Calendar

Dec
22
Tue
Theater Resources Unlimited Art and Activism: How Theater Can Open (and Change) Minds @ Online
Dec 22 all-day
Theater Resources Unlimited Art and Activism: How Theater Can Open (and Change) Minds @ Online

Theater Resources Unlimited Art and Activism: How Theater Can Open (and Change) Minds

Theater Resources Unlimited (TRU) announces their monthly panel Art and Activism: How Theater Can Open (and Change) Minds on Tuesday, December 22, 2020 at 6pm via Zoom. The Zoom session will open at 6pm for roundtable introductions of attendees, and the program will start at 6:30pm – come prepared with your best 20-second summary of who you are, and what you need. Reserve a spot on the event page at https://truonline.org/events/art-and-activism/ or by emailing [email protected]  – you will be put on a list to receive the Zoom link.

Guest speakers include Jane Dubin, chair of the board of directors of Houses on the Moon Theatre Company; Adam Hyndman, associate at Octopus Theatricals, board of Broadway For Racial Justice, co-founder of The Industry Standard Group; Ludovica Villar-Hauser, founder/artistic director of Parity Productions; actor and activist Dominique Sharpton; and Gayle Waxenberg, co-founder and executive director of NewYorkRep.

From its very roots in ancient classics that often shaped current as well as historic events into life lessons, to Shakespeare’s portraits of royal villains and heroes, to the cool-eyed issue plays of Brecht and the agitprop of Odets, theater has always been a political medium. Even when it is not overtly political, theater can be subversively persuasive as it invites us to empathize with characters and dares us to understand human behavior in its full spectrum of moral shades. In a world now in urgent need of greater inclusion, will theater fulfill its potential by bringing a wider range of stories to the stage that show audiences the many faces of “the other” and explore the state of our world in thought-provoking ways?

We offer these events free to TRU members in normal times, and currently include a pay-what-you-can tax-deductible donation option for non-members, to help make up for our current financial losses.

About the Guest Speakers

Jane Dubin is a TONY Award-winning producer and the President of Double Play Connections, a theatrical production and management company committed to supporting emerging artists and playwrights in the creation and development of new works. Jane is a graduate of the Commercial Theatre Institute’s 14-week (NYC) and O’Neill Center Intensive (CT) Producing Workshops and past Director of Theater Resources Unlimited’s Producer Development Program, and current Director of the program’s Master Class. Broadway/OB: The Prom (Best Musical – Drama Desk Award), Farinelli and the King (5 Tony nominations), starring Mark Rylance,  Bandstand, An American in Paris on Broadway (4 TONY Awards), National Tour and in London, Absolute Brightness of Leonard Pelkey (Off Broadway and on Tour),  Peter and the Starcatcher (Broadway, Off-Broadway, National Tour), winner of 5 TONY Awards; Ann, starring Holland Taylor (Lincoln Center); The Umbrellas of Cherbourg (London); The 39 Steps (OB, Tour); The Norman Conquests (TONY Award, Best Play Revival), Groundswell (the New Group), Beebo Brinker Chronicles (2008 GLAAD Media Award for Theatre). Other: OPA! at TBG Theatre (Best Commercial Production, MITF 2008), Take Me America (Best Musical, MITF 2007), Count Down, (Bank Street Theatre) and the one-woman show that started it all, MentalPause by Margaret Liston. Ms. Dubin is a full voting member of the Broadway League. She is Chair of the Board of Directors of Houses on the Moon Theater Company and a prior Board member of the League of Professional Theatre Women. For two years she was co-curator of the Hudson Valley Writers’ Center New Play Reading Series. She co-produced Hudson River Rising, presenting events for One Billion Ris-ing (V-Day) 2013 and 2014 and was a member of the Grand Jury for New York Musical Festival’s 2015 – 2019 seasons.

Adam Hyndman is a performing artist, producer, and activist. He graduated from Princeton University with a degree in Cultural Anthropology and minors in theater and dance. He has worked extensively in the arts, performing on stage and screen with roles on Broadway and television. Some notable credits include: NBC’s The Sing Off, Children of Eden at the Kennedy Center, Aladdin on Broadway, Once On This Island on Broadway and Hadestown on Broadway. Adam was a co-producer for The Inheritance on Broadway. He is currently incubating several projects as an independent producer as well as within the Tony Award winning team at Octopus Theatricals. Adam uses his experiences working with narratives to challenge his vision for the world, and it leads him to opportunities in and out of the arts. He is passionate about creating possibilities for people to connect and activate their purpose. Adam is honored to serve on the board of directors for Broadway For Racial Justice where he is specifically charged with curating community through mentorship and volunteer programs. His purpose in this work is for disruption, radical accessibility, and reconciliation, and he continues this as a founder of The Industry Standard Group (a community fund for BIPOC folks to invest and produce in commercial theater, the first of its kind). As an individual committed to excellence and progressive achievement through collaboration, he works toward the manifestation of a diverse and inclusive world.

Dominique Sharpton has been an influential force in the National Action Network since she formally joined in 2008, as the membership director. She led the organization in terms of expansion, and has promoted activism with the rising youth, motivating real action. Dominique attended Temple University, studying theater, music, and communications, then went on to attend The American Musical and Dramatic Academy (AMDA), in New York City where she graduated in 2007. Aside from her love for theater and children, she has also explored the realms of producing. For a year she co-produced her father’s syndicated radio show “Keeping it Real” with Al Sharpton, co-produced a Broadway event at Birdland Jazz Club with Amy Birnbaum, celebrating Afro-American music on Broadway and is currently producing her father’s live radio broadcast rally every Saturday morning from 9-11 a.m. on WLIB-1190 a.m. She has been diligently working on the forefront with her father, helping to organize marches and rallies around the country in pursuit of justice. She devotes a lot of time mentoring young people around the city, having recently co-founded a youth based organization with her sister Ashley called “Harlem INC” which has transformed into an entertainment Company called “Sharpton entertainment LLC”. They work to provide positive outlets for youth and showcase their many talents, as well as raising issues and hardships that young adults are facing and dealing with today. Dominique Sharpton is also the board president for Education for a Better America (EBA), which seeks to promote, fund, organize and conduct activities that will build an educational support system that serves the needs of students in urban communities. The mission of the corporation is to build bridges between policymakers and the classrooms by supporting innovations in the delivery of education; creating a dialogue between policymakers, community leaders, educators, parents, and students; and disseminating information that will positively impact our schools.

