jefferson, Veronica Ruiz, Donald Roman Lopez, Yael Levitin, Marc Calamia, Linda Caceres, Rita Blandino, Christina Figueroa, Eric Rivera

Café America (1990)
Café America is a bittersweet envisioning of the “American Dream.” Three immigrants make their way to a new life dawned in brilliant-colored suits with a sense of determination evoked by Faison’s expansive, jazzy choreography. Choreography by George Faison; Music by Ruben Blades and Julio Iglesias; Set Design by Pepon Osorio; Costume Design by Bernard Johnson; Lighting Design by Tim Hunter; Dancers: Marc Calamia, Eduardo Vilaro, and Amir Levy

#BUnidos
#BUnidos began as a daily video series to combat the loss of performances and community programming due to COVID-19. As social distancing continues, we continue to provide content through our social media platforms as a way to instill a sense of community within our BH familia and offer ways to explore dance and Latino cultures online. #BUnidos! Social distancing does not mean emotional distancing.

“As a community of dancers, artists, and human beings, we are all in this together. We will persevere through this challenging time, and we hope that this programming provides a coping outlet, for you, for our followers and the community overall,” said Eduardo Vilaro, Artistic Director & CEO of Ballet Hispánico. “Now more than ever, it is important to band together in support of the arts. The personal and professional challenges that we have already endured and will continue to face over the next few weeks or months are significant. What we can take from this time of cancellations, uncertainty and social distancing is a chance to use our creativity to connect with the community on a new level. Social distancing does not mean emotional distancing. Ballet Hispánico was founded upon and has always believed in the importance of reaching and servicing our community through dance and culture. As this pandemic occurs during our 50th Anniversary, it provides us with an opportunity to reflect on how far we have come, get back to our roots by reaching out to community near and far, and look forward to what is ahead.”

About Ballet Hispánico
Ballet Hispánico is the nation’s renowned Latino dance organization and one of America’s Cultural Treasures. Ballet Hispánico brings communities together to celebrate and explore Latino cultures through innovative dance performances, transformative dance training, and enduring community engagement experiences. Founded in 1970 by National Medal of Arts recipient, Tina Ramírez, the organization emerged during the post-civil rights movement on New York’s Upper West Side, providing a safe haven for primarily Black and Brown Latinx youth seeking artistic sanctuary during New York City’s plight in the 1970s. The need for place, both culturally and artistically, led families to find Ballet Hispánico. The focus on dance as a means to develop working artists, combined with the training, authenticity of voice, and power of representation, fueled the organization’s roots and trajectory. With its strong emphasis on dance, achievement, and public presence, the organization has flourished in its three main programs: its Company, School of Dance, and Community Arts Partnerships. The organization serves as a platform for historically omitted and overlooked artists providing them with increased capacity, voice, and affirmation. Over the past five decades, by leading with Latinx culture at the forefront of performance, education, and advocacy, Ballet Hispánico’s mission is a catalyst of change and possibility for communities throughout our nation.