Ludovica Villar-Hauser’s directorial accomplishments include the New York premiere of Otho Eskin’s Duet, the world premiere of Teresa Lotz’s She Calls Me Firefly, the Off-Broadway world premiere and West End premiere of Gregory Murphy’s The Countess (634 Off-Broadway performances), Philip Ridley’s Leaves of Glass, and Laura Pedersen’s For Heaven’s Sake!, among many other critically-acclaimed productions. Ludovica was the youngest woman ever to simultaneously produce and direct in London’s West End. In the New York theatre industry, she was also one of the few women to own and operate her own theatre for 17 years – The Greenwich Street Theatre. She served on the Board of the League of Professional Theatre Women from 2009-2018 and is currently the Producer of its Oral History Project at NYPL for the Performing Arts at Lincoln Center. Previous to her many credits in New York, at twenty-three, Ludovica was the youngest woman ever to simultaneously produce and direct in London’s West End. Her production of O’Neill’s  Long Day’s Journey into Night transferred after its initial run to a larger West End venue. In the New York theatre industry, Ludovica is one of the few women to have owned and operated her own theatre – The Greenwich Street Theatre – which she ran for seventeen years, during which time she developed more than thirty new plays and presented the work of hundreds of theatre artists.  Alongside her directorial career, Ludovica is Founder and Artistic Director of Parity Productions, a recipient of NYWA’s Galaxy Award, and has served on the Board of the League of Professional Theatre Women since 2009.

Gayle Waxenberg’s career began on Wall Street where she managed the marketing and corporate communications for a premiere investment bank. During her 11 years there, she won a multitude of awards for the creative and strategic campaigns she directed. She later started her own marketing consulting firm, Waxenberg & Associates, working with advertising, public relations and direct marketing firms servicing the financial industry. A born advocate, she left the for-profit sector and committed herself to raising awareness for those less for-tunate. Combining her extensive business experience and philanthropic work, she began giving “voice” to the different communities she served, and continues to serve; domestic abuse victims, hospice patients, substance abuse victims, immigrants, at-risk children and mental health patients. Gayle has been repeatedly honored for her service by the organizations she serves. Recognizing the power of the stories she captured, she launched the Telling Company in 2012 as a forum for telling real-life stories influencing social change through art.  She has now brought The Telling Company to NewYorkRep becoming a founding member with Markus Potter. Her first play, A Bitter Pill, premiered in 2016 at the Hudson Guild Theater, as part of the Venus/Adonis Theater Festival. Gayle also produced the mulit-award winning film Influence, and the London production of Stalking the Bogeyman, which received an Off-West End (Offie nomination) for best production and direction. Produced readings included Ben Elton’s Olivier award winning play, Popcorn, starring Sharon Stone and Stacey Keach. She is proud to have launched and produced a community-based program of readings, Thought Bubbles, to bring new theatrical work free to people who may not otherwise have access. Gayle is also a Founder/Past President and currently a Board Member of The Graham School Education Foundation, a Board Member of Danza Espanza, The American Spanish Dance Theater, and was an elected official.   She is also a member of the Dramatists Guild of America, the Off Broadway Alliance, Theater Resources Unlimited and a member of the League of Professional Theater Women.

Theater Resources Unlimited (TRU) is the leading network for developing theater professionals, a twenty-seven-year-old 501(c)(3) nonprofit organization created to help producers produce, emerging theater companies to emerge healthily and all theater professionals to understand and navigate the business of the arts. Membership includes self-producing artists as well as career producers and theater companies. TRU publishes an email community newsletter of services, goods and productions; offers a Producer Development & Mentorship Program taught by prominent producers and general managers in New York theater, and also presents Producer Boot Camp workshops to help aspirants develop business skills. Currently, TRU offers a Weekly Community Gathering on Fridays at 4:30pm to help maintain community spirit during this time of isolation. TRU serves writers through the TRU Voices Play Reading Series, Writer-Producer Speed Dates, a Practical Playwriting Workshop, How to Write a Musical That Works and a Writer-Director Communications Lab. Programs of Theater Resources Unlimited are supported in part by the Montage Foundation and the Leibowitz Greenway Foundation. For more information about TRU membership and programs, visit www.truonline.org.

Jan
3
Sun
“Jewish James Bond and Other Heroes” Book Talk @ N/A
Jan 3 @ 4:00 pm

“Jewish James Bond and Other Heroes” Book Talk

January 3, 2021

New York-based Sousa Mendes Foundation is presenting a free, open-to-the-public, virtual panel discussion.

During the discussion, you will get to know the fascinating characters who participated in Operation Zebra – the little-known story of World War II aviators who risked their lives and freedom in 1947-49 to prevent what they viewed as an imminent second Holocaust. The heroes include the Jewish James Bond, Yehuda Arazi, the operation’s chief pilot Sam Lewis, and its flight instructor Elynor Rudnick. Meet Arazi’s grandson and Lewis’ daughter, as well as Boaz Dvir, who captured the story in the 2015 award winning PBS documentary A Wing and a Prayer and the 2020 critically acclaimed book Saving Israel.

Jan
7
Thu
Rising Economic and Social Costs of Hunger and Unemployment @ virtual
Jan 7 @ 6:00 pm
Rising Economic and Social Costs of Hunger and Unemployment @ virtual

Rising Economic and Social Costs of Hunger and Unemployment

Please join Commonpoint Queens and community leaders for an in-depth conversation about the Rising Economic and Social Costs of Hunger and Unemployment.

This virtual panel features:

Danielle Ellman, CEO, Commonpoint Queens
Marci Hunn, Program Director, The Harry and Jeanette Weinberg Foundation
Assemblymember Nily Rozic
Queens Borough President Donovan Richards
Moderated by David Brand, Managing Editor, Queens Daily Eagle.
Panel will be held over Zoom, as well as broadcast over Facebook live. Please register and submit any questions you may have for our panelists at commonpointqueens.org/TownHall.

For more information, please contact Judy Vladimir at [email protected] or 718-225-6750 ext. 345.

Jan
8
Fri
Virtual Lunchtime Lecture: 19th-Century Petkeeping @ Mount Vernon Hotel Museum & Garden
Jan 8 all-day
Virtual Lunchtime Lecture: 19th-Century Petkeeping @ Mount Vernon Hotel Museum & Garden

Virtual Lunchtime Lecture: 19th-Century Petkeeping

January 6, 2021

Join us for our monthly discussion of an aspect of life in early 19th-century America. This month we will discuss the evolution of keeping pets, and explore questions such as: Was this a common practice in the 1800s? Why or why not? What pets were popular? What was the relationship between pets and new ideas of child rearing? Free.

If you want a photo of your pet included in a collage that we will share at the end of the lecture, email it to [email protected] by January 6.

For the Zoom access link, visit www.mvhm.org

Jan
9
Sat
SFC Write in Brooklyn : Arts and Activism in Post-Apartheid South Africa @ Online
Jan 9 @ 11:00 am – 12:00 pm
SFC Write in Brooklyn : Arts and Activism in Post-Apartheid South Africa @ Online

SFC Write in Brooklyn : Arts and Activism in Post-Apartheid South Africa

January 9, 2021

Hear from Playwright Ian Bruce, trained as an actor in Johannesburg, appeared briefly in the early 1970s on the South African stage and TV

About Ian Bruce:

After a 17 year political exile, Ian Bruce returned to South Africa in 1992 where he served as Executive Director of the New Africa Theatre Association (NATA). His plays been produced all over the world, garnering awards and accolades in South Africa, Netherlands, United States, and Sweden. Ian’s script Groundswell is required reading for students in South Africa.

“Mr. Bruce’s drama could be described as a cross between David Mamet and Athol Fugard…[Mr. Bruce] draws his characters in admirable depth and telling detail. While each is used to illuminate social or economic problems troubling the country in the years after the dismantling of apartheid, none is merely a place holder for an attitude or a social class.”

The New York Times
Review of Groundswell
May 18, 2009

Please note, the event link will be sent out one hour prior to the event’s start time.

Jan
12
Tue
Drink + Draw — Flux Factory @ Online
Jan 12 @ 7:00 pm – 9:30 pm

It’s time for another DRINK + DRAW!!!!

Hope to see you there! ⁣⁣

Tuesday, January 12,
7:00 – 9:30pm

REGISTER ON LINK: https://withfriends.co/event/6031807/flux_digital_drink_and_draw ✅✅
Sliding scale $0 – $20⁣⁣
⁣⁣
It’s always such a joyful evening! Some ‘FAQs’ are below, and if you have any more questions or access needs, please reach out to @lexymakesthings! 💜⁣⁣
⁣⁣
FEATURING AMAZING ARTIST MODELS:⁣⁣
Nayana Fielkov (she/her, @nonnyp)⁣⁣
Flux’s own Maya Suess (she/her, @mayasuess)⁣⁣
Dew Deloris Igworia-Onwuka (she/they, @dewigwoonwuka)⁣⁣
Mimi Ho-Tai (@mimihotai, she/her)⁣⁣
⁣⁣
Hosted by @lexymakesthings (she/her) via @flux_factory⁣⁣
⁣⁣
Q: Where does it take place?⁣⁣
A: Good ole’ Zoom! Links will be sent upon registration.
⁣⁣
Q: Is it okay if I come late for the Drink + Draw?⁣⁣
A: Yes! The event is ‘drop-in’ style, so come through any time between 7-9:30pm. Stay for as long as you can!⁣⁣
⁣⁣
Q: Do we have to share our drawings?⁣⁣
A: Not at all! In between sets, we spent about 5 minutes sharing our drawings (i.e. holding them up to the screen and being spotlit). It’s a very supportive environment, as folks often say encouraging words about the drawings. However, this is totally optional – if you’d prefer not to share, that is absolutely okay!⁣⁣
⁣⁣
Q: Is it free?⁣⁣
A: Yes! If you’re in the position to support, we do have a $5-20 suggested donation, which goes towards tipping the models. All the models are volunteering their time, so this is very appreciated. However, no one is turned away due to lack of funds, and you can show gratitude to the models in other ways: sharing your drawings, following their creative practices, etc.⁣⁣
⁣⁣
If you have any more questions, an interest in Access Needs, please reach out!⁣⁣

Jan
13
Wed
Ballet Hispánico’s B Unidos Winter Watch Party Schedule Unveiled @ Online
Jan 13 all-day

Ballet Hispánico’s B Unidos Winter Watch Party Schedule Unveiled

Multiple Dates

New York, NY – Ballet Hispánico, the nation’s renowned Latinx dance organization recognized this year as one of America’s Cultural Treasures, kicks off 2021 with a glimpse into the company’s past. The 50th Anniversary Celebration continues with a series of entertaining archival repertory pieces, inviting audiences to look back at vibrant performances from the 80s and 90s with the Ballet Hispánico Watch Party Series on Wednesdays, January 13, 27 and February 10, available at ballethispanico.org, and on YouTube and Facebook. Enjoy a Company performance from the comfort of your own home, followed by live Q&A sessions with Artistic Director and CEO of Ballet Hispánico Eduardo Vilaro, choreographers and Company and alumni dancers. Each of the pieces feature Mr. Vilaro himself, during his years as a dancer with the Company. https://www.ballethispanico.org/

January 13 at 6:30pm
Arabesque by Vincente Nebrada, with post-event appearances by former Company dancers Justine DiCostanzo and Sean Kim.

January 27 at 6:30pm
¡Si Señor! ¡Es Mi Son! by Alberto Alonso, followed by a conversation with former Company member Donald Roman Lopez and other special guests.

February 10 at 7pm
Café America by George Faison, including post-event conversation with the choreographer himself.

Arabesque (1984)
Vicente Nebrada’s Arabesque is an elegant suite of dances set to the music of Spanish composer, Enrique Granados. Traces of Flamenco influence are hinted at in the upper body as the dancers move through a series of lush balletic contemporary phrase work. Choreography by Vicente Nebrada; Music by Enrique Granados; Costume Design by Randy Barcelo; Lighting Design by Donald Holder; Dancers: Mari MacKenzi, Justine DiCostanzo, Nadine Mose, Kathryn Ross, Teresina Goheen, Jose Costas, Verne Hunt, Cholsu Kim, Pedro Ruiz, Eduardo Vilaro

¡Si Señor! ¡Es Mi Son! (1994)
Choreographer Alberto Alonso brings the spirit of Cuba to life. Elaborately costumed dancers make their way across the stage in a carnival style procession eventually breaking off in pairs, their movement intertwined with the Afro-Cuban rhythms of Gloria Estefan’s music from her album, Mi Tierra. Choreography by Alberto Alonso; Assisted by Sonia Calero; Music by Gloria Estefan (from the album Mi Tierra); Costume Design by Randy Barcelo; Lighting Design by Donald Holder; Dancers: Pedro Ruiz, Amir Levy, Natalia Zisa, Eduardo Vilaro, Lynne Morrissey, Alessandra Corona, Rebecca Jefferson, Veronica Ruiz, Donald Roman Lopez, Yael Levitin, Marc Calamia, Linda Caceres, Rita Blandino, Christina Figueroa, Eric Rivera

Café America (1990)
Café America is a bittersweet envisioning of the “American Dream.” Three immigrants make their way to a new life dawned in brilliant-colored suits with a sense of determination evoked by Faison’s expansive, jazzy choreography. Choreography by George Faison; Music by Ruben Blades and Julio Iglesias; Set Design by Pepon Osorio; Costume Design by Bernard Johnson; Lighting Design by Tim Hunter; Dancers: Marc Calamia, Eduardo Vilaro, and Amir Levy

#BUnidos
#BUnidos began as a daily video series to combat the loss of performances and community programming due to COVID-19. As social distancing continues, we continue to provide content through our social media platforms as a way to instill a sense of community within our BH familia and offer ways to explore dance and Latino cultures online. #BUnidos! Social distancing does not mean emotional distancing.

“As a community of dancers, artists, and human beings, we are all in this together. We will persevere through this challenging time, and we hope that this programming provides a coping outlet, for you, for our followers and the community overall,” said Eduardo Vilaro, Artistic Director & CEO of Ballet Hispánico. “Now more than ever, it is important to band together in support of the arts. The personal and professional challenges that we have already endured and will continue to face over the next few weeks or months are significant. What we can take from this time of cancellations, uncertainty and social distancing is a chance to use our creativity to connect with the community on a new level. Social distancing does not mean emotional distancing. Ballet Hispánico was founded upon and has always believed in the importance of reaching and servicing our community through dance and culture. As this pandemic occurs during our 50th Anniversary, it provides us with an opportunity to reflect on how far we have come, get back to our roots by reaching out to community near and far, and look forward to what is ahead.”

About Ballet Hispánico
Ballet Hispánico is the nation’s renowned Latino dance organization and one of America’s Cultural Treasures. Ballet Hispánico brings communities together to celebrate and explore Latino cultures through innovative dance performances, transformative dance training, and enduring community engagement experiences. Founded in 1970 by National Medal of Arts recipient, Tina Ramírez, the organization emerged during the post-civil rights movement on New York’s Upper West Side, providing a safe haven for primarily Black and Brown Latinx youth seeking artistic sanctuary during New York City’s plight in the 1970s. The need for place, both culturally and artistically, led families to find Ballet Hispánico. The focus on dance as a means to develop working artists, combined with the training, authenticity of voice, and power of representation, fueled the organization’s roots and trajectory. With its strong emphasis on dance, achievement, and public presence, the organization has flourished in its three main programs: its Company, School of Dance, and Community Arts Partnerships. The organization serves as a platform for historically omitted and overlooked artists providing them with increased capacity, voice, and affirmation. Over the past five decades, by leading with Latinx culture at the forefront of performance, education, and advocacy, Ballet Hispánico’s mission is a catalyst of change and possibility for communities throughout our nation.

Jan
14
Thu
Write in Brooklyn Presents: Jacqueline Woodson, National Book Award Winner @ Online
Jan 14 @ 6:00 pm – 7:30 pm
Write in Brooklyn Presents: Jacqueline Woodson, National Book Award Winner @ Online

Write in Brooklyn Presents: Jacqueline Woodson, National Book Award winner

January 14, 2021

St. Francis College presents a Write in Brooklyn virtual event with National Book Award winner and MacArthur fellow Jacqueline Woodson.

About this Event

Join our Write in Brooklyn event with Jacqueline Woodson, moderated by Isaac Fitzgerald and hosted by the SFC MFA Program! On January 14th, from 6-7:30pm, Jacqueline and Isaac will discuss writing, literature, and the creative process. The acclaimed author is the National Book Award winner for her New York Times bestseller, Brown Girl Dreaming, and the 2020 recipient of the MacArthur Fellowship, the 2020 recipient of the Hans Christian Andersen Award, the 2018 Astrid Lindgren Memorial Award, among many others.

Please note, the Zoom link will be sent out one hour prior to the event’s start time.

About Jacqueline Woodson

Jacqueline Woodson is the recipient of a 2020 MacArthur Fellowship, the 2020 Hans Christian Andersen Award, the 2018 Astrid Lindgren Memorial Award, and the 2018 Children’s Literature Legacy Award, and she was the 2018–2019 National Ambassador for Young People’s Literature. Her New York Times bestselling memoir, Brown Girl Dreaming, won the National Book Award, as well as the Coretta Scott King Award, a Newbery Honor, and the NAACP Image Award. She also wrote the adult books Red at the Bone, a New York Times bestseller, and Another Brooklyn, a 2016 National Book Award finalist. Her dozens of books for young readers include Before the Ever After, New York Times bestsellers The Day You Begin and Harbor Me, Newbery Honor winners Feathers, Show Way, and After Tupac and D Foster, and the picture book Each Kindness, which won the Jane Addams Children’s Book Award.

Jan
20
Wed
Ballet Hispánico’s B Unidos Winter Watch Party Schedule Unveiled @ Online
Jan 20 all-day

Ballet Hispánico’s B Unidos Winter Watch Party Schedule Unveiled

Multiple Dates

New York, NY – Ballet Hispánico, the nation’s renowned Latinx dance organization recognized this year as one of America’s Cultural Treasures, kicks off 2021 with a glimpse into the company’s past. The 50th Anniversary Celebration continues with a series of entertaining archival repertory pieces, inviting audiences to look back at vibrant performances from the 80s and 90s with the Ballet Hispánico Watch Party Series on Wednesdays, January 13, 27 and February 10, available at ballethispanico.org, and on YouTube and Facebook. Enjoy a Company performance from the comfort of your own home, followed by live Q&A sessions with Artistic Director and CEO of Ballet Hispánico Eduardo Vilaro, choreographers and Company and alumni dancers. Each of the pieces feature Mr. Vilaro himself, during his years as a dancer with the Company. https://www.ballethispanico.org/

January 13 at 6:30pm
Arabesque by Vincente Nebrada, with post-event appearances by former Company dancers Justine DiCostanzo and Sean Kim.

January 27 at 6:30pm
¡Si Señor! ¡Es Mi Son! by Alberto Alonso, followed by a conversation with former Company member Donald Roman Lopez and other special guests.

February 10 at 7pm
Café America by George Faison, including post-event conversation with the choreographer himself.

Arabesque (1984)
Vicente Nebrada’s Arabesque is an elegant suite of dances set to the music of Spanish composer, Enrique Granados. Traces of Flamenco influence are hinted at in the upper body as the dancers move through a series of lush balletic contemporary phrase work. Choreography by Vicente Nebrada; Music by Enrique Granados; Costume Design by Randy Barcelo; Lighting Design by Donald Holder; Dancers: Mari MacKenzi, Justine DiCostanzo, Nadine Mose, Kathryn Ross, Teresina Goheen, Jose Costas, Verne Hunt, Cholsu Kim, Pedro Ruiz, Eduardo Vilaro

¡Si Señor! ¡Es Mi Son! (1994)
Choreographer Alberto Alonso brings the spirit of Cuba to life. Elaborately costumed dancers make their way across the stage in a carnival style procession eventually breaking off in pairs, their movement intertwined with the Afro-Cuban rhythms of Gloria Estefan’s music from her album, Mi Tierra. Choreography by Alberto Alonso; Assisted by Sonia Calero; Music by Gloria Estefan (from the album Mi Tierra); Costume Design by Randy Barcelo; Lighting Design by Donald Holder; Dancers: Pedro Ruiz, Amir Levy, Natalia Zisa, Eduardo Vilaro, Lynne Morrissey, Alessandra Corona, Rebecca Jefferson, Veronica Ruiz, Donald Roman Lopez, Yael Levitin, Marc Calamia, Linda Caceres, Rita Blandino, Christina Figueroa, Eric Rivera

Café America (1990)
Café America is a bittersweet envisioning of the “American Dream.” Three immigrants make their way to a new life dawned in brilliant-colored suits with a sense of determination evoked by Faison’s expansive, jazzy choreography. Choreography by George Faison; Music by Ruben Blades and Julio Iglesias; Set Design by Pepon Osorio; Costume Design by Bernard Johnson; Lighting Design by Tim Hunter; Dancers: Marc Calamia, Eduardo Vilaro, and Amir Levy

#BUnidos
#BUnidos began as a daily video series to combat the loss of performances and community programming due to COVID-19. As social distancing continues, we continue to provide content through our social media platforms as a way to instill a sense of community within our BH familia and offer ways to explore dance and Latino cultures online. #BUnidos! Social distancing does not mean emotional distancing.

“As a community of dancers, artists, and human beings, we are all in this together. We will persevere through this challenging time, and we hope that this programming provides a coping outlet, for you, for our followers and the community overall,” said Eduardo Vilaro, Artistic Director & CEO of Ballet Hispánico. “Now more than ever, it is important to band together in support of the arts. The personal and professional challenges that we have already endured and will continue to face over the next few weeks or months are significant. What we can take from this time of cancellations, uncertainty and social distancing is a chance to use our creativity to connect with the community on a new level. Social distancing does not mean emotional distancing. Ballet Hispánico was founded upon and has always believed in the importance of reaching and servicing our community through dance and culture. As this pandemic occurs during our 50th Anniversary, it provides us with an opportunity to reflect on how far we have come, get back to our roots by reaching out to community near and far, and look forward to what is ahead.”

About Ballet Hispánico
Ballet Hispánico is the nation’s renowned Latino dance organization and one of America’s Cultural Treasures. Ballet Hispánico brings communities together to celebrate and explore Latino cultures through innovative dance performances, transformative dance training, and enduring community engagement experiences. Founded in 1970 by National Medal of Arts recipient, Tina Ramírez, the organization emerged during the post-civil rights movement on New York’s Upper West Side, providing a safe haven for primarily Black and Brown Latinx youth seeking artistic sanctuary during New York City’s plight in the 1970s. The need for place, both culturally and artistically, led families to find Ballet Hispánico. The focus on dance as a means to develop working artists, combined with the training, authenticity of voice, and power of representation, fueled the organization’s roots and trajectory. With its strong emphasis on dance, achievement, and public presence, the organization has flourished in its three main programs: its Company, School of Dance, and Community Arts Partnerships. The organization serves as a platform for historically omitted and overlooked artists providing them with increased capacity, voice, and affirmation. Over the past five decades, by leading with Latinx culture at the forefront of performance, education, and advocacy, Ballet Hispánico’s mission is a catalyst of change and possibility for communities throughout our nation.

Jan
24
Sun
Tea in Early America: A Virtual Workshop at the Mount Vernon Hotel Museum and Garden @ Mount Vernon Hotel Museum & Garden
Jan 24 all-day

Tea in Early America: A Virtual Workshop

January 24, 2021

At the Mount Vernon Hotel Museum & Garden

Pour yourself a cup of tea and join us as we explore the history and traditions of tea in America, including the types of tea available, tea superstitions, and the proper food to serve at an early 19th-century afternoon tea.

Jan
26
Tue
Dance Films Association Film Lab: Isolation to Creation Docuseries Conversation @ Online
Jan 26 all-day

DFA Film Lab: Isolation to Creation Docuseries Conversation with Nic Petry and Julie Rooney, Dancing Camera, and Duke Dang

Join Dance Films Association for a conversation with filmmaker Nic Petry and editor Julie Rooney of Dancing Camera, and Duke Dang, General Manager of Works & Process, the performing arts series at the Guggenheim. RSVP for this free pre-premiere talk at https://gibneydance.secure.force.com/ticket/#/instances/a0F2S00001azfwnUAA. The talk is presented by Dance Films Association in partnership with the Guggenheim’s Works & Process at the Guggenheim and Gibney.

This Dance Film Lab, led by DFA curator Liz Wolff, will explore this filmmaking endeavor capturing the Works & Process production of six pioneering bubble residencies that took place in summer and fall of 2020 in the Hudson Valley. The residencies culminated in live, in-process outdoor performances at Kaatsbaan Summer Festival and Lincoln Center for the Performing Arts. This incredible journey will premiere as a four-part docudrama, ISOLATION TO CREATION streaming nationwide on January 27, and February 3, 10, and 17, at 8pm ET, for free on the ALL ARTS app, allarts.org , and also air in the New York metro area on the ALL ARTS TV channel (channel lineups available at: https://allarts.org/everywhere/).

“Works & Process has always championed artists and their creative process. Even though the pandemic put us on pause, we were adamant that we had to continue to fulfill our mission and creatively and financially support artists,” said Caroline Cronson, Producer of Works & Process. “With the pandemic rendering artists so vulnerable, we knew we had to forge a new path forward and share these truly unique and compelling journeys to a wider public, we are proud to partner with ALL ARTS to share these stories of hope and resiliency,” said Duke Dang, General Manager of Works & Process.

“We’re incredibly proud of the role we play as an amplifier and platform for the arts. So many arts institutions have either had to close their doors or find new innovative ways to present to their audiences this year,” said Co-Executive in Charge of ALL ARTS Diane Masciale. “We’re honored to be partnering with the Guggenheim’s Works & Process to bring Isolation to Creation to viewers across the country for free. It’s a perfect example of the beautiful collaboration and creativity that exists in the arts community, especially during hard times,” added Senior Director of ALL ARTS Joe Harrell.

Under a medical protocol developed with medical counsel Dr. Wendy S. Ziecheck, and ethical oversight provided by Dr. Robert Klitzman, artists isolated by the coronavirus (COVID-19) pandemic gathered in quarantine to work together in Hudson Valley. In partnership with Kaatsbaan Cultural Park, Mount Tremper Arts, and Petronio Residency Center through jointly subsidized residencies, eight creative bubbles were created to incubate Works & Process commissions featuring diverse dance cultures, including Afrik, ballet, ballroom, break, flex, Krump, modern, tap, and vogue dance styles, and beatbox. Select projects were performed at the Kaatsbaan Festival to live audiences and were sequenced into filmed performances at Lincoln Center for the Performing Arts. Audiences were invited to witness some of the collaborative work and receive real-time updates on Works & Process social media at Facebook, Instagram, and YouTube (@worksandprocess).

Episode 1: January 27
Isolation to Creation: A Way Forward
After self-isolation and serial Covid testing, quarantine bubbles are formed for artists to gather, create, and perform safely again. Ephrat Asherie, Les Ballet Afrik, Joshua Bergasse, Sara Mearns, Missing Element, Music from the Sole, and Jamar Roberts.

Episode 2: February 3
Isolation to Creation: Beatbox, Modern, Street, Tap Dance and Afro-Brazilian Rhythm
Artists from Missing Element melding beatbox and breaking, flexn, and Krumping; Music from the Sole fusing tap and Afro-Brazilian rhythms; and Alvin Ailey American Dance Theater resident choreographer Jamar Roberts and dancers go back into the studio for the first time.

Episode 3: February 10
Isolation to Creation: Afrik, Ballet, Ballroom, Broadway, Club, House, and Vogue
Ephrat Asherie Dance with club legends, Les Ballet Afrik and ballroom legend Omari Wiles, and Seven Deadly Sins artists Joshua Bergasse, Marc Happel and Sara Mearns go back into the studio for the first time.

Episode 4: February 17
Isolation to Creation: Showtime
After two weeks inside Works & Process bubble residencies, projects culminate in live performances at Kaatsbaan Festival and filmed video at Lincoln Center, previewing future premiere performances at the Guggenheim, once it is safe for all to gather.

Lead support for Works & Process Bubble Residencies and Isolation to Creation provided by Works & Process Board of Directors and Anh-Tuyet Nguyen and Robert Pollock, with additional support from Jonna Mackin. The filming of Isolation to Creation was supported in part by the Jerome Robbins Dance Division at the New York Public Library for the Performing Arts.

Featured Bubble Residency Artists include:
Ephrat Asherie Dance and Club Legends
Les Ballet Afrik with Omari Wiles
The Missing Element with Chris Celiz and Anthony Rodriguez “Invertebrate”
Music from the Sole with Gregory Richardson and Leonardo Sandoval
Jamar Roberts
Seven Deadly Sins with Joshua Bergasse, Justin Vivian Bond, Jeffrey Guimond, Marc Happel, and Sara Mearns

Notes from the Bubble, a series for trailers for Isolation to Creation can be viewed at:
https://www.youtube.com/playlistlist=PLJ08rQmWB63QrAk67XU8C3k2DiPmUVRyM.

Find more information at www.worksandprocess.org.

Once conditions are deemed safe for audiences and artists to gather, the live premieres and showings of projects featured in Isolation to Creation will be presented at the Guggenheim Museum as part of the Works & Process 2021 season.

Works & Process at the Guggenheim
Described by The New York Times as “an exceptional opportunity to understand something of the creative process,” for 35 years, New Yorkers have been able to see, hear, and meet the most acclaimed artists in the world, in an intimate setting unlike any other. Works & Process, the performing arts series at the Guggenheim, has championed new works and offered audiences unprecedented access to generations of leading creators and performers. Most performances take place in the Guggenheim’s intimate Frank Lloyd Wright-designed 273-seat Peter B. Lewis Theater. In 2017, Works & Process established a new residency and commissioning program, inviting artists to create new works, made in and for the iconic Guggenheim rotunda. In 2020, Works & Process Artists (WPA) Virtual Commissions was created to financially support artists and nurture their creative process during the pandemic. To forge a path for artists to safely gather, create, and perform during the pandemic, in summer 2020, Works & Process pioneered and produced a series of bubble residencies that will continue into 2021. worksandprocess.org. Lead funding for Works & Process is provided by the Ford Foundation, the Christian Humann Foundation, Leon Levy Foundation, Mertz Gilmore Foundation, NYC COVID-19 Response and Impact Fund, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts. Works & Process has received support from the U.S. Small Business Administration Paycheck Protection Program and NYC Employee Retention Grant Program.

About Dance Films Association
Dance Films Association is the catalyst for the production, presentation, and preservation of dance on camera. We are dedicated to furthering the art of dance film by connecting artists and organizations, fostering new works for new audiences, and sharing essential resources. A non profit membership organization, Dance Films Association builds upon founder Susan Braun’s vision by encouraging choreographers to enter the world of filmmaking, for filmmakers to discover the rich history of dance, and for audiences to engage with the broad spectrum of these films. Today, DFA serves the global dance film community by providing membership opportunities, connecting artists and organizations, fostering new works for new audiences, and sharing essential resources. Its constituency includes dance and film artists, academics and critics, as well as students and established professionals. Based on the principle of movement, dance, like cinema, began as an art form centered on the human body, physical performance, and communication through action and image. Today, technology allows for more artistic experimentation than ever and the language of moving images enriches viewers’ experience. Forging a truly unique vision, dance filmmakers continue to question creative boundaries, producing films that speak through the universal language of movement, unifying cultures and generating wider audiences. DFA champions the fundamental art forms of dance and film by encouraging the affinities between the two, providing infrastructure for the dance film genre, and serving as an international hub for dance on camera. DFA strives to promote films of value which engage viewers to question the world around them.

About Gibney
Gibney has used movement to transform and inspire for nearly 30 years. Gibney’s story began in 1991, when choreographer Gina Gibney founded her socially active dance company with a single dance studio to call home. The organization has rapidly evolved into a performing arts and social justice powerhouse. Gibney is now home to thousands of artists and community members across two New York City locations, totaling 23 studios, 5 performance spaces, and 52,000 square feet of space. Gibney’s mission is to tap into the vast potential of movement, creativity, and performance to effect social change and personal transformation. Gibney’s vision is to deploy resources and bring together disparate communities to ignite a cultural renaissance that has ripple effects for society far beyond the studio and stage. Gibney’s mission and vision come to life through a stunning resident repertory company, impactful community action initiatives, and thriving performing arts centers.

About ALL ARTS
ALL ARTS is breaking new ground as the premier destination for inspiration, creativity and art of all forms. This New York Emmy-winning arts and culture hub is created by WNET, the parent company of New York’s PBS stations. With the aim of being accessible to viewers everywhere, ALL ARTS’ Webby-nominated programming – from digital shorts to feature films – is available online nationwide through allarts.org, the free ALL ARTS app on all major streaming platforms and @AllArtsTV on YouTube, Facebook, Instagram, and Twitter. New York area TV viewers can also watch the 24/7 broadcast channel. For all the ways to watch, visit allarts.org/everywhere. Leadership support for ALL ARTS is generously provided by Jody and John Arnhold, Sue and Edgar Wachenheim III, the Kate W. Cassidy Foundation, The Jerome L. Greene Foundation, The Andrew W. Mellon Foundation and Anderson Family Fund.

Jan
27
Wed
Ballet Hispánico’s B Unidos Winter Watch Party Schedule Unveiled @ Online
Jan 27 all-day

Ballet Hispánico’s B Unidos Winter Watch Party Schedule Unveiled

Multiple Dates

New York, NY – Ballet Hispánico, the nation’s renowned Latinx dance organization recognized this year as one of America’s Cultural Treasures, kicks off 2021 with a glimpse into the company’s past. The 50th Anniversary Celebration continues with a series of entertaining archival repertory pieces, inviting audiences to look back at vibrant performances from the 80s and 90s with the Ballet Hispánico Watch Party Series on Wednesdays, January 13, 27 and February 10, available at ballethispanico.org, and on YouTube and Facebook. Enjoy a Company performance from the comfort of your own home, followed by live Q&A sessions with Artistic Director and CEO of Ballet Hispánico Eduardo Vilaro, choreographers and Company and alumni dancers. Each of the pieces feature Mr. Vilaro himself, during his years as a dancer with the Company. https://www.ballethispanico.org/

January 13 at 6:30pm
Arabesque by Vincente Nebrada, with post-event appearances by former Company dancers Justine DiCostanzo and Sean Kim.

January 27 at 6:30pm
¡Si Señor! ¡Es Mi Son! by Alberto Alonso, followed by a conversation with former Company member Donald Roman Lopez and other special guests.

February 10 at 7pm
Café America by George Faison, including post-event conversation with the choreographer himself.

Arabesque (1984)
Vicente Nebrada’s Arabesque is an elegant suite of dances set to the music of Spanish composer, Enrique Granados. Traces of Flamenco influence are hinted at in the upper body as the dancers move through a series of lush balletic contemporary phrase work. Choreography by Vicente Nebrada; Music by Enrique Granados; Costume Design by Randy Barcelo; Lighting Design by Donald Holder; Dancers: Mari MacKenzi, Justine DiCostanzo, Nadine Mose, Kathryn Ross, Teresina Goheen, Jose Costas, Verne Hunt, Cholsu Kim, Pedro Ruiz, Eduardo Vilaro

¡Si Señor! ¡Es Mi Son! (1994)
Choreographer Alberto Alonso brings the spirit of Cuba to life. Elaborately costumed dancers make their way across the stage in a carnival style procession eventually breaking off in pairs, their movement intertwined with the Afro-Cuban rhythms of Gloria Estefan’s music from her album, Mi Tierra. Choreography by Alberto Alonso; Assisted by Sonia Calero; Music by Gloria Estefan (from the album Mi Tierra); Costume Design by Randy Barcelo; Lighting Design by Donald Holder; Dancers: Pedro Ruiz, Amir Levy, Natalia Zisa, Eduardo Vilaro, Lynne Morrissey, Alessandra Corona, Rebecca Jefferson, Veronica Ruiz, Donald Roman Lopez, Yael Levitin, Marc Calamia, Linda Caceres, Rita Blandino, Christina Figueroa, Eric Rivera

Café America (1990)
Café America is a bittersweet envisioning of the “American Dream.” Three immigrants make their way to a new life dawned in brilliant-colored suits with a sense of determination evoked by Faison’s expansive, jazzy choreography. Choreography by George Faison; Music by Ruben Blades and Julio Iglesias; Set Design by Pepon Osorio; Costume Design by Bernard Johnson; Lighting Design by Tim Hunter; Dancers: Marc Calamia, Eduardo Vilaro, and Amir Levy

#BUnidos
#BUnidos began as a daily video series to combat the loss of performances and community programming due to COVID-19. As social distancing continues, we continue to provide content through our social media platforms as a way to instill a sense of community within our BH familia and offer ways to explore dance and Latino cultures online. #BUnidos! Social distancing does not mean emotional distancing.

“As a community of dancers, artists, and human beings, we are all in this together. We will persevere through this challenging time, and we hope that this programming provides a coping outlet, for you, for our followers and the community overall,” said Eduardo Vilaro, Artistic Director & CEO of Ballet Hispánico. “Now more than ever, it is important to band together in support of the arts. The personal and professional challenges that we have already endured and will continue to face over the next few weeks or months are significant. What we can take from this time of cancellations, uncertainty and social distancing is a chance to use our creativity to connect with the community on a new level. Social distancing does not mean emotional distancing. Ballet Hispánico was founded upon and has always believed in the importance of reaching and servicing our community through dance and culture. As this pandemic occurs during our 50th Anniversary, it provides us with an opportunity to reflect on how far we have come, get back to our roots by reaching out to community near and far, and look forward to what is ahead.”

About Ballet Hispánico
Ballet Hispánico is the nation’s renowned Latino dance organization and one of America’s Cultural Treasures. Ballet Hispánico brings communities together to celebrate and explore Latino cultures through innovative dance performances, transformative dance training, and enduring community engagement experiences. Founded in 1970 by National Medal of Arts recipient, Tina Ramírez, the organization emerged during the post-civil rights movement on New York’s Upper West Side, providing a safe haven for primarily Black and Brown Latinx youth seeking artistic sanctuary during New York City’s plight in the 1970s. The need for place, both culturally and artistically, led families to find Ballet Hispánico. The focus on dance as a means to develop working artists, combined with the training, authenticity of voice, and power of representation, fueled the organization’s roots and trajectory. With its strong emphasis on dance, achievement, and public presence, the organization has flourished in its three main programs: its Company, School of Dance, and Community Arts Partnerships. The organization serves as a platform for historically omitted and overlooked artists providing them with increased capacity, voice, and affirmation. Over the past five decades, by leading with Latinx culture at the forefront of performance, education, and advocacy, Ballet Hispánico’s mission is a catalyst of change and possibility for communities throughout our nation.

Jan
30
Sat
Gift in the Wound⁣ – Artist Talk and Virtual Exhibition @ Flux Factory
Jan 30 @ 1:00 pm – Feb 7 @ 6:00 pm

Gift in the Wound⁣

January 29 – February 7⁣

Curated by Noah Phillips⁣

Gallery Hours: 1-6 PM EST on Saturday, January 30 & February 6⁣
Or by appointment, email [email protected]⁣!!

Artist Talk and virtual exhibition⁣
Friday, January 29 @ 7pm EST⁣
REGISTER AT: https://withfriends.co/event/8602348/gift_in_the_wound_opening_and_artist_talk

“Without the weight given by a wound consciously realized, [one] will lead a provisional life.” — Robert Bly⁣

The Gift In The Wound highlights the work of artists who have confronted their fears, traumas, and shadows, and emerged on the other side with unexpected insights, treasures, and talents to share with and enrich their communities. The wounds explored vary from the physical to the emotional to the spiritual, and the media from paint, fabric, glass, and beyond. Each work celebrates an enduring process of transformation reflected in nature, in myth, and in our bodies.⁣

The Gift in the Wound is Noah Phillips‘ curatorial debut. Before beginning his residency at Flux Factory, where his work has focused on the intersections of folk ritual and innovative understandings of psychological “plurality,” Noah was working as a Peer Specialist in the New York City’s public mental health system. He is also a Licensed Master of Social Work and an organizer with the Institute for the Development of Human Arts, a training institute for transformative models of mental health.⁣

*The exhibition will take place at Flux Factory’s Garage Bay Gallery. In response to COVID-19, all visitors are required to wear a face mask and follow social distancing guidelines. We are committed to maintaining a safe and healthy environment.⁣*

Feb
9
Tue
Book Event—Pictures on the Radio: Images by David Gilkey @ International Center of Photography (online)
Feb 9 @ 6:00 pm – Feb 10 @ 7:00 pm

Book Event—Pictures on the Radio: Images by David Gilkey

Join ICP for a special book program honoring the work of David Gilkey, a celebrated conflict photographer who helped NPR bring vivid life to big and small stories with global impact before he was killed on assignment in Helmand, Afghanistan in 2016.

In a new book from powerHouse, Pictures of the Radio, Gilkey’s work is highlighted, showing images taken on assignments in Afghanistan, Haiti, Gaza, and other locations around the globe while he captured conflict, natural disasters and other critical stories. The book includes recollections of Gilkey in essays by NPR correspondents who knew and worked with him, including Jason Beaubien, Ari Shapiro, David Greene, Julie McCarthy, and Eric Westervelt.

During this special event moderated by ICP’s managing director of programs, David Campany, hear from the editors of the book—Quil Lawrence and Chip Somodevilla, and Ariel Zambelich, as well as Lynsey Addario and other colleagues and long-time friends of Gilkey, for an evening celebrating the work of this important photojournalist.

This event is free. Reserve your copy of Pictures on the Radio through ICP’s shop.

Feb
10
Wed
ICP Talks: Cheriss May on Documenting Democracy @ International Center of Photography
Feb 10 @ 5:30 pm – 6:30 pm

ICP Talks: Cheriss May on Documenting Democracy

February 10, 2021

Kicking off the ICP Talks winter/spring season is Washington DC–based photojournalist and professor Cheriss May. Covering politics and movements with portraiture at the soul of her work, May is lauded for her inclusive storytelling approach to both editorial assignments and personal projects.

Join us for an evening with May, as she discusses her work documenting democracy and social unrest during a turbulent year in the US, and learn more about inclusive storytelling through her photographs and projects in a conversation with ICP’s Managing Director of Programs David Campany.